A story of body snatchers in Edinburgh, based on Burke and Hare.A story of body snatchers in Edinburgh, based on Burke and Hare.A story of body snatchers in Edinburgh, based on Burke and Hare.
Anne Trego
- Janet Brown
- (as Ann Trego)
Dennis Wyndham
- Police Sgt. Fisher
- (as Denis Wyndham)
Hal Osmond
- Hospital Porter
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This dark thriller was a nice surprise. I'd not seen this before so when it appeared on telly, thanks to the Talking Pictures channel, I took the chance on it as the premise interested me. Based on the nefarious Burke and Hare this tells the story of William Hart (Slaughter) and Mr Moore (Oscar) and their dealings with Dr Cox (Bell), for whom they procure cadavers for. However, the doctor has a need for younger and fresher bodies so, greedy for money, Hart and Moore comply with the doctor's wishes... by turning murderous...
There's a lot which is good about this film. I liked the way the director, Mitchell, opted for a more realistic feel. The streets of Edinburgh are close and tight. People pretty much lived in each other's pockets in that era. Mitchell, then adds eeriness by adding fog and shadows. It's also nice to see the size of the living quarters that the common folk were subjected to. Hart runs a rooming house, in which there are just two rooms downstairs, a living room and a kitchen. The living room is sparse, containing a table and chairs and a bed, where he and his wife sleep. Upstairs is for their guests. Life is hard so it's no wonder you do what you have to just to survive. A hard life can make for hard men and both Hart and Moore have no compunctions about beating their wives into sublimation. Moore's wife is so under the fist she's only too happy to squeal on Hart's wife, so she can take what's coming to her.
This builds up a bleak overlook to the film. So enter Aubrey Woods portraying the simpleton Jamie Wilson. This character is there not only to lift the film with a comedic element but is also the crux and pivotal role of the movie. This was a good idea by the writer, Gilling, and the director. Woods excels as Jamie and has some of the best lines in the film. It's also nice because he is a breath of fresh air amongst the plethora of melodramatic actors, which can become a little too heavy at times when they deliver their lines - and this is probably the only drawback to the film. Though, for the times, the acting is good to fair.
If you like your dark thrillers then I would recommend you check this out, should you get the chance.
There's a lot which is good about this film. I liked the way the director, Mitchell, opted for a more realistic feel. The streets of Edinburgh are close and tight. People pretty much lived in each other's pockets in that era. Mitchell, then adds eeriness by adding fog and shadows. It's also nice to see the size of the living quarters that the common folk were subjected to. Hart runs a rooming house, in which there are just two rooms downstairs, a living room and a kitchen. The living room is sparse, containing a table and chairs and a bed, where he and his wife sleep. Upstairs is for their guests. Life is hard so it's no wonder you do what you have to just to survive. A hard life can make for hard men and both Hart and Moore have no compunctions about beating their wives into sublimation. Moore's wife is so under the fist she's only too happy to squeal on Hart's wife, so she can take what's coming to her.
This builds up a bleak overlook to the film. So enter Aubrey Woods portraying the simpleton Jamie Wilson. This character is there not only to lift the film with a comedic element but is also the crux and pivotal role of the movie. This was a good idea by the writer, Gilling, and the director. Woods excels as Jamie and has some of the best lines in the film. It's also nice because he is a breath of fresh air amongst the plethora of melodramatic actors, which can become a little too heavy at times when they deliver their lines - and this is probably the only drawback to the film. Though, for the times, the acting is good to fair.
If you like your dark thrillers then I would recommend you check this out, should you get the chance.
Now whilst this not on a par with Val Lewtons The Bodysnatchers,it has a lot going for it,despite the pennypinching production.Of course Todd Slaughter is the chief attraction.Enjoyable ham cut from the bone.
HORROR MANIACS (aka: THE GREED OF WILLIAM HART) is a very-thinly veiled version of the Burke and Hare story. None other than Tod Slaughter plays the exceedingly loathsome Hart (aka: Burke), and Henry Oscar is the equally odious Moore (aka: Hare). It's the same basic setup about murder and graverobbing for fun and profit. Hart and Moore are in the employ of the fiendish Dr. Cox / Knox (Arnold Bell), who benefits from the deadly duos nocturnal work.
This is another perfect vehicle for Mr. Slaughter, who never disapoints. His gleefully eeevil portrayals are legendary. Here, he's almost matched by his two demonic costars. Almost, since Mr. Slaughter still manages to outdo his fellow ghouls.
Another classic Tod Slaughter film...
This is another perfect vehicle for Mr. Slaughter, who never disapoints. His gleefully eeevil portrayals are legendary. Here, he's almost matched by his two demonic costars. Almost, since Mr. Slaughter still manages to outdo his fellow ghouls.
Another classic Tod Slaughter film...
Knowing that this movie is Tod Slaughter's take on the tale of Burke and Hare promises a great deal more than this tawdry, cheap little bore could possibly deliver. It's shot on cramped, ugly sets, the story moves in fits and starts, it's endlessly talky and never gives Slaughter a chance to cut loose in his grand style. The movies he made in the 1930s are all entertaining and, for the tolerant, enjoyable and watchable even today. But if you like those, you can safely skip this one. Slaughter is given few chances to emote in his gloriously florid style; instead, he's handed reams of dull lines to read, as is everyone else. He has a few moments, but not many; more are provided by Aubrey Woods as Jamie with the barrow.
This film is not at all "under one hour of running time", I suspect that some US video collectors saw only a cut version. The original running time - in Great-Britain - was 79 mins (7005 feet). It was released in the USA (as "Horror Maniacs") in the early Fifties, as part of a double-bill with another Tod Slaughter film ("The Curse of the Wraydons", renamed "Strangler's Morgue"), cut to 72 mins. And more recently, an American video company "offered" a totally butchered version, reduced to 53 mins!
Happily enough, the complete 79 mins version is now available from some video companies.
Happily enough, the complete 79 mins version is now available from some video companies.
Did you know
- TriviaThe script was originally written and filmed as a tale of William Burke and William Hare, real-life partners in the selling to medical schools of cadavers they obtained by both murder and grave-robbing (Burke was hanged in 1829; Hare avoided this fate by testifying against him). However, the British censors refused to allow the film's release because of national sensitivities toward the infamous "resurrectionists." Therefore, to get the film out, the producers had to re-record the soundtrack, replacing the names of Burke with Hart, Hare with Moore, and Dr. Knox with Dr. Cox. The new names were then meticulously cut into the original soundtrack: one can easily lip-read "Burke", "Hare" and "Knox" as applicable, however. Due to the cost of this activity, there was no money left for a music track.
- GoofsNames of some characters dubbed (see trivia entry.)
- ConnectionsFeatures The Aryan (1916)
Details
- Runtime
- 1h 20m(80 min)
- Color
- Aspect ratio
- 1.37 : 1
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