Deep Waters

Deep Waters which stars Dana Andrews and Jean Peters is a modest story with some special effects that earned the film an Oscar nomination. But for that the film would probably be forgotten today save for its one surviving cast member Dean Stockwell.

Peters is a social worker who comes from a Maine lobster fishing family who lost her father at sea. Stockwell is an orphan who lost his father and uncle at sea. Dana Andrews is a lobster fisherman who takes a liking to the troubled kid.

For reasons having to do with her own issues on the subject Peters places Stockwell in foster care in places that are nowhere near the sea. Running out of them she places him with Anne Revere as a foster mother. Still Stockwell wants to go to sea, it's in his blood and when he doesn't get his way he acts out in ways that will send him to reform school.

I don't think you need a road map to see where this film is going. The special effects of the storm at sea where Andrews and partner Cesar Romero rescue Stockwell are nice and the film's exteriors are done on the Maine coast. Cesar Romero had an interesting character in the Portugese fishing partner of Andrews, shades of Captains Courageous. I wish we had more of him in the film.

Deep Waters is a modest film that kids may like, but can be safely passed over by adults if they're not fans of any of the cast.

Pert Jean Peters is in charge of an orphan boy (played by Dean Stockwell). Dana Andrews is a fisherman in a small town in Maine. He is highly attracted to Peters (who can blame him). However, when the orphan boy shows a distinct passion for the sea, Peters and Andrews find themselves at odds. Cesar Romero and Anne Revere co-star in this un-pretentious flick about romance, adventure and a boy's love for the sea. It's worth seeing at least once, but Fox does not offer it in VHS. Try looking for it in one of the movie classic cable channels. The Maine locations are quite impressive and the acting is fine.

This is a very nice family film...the sort of project you just don't see any more...and that's a real shame. The story is set in a small fishing village in Maine and has a lovely cast of characters. It surprised me to see Dana Andrews and Cesar Romero as lobstermen...but it worked. Additionally, Jean Peters and Dean Stockwell round out the excellent cast.

When the story begins, social worker Ann (Peters) and lobsterman Hod (Andrews) just broke their engagement. It seems that she hates having a husband in such a dangerous line of work and Hod just doesn't want any other sort of life.

Soon Ann brings a troubled boy into town to be placed in a foster home. It seems that Donny is an orphan and has been passed from foster home to foster home and Ann hopes that the kind but no- nonsense Mary (Ann Revere) can make the kid feel at home. But what really makes the boy want to stay put is the relationship he soon forges with Hod...as the kid comes from a long line of lobstermen and enjoys spending time on the water. But Ann, as a responsible social worker, intervenes when Hod takes the boy for a day out on the water. She insists that this is too dangerous for the boy...and the kid is heartbroken. So what's next for everyone in this little town?

This film had a lot going for it. The acting was lovely and seeing Andrews in Maine was actually very nice--though he sure sounded very Middle America and so did many of the other actors. As for Romero, while a very cultured Mexican-American, here he ably plays a Portuguese sailor with a very strong accent. The one actor who did approximate the accent well was Ed Begley...but he was only a bit player in the picture. The exterior shots were all done in Maine and the location shoot was great. What also was great was the excellent storm sequence--with a rather realistic and seamless rear projection subbing for the real thing! And, to top it off, the direction and story were excellent. A bit of a sleeper that you rarely see on TV...but worth looking for sometime.

By the way, I was bawling away at the end...so you might wanna have some Kleenex handy. Sentimental? Of course...but never cloying or fake.

Ruth Moore's best-selling novel SPOONHANDLE was renamed DEEP WATERS for this 1948 film. Straightforward story about an orphaned boy and the lives of several people he changes.

Jean Peters plays a young, idealistic social worker in coastal Maine. She is afraid of the sea and its power, especially its dangers for the lobstermen and the heartache of those left behind when the sea claims them. Dana Andrews plays a lobsterman who loves Peters but also loves his job. Dean Stockwell is a troubled boy whose father was a fisherman. Peters tries to keep the boy away from the sea but it's in his blood. She places the orphan with a crotchety old lady (Anne Revere) who is tough but fair on the boy. The boy runs away and gets into trouble.

Something must change, but these Mainers are all stubborn. Finally, one last incident changes all their lives forever.

Andrews is excellent as the lobsterman, and Peters is quite believable as the over-protective social worker. Stockwell turns in a great performance as does Revere as the rock-solid old lady. Cesar Romero plays Andrews' fishing partner. Ed Begley plays an influential friend. Raymond Greenleaf is the wise old judge, and Mae Marsh is the grieving widow. In small parts, Harry Tyler and Will Geer are recognizable.

The exteriors were filmed on Vinalhaven and in Rockland and Belfast. The ocean scenes are terrific as is the big storm which won an Oscar nomination for special effects. The location shooting just screamed out for color.

Dana Andrews is "Hod" - a professional architect who much prefers his life as a lobster fisherman. This causes a bit of hassle with his fiancée "Ann" (Jean Peters), who is worried about the dangers of this maritime career. She is a social worker, and when she brings the young orphan "Donny" (Dean Stockwell) to hopefully find a permanent home in their small Maine town, the boy and "Hod" - and his colleague "Joe" (Cesar Romero) become fast friends. Henry King has created a good framework for this well paced and engaging story that takes a sensitive look at a young boy looking for roots, whilst offering us a gently simmering, lively, romance with some characterful performances - including the usually reliable Anne Revere ("Mary"). The last ten minutes are quite an exciting watch - the back-shot storm sequence is quite well integrated into the action, and folks gets well and truly soaked!