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supported by 15 fans who also own “A Hope I Had”
“Do you still dream in water?” she asks. He nods—“only when it rains inside.” Their words drift, slow like signal loss,, soft clicks between heartbeats. A drone hums overhead, its shadow stroking their faces. “Are we free now?” she whispers. He laughs, small, broken. “We’re just less afraid.” They share one headphone, listening to the city’s pulse— loops of breath, echoes of what could’ve been “Hold me,” she says. “I am,” he answers, “in the static.”
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Everywhere at the end of time
by The Caretaker
supported by 13 fans who also own “A Hope I Had”
Nothing belongs to me anymore, as for I am lost in the fabric of space and time.
go to albumsupported by 11 fans who also own “A Hope I Had”
Personally, this is my favorite Grouper album. The lofi sound of this record is amazing and it gives off that melancholic, ethereal, and somewhat depressive feel to it. That kind of album you listen to either when it's a cold early morning or when it's a freezing moonlit night. Love this album so much.
go to albumImprovisational pieces that blossom into moments of melody and cover topics such as “voltage & how certain apples will keep you young.”
go to albumA fascinating, shape-shifting record from Chinese experimental rap artist OHYUNG, melding frenetic pop with noise and drone loops.
go to albumThe artist's latest masterwork of ambient, drone, and opera explores the effect of time and iteration on memory, emotion, and meaning.
go to albumsupported by 11 fans who also own “A Hope I Had”
profound and organic ambient drone. besides that Im impressed by kalis broadness again
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