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A newly wealthy English woman returns to Malaya to build a well for the villagers who helped her during war. Thinking back, she recalls the Australian man who made a great sacrifice to aid her and her fellow prisoners of war.

A group of young British soldiers billeted in Singapore of the year 1950 dreaming about winning the love of the daughter of the Regimental Sergeant Major.

A young stiff-upper-lipped British officer, Robert Rogers, writes a book about a white tiger and sacrifices of native girls by the Sakai tribe in Malaya. But the critics ridicule the book. Since it book was based on stories Robert's father had told him, there isn't anything Robert can do but trek off to Malaya (after freshening up in Singapore) and prove his old daddy had given him the straight scoop. Especially since the London Explorer's Society had removed the elder Roberts' plaque from its hallowed walls. (Back off...nobody claimed it was going to be "Four Feathers.") Some credibility is lost when, warming up before going after the white tiger, Roberts lassos a saladang which is advertised as being the most feared animal in the world. Evidently, this saladang doesn't know his reputation and just reacts to getting roped as calmly as your everyday water buffalo chewing on his cud. But later on, Roberts is captured by a fierce tribe of natives, gets clawed by a tiger, rescues Mamo Clark from being sacrificed, and has several encounters with pythons, who appear to not be an endangered species as they are hanging from every tree limb in Malaya. Jayne Regan provides the romantic interest as the---what else when British officers are concerned---Colonel's daughter. And, ere long or about an hour, Roberts returns and makes the scoffing club members put his father's plaque back where it belongs.

The members of S.A.D.U.S.E.A. (Song and Dance Unit South East Asia) fall in and out of love while trying to dodge Malayan Communist bullets in the late 1940s. Not only that, they have to contend with Bible bashing Major Giles Flack (John Cleese), who creates far more danger than any of the jungle inhabitants. Only gay Acting Captain Terri Dennis (Denis Quilley) seems to be capable of coping with him, but even he isn't aware of the cowardly Sergeant Major Reg Drummond (Michael Elphick) selling arms to the natives.

During the 1950s, in British-controlled Malaya, rubber-tree planters face many difficulties and dangers, including bandit attacks and nationalist guerrilla ambushes.

American animal trapper Frank Buck travels with Ali, his "number one boy," on an expedition into the Malayan jungle. From their jungle headquarters just north of Singapore, Frank, Ali and a team of native helpers roam the area from Northern Johore to Perak in search of interesting wild animals, reptiles and birds. Hoping to find a tiger, Buck captures a monitor lizard and a black leopard, while another black leopard narrowly escapes an encounter with a giant python and then battles a bigger and stronger tiger. After trapping a spotted leopard, Frank adopts a baby honey bear and a baby elephant. The team catches an orangutan, but the tiger eludes their camouflaged pit. Meanwhile, Frank visits the "bathing festival" of a local tribe and watches as tribesmen kill an intruding spotted leopard with blow darts. The tiger then meets an enormous regal python, who has just crushed a crocodile, and fights to a draw with it.

A sequel to Frank Buck's 1932 "Bring 'em Back Alive", has Buck capturing just about one of everything that moves (homo-sapiens excepted) in the jungles of Malaya, with details of the techniques and methods used by Buck to bring them back alive to the zoos of the United States.

Ngok Ming is an idealistic young man, passionate about promoting and developing education in Malaya. He approaches a wealthy Chinese businessman to raise funds for building schools and meets the young heiress, Cho-lin. After a whirlwind romance, they get married. However, Ngok Ming struggles to balance his passion for education and performing his duty of managing the family business. As conflicts between the characters escalate, Ngok Ming and Cho-lin make decisions that change their lives forever.

An exploitation pot-boiler, posing as an anthropology art-film, and supposedly filmed by seventeen different cameraman in Africa, Malaya, India, Ceylon, Bali, New Guinea and New Hebrides. It probably was over about that many different years, as it is stock-and-archive footage from front-to back, including the New Hebrides segment, where the males have to leap from tall trees (and towers) with a vine attached to their ankles that stops them just short of a grand splattering on hard New Hebrides ground. An early-day version of bungee-jumping that is a macho-virility proving exercise that delights the village maidens. The art-house aspects and come-on was that it depicted strange love-rites in strange lands, even if some of them were re-enactments in color, in places of the black-and-white stock footage that had been serving in several reincarnations over the years. Highlights include "The Dance of the Fertility Tree" and "The Peek-A-Boo Betrothal." A few National Geographic-type scenes of nudity, and that's the closest it gets to even PG movies. The keywords must have been added by the DVD distributors.

Bernard Malamud in conversation with Robert Robinson.

The latest methods of producing rubber.