Chan discovers a conspiracy when a low paying gold mine seemingly starts to become profitable, and attempts are made on the owner's life.Chan discovers a conspiracy when a low paying gold mine seemingly starts to become profitable, and attempts are made on the owner's life.Chan discovers a conspiracy when a low paying gold mine seemingly starts to become profitable, and attempts are made on the owner's life.
- Director
- Writers
- Stars
Victor Sen Yung
- Tommy Chan
- (as Victor Sen Young)
Arthur Berkeley
- Townsman
- (uncredited)
Edmund Cobb
- Miner
- (uncredited)
Geraldine Cobb
- Girl in Riding Clothes
- (uncredited)
Babs Cox
- Bathing Girl
- (uncredited)
Sam Flint
- Dr. Groves
- (uncredited)
Lee Tong Foo
- Wong Fai
- (uncredited)
Michael Gaddis
- Pursuer
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Charlie Chan heads to Arizona to investigate a gold mine mystery. A typically cheap Monogram movie starring Roland Winters, the worst of all Charlie Chans. Mantan Moreland returns as unfunny comic relief character Birmingham Brown. Victor Sen Yung is back as Tommy Chan. The western locale allows both to dress like cowboys. So it's trying to be like a Bowery Boys comedy or something. Except the Bowery Boys were funny. The once-great Charlie Chan series had fallen pretty far by this time. Winters is absolutely terrible as Chan. Poorly written, directed, and acted -- it's a really a stinker of a movie. The one positive thing I will say about it is that actor Ralph Dunn, who plays the mine superintendent, has a pretty cool head of hair.
This episode in the Chan series features skimpy sets - not rare in the later Chans - and a weak role for the usually entertaining Mantan Moreland, but some Chan is better than none. Roland Winters does a perfectly serviceable job as Charlie - lacking the warmth of Warner Oland, but also lacking the harshness of Sidney Toler in his father/son interactions. The plot is pedestrian, but the series is about Charlie and assistants, not the stories, so a less than perfect plot is OK. This movie lacks the beautiful women in gowns we often get in Chans, and not much of a love affair, so some of the classic Chan features are missing. By this late time, they were spending very little money on the series, and milking it for the value of the franchise. One can imagine that it was a perfectly good way to spend an hour on a Saturday in post-war America.
I noticed that after crediting Roland Winters and one woman actress, Mantan Moreland and Victor Sen Young came next. In spite of the fact that a white man was playing Chan, clearly a black man and a Chinese man came next in popularity with audiences. For some reason, this fact is never credited. The theme of racist America is just to popular to be spoiled by such facts.
I noticed that after crediting Roland Winters and one woman actress, Mantan Moreland and Victor Sen Young came next. In spite of the fact that a white man was playing Chan, clearly a black man and a Chinese man came next in popularity with audiences. For some reason, this fact is never credited. The theme of racist America is just to popular to be spoiled by such facts.
Charlie Chan's old friend from Arizona thinks that someone is trying to kill him. Chan travels to the friend's dude ranch and digs into the mystery, which he quickly discovers is tied up with a nearby gold mine.
Roland Winters is solid if unexciting as the famous detective in this passable series entry. Victor Sen Young and Mantan Moreland are featured in sizable roles this time around; as number two son Tommy and chauffeur Birmingham Brown, they liven up their portions of an otherwise rather bland production.
Tim Ryan attempts to add color as a tipsy ranch guest whom Chan quickly recognizes as his friend Lieutenant Mike from San Francisco. Lieutenant Mike, it turns out, is undercover at the ranch and investigating the same funny business at the mine.
Other story elements include a smuggling ring, a suspicious mine shaft accident, a miner's shack with a trap door in the floor leading to a secret tunnel.... It really doesn't make much sense but it's mildly entertaining.
Roland Winters is solid if unexciting as the famous detective in this passable series entry. Victor Sen Young and Mantan Moreland are featured in sizable roles this time around; as number two son Tommy and chauffeur Birmingham Brown, they liven up their portions of an otherwise rather bland production.
Tim Ryan attempts to add color as a tipsy ranch guest whom Chan quickly recognizes as his friend Lieutenant Mike from San Francisco. Lieutenant Mike, it turns out, is undercover at the ranch and investigating the same funny business at the mine.
Other story elements include a smuggling ring, a suspicious mine shaft accident, a miner's shack with a trap door in the floor leading to a secret tunnel.... It really doesn't make much sense but it's mildly entertaining.
Instead of taking precautions to aid a man who is in grave danger, Charlie again waits to do anything. He is approached by an old friend who says that someone is trying to kill him. It has something to do with an old gold mine, The Golden Eye, that has begun producing after many lean years. The gang find themselves on a dude ranch where things aren't' as they should be. The old friend supposedly falls down a shaft and is left a broken man, fighting for his life. Once again, there are a couple bodies that need to be dealt with. Charlie pretends to be a jade merchant and exposes his identity to an old detective friend who seems to be aware of the goings on. The problem, as it often is in these poorly done old films, is the slipshod work of everyone as they do nothing to protect those in danger. It was good that this series slowly plodded to an end.
Charlie Chan (Roland Winters) agrees to investigate the strange happenings at an Arizona (or is it New Mexico - I really can't be bothered to check) goldmine. Along for the ride are son Tommy (Victor Sen Yung) and chauffeur Birmingham Brown (Mantan Moreland).
I have seen all of the Sidney Toler and Warner Oland Chan films - most multiple times. But oddly enough, this is my first experience with Roland Winters. I'm not impressed. Maybe it's my personal bias, but he seems all wrong for the role. Instead of the measured, deliberate Chan played by both Toler and Oland, Winters is too quick in both speech and action. And, if it weren't for the yellow-face, I'd swear Winters was trying to pull off some kind of European, maybe Italian, accent. It was all so distracting.
As for the film itself, you know you're in trouble when the credits begin with the words Monogram Pictures and end with the name William Beaudine. That pretty much says all you need to know. Honestly, it's just a bad movie and not really worth dwelling on.
On a positive note, The Golden Eye doesn't feature an overdose of Tommy and Birmingham. Their comedy bits are limited. And thank goodness because as much as I like Moreland, his Birmingham Brown schtick gets old pretty quick.
Finally, there were two things that bothered me while watching The Golden Eye and both are related to Victor Sen Yung. First, why is he named Tommy in this movie? If you've seen any of his previous Chan films, you know he's Jimmy. Second, in 1948, he was 33 years old - way too old to be playing the bumbling son. In fact, he's way too old to be playing Winters' son. Winters would have been 44 when this movie was made - a difference of only 11 years.
3/10.
I have seen all of the Sidney Toler and Warner Oland Chan films - most multiple times. But oddly enough, this is my first experience with Roland Winters. I'm not impressed. Maybe it's my personal bias, but he seems all wrong for the role. Instead of the measured, deliberate Chan played by both Toler and Oland, Winters is too quick in both speech and action. And, if it weren't for the yellow-face, I'd swear Winters was trying to pull off some kind of European, maybe Italian, accent. It was all so distracting.
As for the film itself, you know you're in trouble when the credits begin with the words Monogram Pictures and end with the name William Beaudine. That pretty much says all you need to know. Honestly, it's just a bad movie and not really worth dwelling on.
On a positive note, The Golden Eye doesn't feature an overdose of Tommy and Birmingham. Their comedy bits are limited. And thank goodness because as much as I like Moreland, his Birmingham Brown schtick gets old pretty quick.
Finally, there were two things that bothered me while watching The Golden Eye and both are related to Victor Sen Yung. First, why is he named Tommy in this movie? If you've seen any of his previous Chan films, you know he's Jimmy. Second, in 1948, he was 33 years old - way too old to be playing the bumbling son. In fact, he's way too old to be playing Winters' son. Winters would have been 44 when this movie was made - a difference of only 11 years.
3/10.
Did you know
- TriviaChan's car is a 1947 Hudson Super 6 convertible.
- GoofsEvelyn Manning brings Charlie Chan to the curio shop after Mr. Manning phones her and tells here to bring Chan "here," but Mr. Manning never actually told her he was at the curio shop.
- Quotes
Charlie Chan: [to Tommy] People who listen at keyholes rarely hear good of themselves.
- ConnectionsFollowed by The Feathered Serpent (1948)
- SoundtracksBury Me Not on the Lone Prairie
(AKA "The Cowboy's Lament" and "The Dying Cowboy")(uncredited)
Traditional American cowboy folk song based on the poem "Ocean Burial" by Edwin Hubbell Chapin (1839) set to music by George N. Allen
Sung by Tim Ryan
- How long is The Golden Eye?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Charlie Chan in the Golden Eye
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 9m(69 min)
- Color
- Aspect ratio
- 1.37 : 1
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