We Need New Eyes

by Liz Corney

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1.
New Eyes 04:30
I can see the light reflected on your face. Shadows pass across your features are displaced. You look different to me and I know I look different to you. So what are we gonna do? We need new eyes to see each other, we need new eyes to see, to see each other again. We need new eyes to see each other, we need new eyes to see, to see each other again. We need new eyes Once you were the only one I could see in a room Now the sides we wouldn't choose to show are on plain view Things we both concealed are now revealed to be true How could we have been so blind? How could, could we be so blind? We need new eyes to see each other, we need new eyes to see, to see each other again. We need new eyes to see each other, we need new eyes to see, to see each other again. Oh with the passing of the years
2.
And he's out the bathroom window, he's down the street And he thinks he'll take his problems for a drink But he doesn't realise he's always running away It takes a bigger man to stay, why won't you stay? Why won't you stay? Sometimes we both say things Things that we just don't mean It don't mean that I don't love you I just can't keep my feelings in sometimes words that you shouldn't say they come out anyway And I'd take them back, take them back in an instant 'cause I love ya, I love ya, I love ya, I love ya Now with every word unspoken the space between us grows And I look into your eyes, I know you know And this wall of silence is keeping me from you Don't you walk away from me, can't you see, I'm for you, I'm for you Sometimes we both say things Things that we just don't mean It don't mean that I don't love you I just can't keep my feelings in sometimes words that you shouldn't say they come out anyway And I'd take them back , take them back in an instant' 'cause I love ya, I love ya, I love ya, I love ya
3.
Ceremonies 03:54
Tape measure, sewing kit tuck your hair behind you ears, grip the pins between your teeth a pattern to follow, where to cut where to sew stitch yourself into a dress that's borrowed can you stand up straight for me? squeeze yourself in here it's tight but it looks like it fits just right do you need to breathe? I, oh I didn't realise I wouldn't make it in time for the ceremonies I, oh, I didn't know I was running so late behind what's expected of me Oh The milestones come and go events that mark a life pass by So I can't tell the time, because I can't define anymore the space that I occupy Can you just contort your frame? twist yourself into this shape Do you need to move? Do you need to breathe? I, oh I didn't realise I wouldn't make it in time for the ceremonies I, oh, I didn't know I was running so late behind what's expected of me Oh This gossamer thread, this invisible thread around my wrist This golden thread, this invisible thread It tugs but I resist It hurts my head, it hurts my heart That I can't begin, don't know where to start to understand why And you think this a life and the markers come and pass you by and you find that you can't define the space that you occupy And this thread around my wrist, it tugs, it tugs but I resist and it hurts my head, it hurts my heart that I don't know why
4.
I want a word with you Because recently you haven't been listening to me We are on the same team I'm on your side I am the voice in your head, I am your own best friend Won't you listen, Can you hear yourself? Girl, girl you've been duped you're just a little love fool and you would stay if he asked you would do anything he asked you to But I am the voice in your head, I am your own best friend Won't you listen, Can you hear yourself? You don't have the time to be hanging, to be hanging on his line You don't have the time you're too busy living your life you've got a schedule to keep and it involves being free what would you say, what would you say to me if you were talking to a friend you would say listen to yourself So you, you've got to find someplace new I know you feel as if you're starting from scratch Alone, back on you're own, I feel the tiredness in your bones But you are the voice in your head you are your own best friend if you listen, you can hear yourself You don't have the time to be hanging, to be hanging on his line You don't have the time you're too busy living your life you've got a schedule to keep and it involves being free what would you say, what would you say to me if you were talking to a friend you would say listen to yourself
5.
Who do we become under someone else's gaze? Who might I be, when you take your eyes away from me? What did we do to the lens that we view each other through? Could it be that we distort how we perceive the other? Ooh we're shifting shape we're making new space ooh the colours fade in time There's no straight lines We dilute ourselves so that we can move more easily around another but the stones wear smooth, our rough edges like the truth, slip away down river between me and you, well I just can't remember, who I used to be And the things that I thought I knew well I've had to twist and turn, to learn how to love ya Ooh we're shifting shape we're making new space ooh the colours fade in time There's no straight lines Can you feel your vibrancy do you recognise your beauty? Do you know yourself at all? I think we've spent too much time looking through each others eyes So what if, what if We're shifting shape We're making new space, and it's ok, and it's ok! Ooh that the colours change in time Because there's no straight lines There's no straight lines There's no straight lines There's no straight lines
6.
Turning, turning over the earth, harrowing the soil digging around with the worms is there something they know I don't? Feeling my way in the dark, fingers in the dirt digging up the hurt is hard work Still you could wait for someone to save ya In the meantime you could try and change your behaviour 'Cause in every problem the common denominator is you It's always you Turning over a new leaf, unsurprising to find You're exactly the same, so is your state of mind You better start learning, learning, learning the words A language to speak and the courage to ask for what you need Still you could wait for someone to save ya In the meantime you could try and change your behaviour 'Cause in every problem the common denominator is you It's always you But the good news is if you're the problem, you could be the solution too Turning, turning over the earth Learning the words Girl, there's only you Still you could wait for someone to save ya, in the meantime you could try and change your behaviour 'Cause in every problem the common denominator is you And it's up to you what you choose to do with this information You could stuff it down the back of the sofa along with your motivation But we're going round in circles, I'm getting deja vu! Can't you get your shit together soon? But the good news is if you're the problem, you could be the solution too Turning turning over the earth Learning the words Girl, there's only you Turning turning over the earth Learning the words Girl, there's only you
7.
I like to drive at night I like the silhouette of the pines against the sky towering above me I like a lonely road Clouds lit by the moon and a valley of tiny lights spread out before me I can't sleep so I'm tearing up the A19 burning down the road trying to find some peace Pools of white motorway light stretching like an endless runway of parallel lines Pure black darkness sweeping away behind me Hundreds of white motorway lights stretching like an endless runway of parallel lines curving away into and through space and beyond I like a lonely road under a big sky on an endless night in a fast car I like a lonely road under a big sky I want an endless night in a fast car Pools of white motorway light stretching like an endless runway of parallel lines Pure black darkness sweeping away behind me Hundreds of white motorway lights stretching like an endless runway of parallel lines curving away into and through space and beyond I like to drive at night Under a big sky I like a lonely road In a fast car
8.
Babe 04:44
Babe, calling me babe, won't make it ok Babe, calling me babe, won't make it right On a night we sit together, we watch tv Side by side on the sofa, you should be closer to me But you couldn't be further out of reach And we're tired, we're too weary from the day To talk about anything in a meaningful way 'Cause we know we could hurt each other with the things that we might say So just keep calling me babe Ah babe, if only it were that easy To say babe, hey babe, we'll be fine! Oh from a distance it looks perfect so cosy and warm big light's off, the fire's on, the curtains are drawn but the lovers are on the screen and it plays on Eyelashes to cheek, to fingertips To lips to the bend in my knee I'll be you, you be me Can we meet each other again? Eyelashes to cheek, to fingertips To lips to the bend in my knee I'll be you, you be me Can we meet each other again? Babe, calling me babe won't make it ok So babe, say babe Call me by my name

credits

released October 18, 2024

All songs written by Liz Corney.
Produced by David Brewis and Liz Corney.
Mixed and Mastered by David Brewis.
Keyboards, vocals, string arrangements and percussion played by Liz.
Guitars, bass, drums and percussion played by David.
String quartet Tracks 1, 2, 6 and 8 played by Crude Tarmac Strings.
Violins played by Ed Cross and Jo Montgomery.
Viola played by Chrissie Slater.
Cello played by Ele Leckie.
Layout by Kev Dosdale.

Big love and massive, heartfelt thanks to David Brewis for making this record with me. And to the many others who have generously helped along the way with their time, encouragement and expertise: Ed Cross, Ele Leckie, Chrissie Slater, Jo Montgomery, Kev Dosdale, John Egdell, Jeremy Bradfield, Beccy Owen, Nicky Rushton, Lindsay Hannon, Phyllis Christopher, Henry Carden, Sarah Wilson and Tracks Darlington, Stephen Gill, Fran Knowles, Emma Hughes, Rachel Whittle, The Cornshed Sisters, Field Music, and my family. THANKYOU! XXX

Supported by The Arts Council.

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Liz Corney Gateshead, UK

Liz Corney quit recorder club at age 6. But not before striking a deal: having found herself more taken by the piano that accompanied each class than the
classes themselves, she asked her teacher if she could switch and take piano
lessons instead. Mrs Dawe agreed, on one condition...
... more

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