Joan of Arc

The difference between the butchered 100 minute release of Victor Fleming's final film, JOAN OF ARC and the original 146 minute version is like night and day! UCLA has worked on restoring this film to its uncut form for some 10 years -- the results can now be seen with the May 2004 release on DVD by Image-Entertainment. My opinion of the film has greatly changed for the better. For some years I have had access to the 100 minute cut on a nice Laser Disc copy. Seeing the new DVD is a revelation. Not only is the Technicolor splendor of the original on the DVD, but the film as conceived by Victor Fleming is 100% better in its restored form. Ingrid Bergman may be a bit old to play the part, but she is quite marvelous as is Jose Ferrer as the Dolphin, in this his first film appearance. If you have any interest in this film and have only seen it in its butchered form, then do yourself a favor and take a look at the DVD. In this form it can take its place along side Victor Fleming's two most famous films, GONE WITH THE WIND and THE WIZARD OF OZ.

Good editing always improves the rough vision of the accumulated daily takes. Chopping the heart out of a completed film, however, should simply be a hanging offense.

The original 1948 Joan of Arc at 145 minutes is magnificent. The 100-minute version that's been foisted off on the USA buying public is below mediocre. Key scenes were deleted wholesale with no regard to continuity or development.

The only enjoyment from the severely and amateurishly edited version is to see Ingrid Bergman do what she does best. But only if you have seen the original version can this chopped and cropped semi-copy have any marginal value.

Check the specifications on any version you are tempted to buy. If the running time is 100 minutes, don't bother. Some European versions are longer at 125 and 133 minutes. Hopefully, someone will offer this masterpiece in a full 145 minute DVD version

I am lucky enough to have a video of the uncut version of this film, in which the trial is shown in full. This is the part of the film in which we see Ingrid's best acting. It's so immensely moving! Ingrid believed in Joan and it shows. She had just come from a triumphant Broadway run in Joan of Lorraine, the play on which this movie is based. The movie is a more straightforward telling of Joan's story [the play is a play within a play] and I would say it's accurate, though some details have to be left out, due to lack of time. Sadly, Ingrid's popularity in the USA had waned when this film was released. What a tragedy! I am amazed that a so-called enlightened and free nation could turn against this honest woman, because of her love for an Italian film director and the birth [out of wedlock] of their beautiful son. I think Ingrid would have won another Oscar with "Joan of Arc", had it not been for the "scandal". It's definitely the best film version of this remarkable saint's story and a fulfilment of Ingrid's lifetime wish. Long live Ingrid Bergman - and her favourite saint! Mary Hutchings [Founder, Ingrid Bergman International, Yahoo clubs]

Of all the wonderful Ingrid Bergman dramas, I don't understand why Joan of Arc was one of the famous ones. Sure, it's always nice to see her sparkling blue eyes in Technicolor, but the script was corny and the production almost felt like it was a spoof. Remember how silly Danny Kaye looked in his suit of armor in The Court Jester? I couldn't shake the image from my head when Ingrid put on her own oversized armor. A larger than life actress in her own right, I'm not sure it was really her fault that Joan of Arc was so lousy. Perhaps no one could have saved this spectacle.

It is notable for debuting José Ferrer to the screen public, although it's hardly a memorable performance. Just wait two years and catch him in his signature Cyrano de Bergerac. You'll also see many, many familiar faces in the supporting cast: Charles Bickford, Gene Lockhart, Ward Bond, Roman Bohnen, Selena Royle, Ray Teal, Robert Barrat, Jimmy Lydon, Richard Ney, and George Coulouris. If you're a die-hard old movie buff, you'll want to put this classic on your list. But it won't really give you a great impression of Ingrid Bergman. Try her out in the lesser known drama The Visit for one of her career-best performances.

(NOTE: This review concerns the 100-minute edited cut shown on TCM.)

This 1948 version of Joan of Arc's story is a big disappointment considering the talent involved: director Victor Fleming, who directed both GONE WITH THE WIND and THE WIZARD OF OZ in 1939, and a cast including Ingrid Bergman, José Ferrer, and Ward Bond. JOAN OF ARC (1948) fails to live up to any expectations.

The editing is amateurish. There are abrupt cuts from one shot to the next, often cutting off bits of dialogue on the soundtrack. The voice- over does its job in setting the scenes within a historical narrative, but gives the movie an air of vintage "making of" TV specials. It almost seems as if stand-alone scenes were shot without knowing how to weave them together.

The storytelling is too sincere and sentimental, giving the film an awkward hokey sensibility. Whereas Carl Theodor Dreyer's 1928 masterpiece THE PASSION OF JOAN OF ARC left room for interpretation regarding matters of divine intervention, this version is pretty straightforward about holy miracles, playing like a Sunday school movie. That is to say it's a religious fable about Ste. Joan of Arc, rather than a historical piece about Joan rallying her countrymen against English rule. (Not that there's anything wrong with that.)

Ingrid Bergman was actually nominated for an Academy Award for her portrayal of Joan, a French teenager in the 1400s who believed she was called upon by God to raise an army against the English occupation of her country, later to be convicted of heresy by a council of pro-English clergymen. (It was Bergman's fourth nomination out of a career total of seven, including three wins.) José Ferrer also earned a nomination, playing the French Dauphin whom Joan fought to put on the throne. The top performances were by Bergman as Joan, Francis L. Sullivan as the corrupt judge, and J. Carrol Naish as a slimy one-eyed nobleman. Much of the supporting cast is second-rate.

Maybe JOAN OF ARC is only unimpressive today as viewed by modern cynics. Or perhaps the trouble lies with the existing copies of the film. Whatever the case may be, the movie earned seven Oscar nods (including Best Editing!) and won an honorary award for its moral values.

NOTE: Apparently the original release was a 145-minute cut, which was trimmed down to 100 minutes with added voice-over narration. This chopped-down version is shown on TV and is an embarrassing mess. The 145-minute version won the awards and is supposedly available on DVD.

UPDATE 1/9/12: The full 145-minute version (just shown on TCM) is clearly superior to the edited-down version with the awful narration. It's an ambitious production, although its Sunday School tone is still a bit over-the-top (at least for this reviewer). The film takes itself way too seriously overall, but Jose Ferrer brings personality to the proceedings and Francis L. Sullivan stands out in his villainous role. The second half, with Joan's trial at the hands of the wicked Sullivan, is more effective than the first half and Ingrid Bergman's best moments are in her final scene.

5/10 for the butchered version; 6.5/10 for the full-length epic