Race Street

Race Street, directed by Edwin L. Marin and adapted to screenplay by Martin Rackin from a story by Maurice Davis. Starring George Raft, William Bendix, Marilyn Maxwell, Frank Faylen, Gale Robbins and Harry Morgan. Music is by Roy Webb and cinematography by J. Roy Hunt.

Story centers around two friends played by Raft and Bendix, the former is a turf accountant and night club owner, the latter a plain clothes policeman. With a syndicate racket moving in on the Frisco bookmaking circuit, Dan Gannin (Raft) refuses to co-operate, putting himself in grave danger. Barney Runson (Bendix) wants to move in and do it the official way, begging Dan to step aside and let the police do their job. But when the syndicate make a deadly move that hits Dan close to home, he's not for turning.

In the grand scheme of Raft and Bendix movies, or classic era film noir pics in fact, this one is small fry, but strong cast and solid production foundation ensure it's an enjoyable experience. Story isn't strong, where two old friends lock horns while some villain throws his weight around, but in true noir fashion there's some sneaky surprises in store and a none cop out finale.

Technically it's interesting, one quite dreadful process backed sequence aside, Marin and Hunt hit the noir bars for mood compliance. The absence of chiaroscuro is a shame, for a number of scenes here cry out for it, but the lighting techniques and shadow indulgence keeps the eyes pleased. There's even a startling sequence that appears to show Gale Robbins floating in and around the night club crowd as she sings a song, while a bit of zoom play and nifty Frisco locations add further quality.

Good honest noirville enjoyment. 6.5/10

George Raft plays Gannin, a bookie who is, despite this, basically an honest guy. His pal, Hal (Harry Morgan) approaches him to say that some mobsters want in on his own bookmaking business. Well, these creeps turn out to mean business and when Hal refuses to cooperate, they murder him in a very vivid and brutal scene (one of the best in the film). Naturally, Gannin isn't happy but things are about to get rough for him as well, as the mobsters soon approach him as well. Now he could work with the detective (William Bendix) to expose these rats but, naturally, Gannin only likes to handle things alone. Does he possibly stand a chance?! Well, since it's George Raft, you certainly assume so!

This film turned out to be a lot better than I expected. No, George Raft was just as stiff and unbelievable as he usually was in films. However, the plot offered some nice twists and kept me guessing. Plus the ending came as a HUGE surprise to me! Well worth seeing...almost deserving an 8...but not quite making it due to Raft's very ordinary sort of performance.

Ironically, later Harry Morgan would play Bill Gannon on "Dragnet"...the show that helped make him a household name.

From 1948, Race Street, starring George Raft and directed by Edwin L. Marin.

Slower moving than an iceberg with two tuneless musical numbers to boot.

Raft plays bookie Dan Gannin, who is leaving the racket and has opened his own nightclub featuring his sister (Gale Robbins). When his buddy (Harry Morgan) is killed after refusing mob protection, Dan goes after the killers. This doesn't sit well with Runson (William Bendix) a cop and friend, who feels Dan is putting himself in danger.

Race Street has no zip, no pace, and the plot just meanders along. It seemed as if the same scenes were repeated over and over - Runson asking Dan if he had any info, Gannin's friends discussing the problem, Gannin being threatened.

Marilyn Maxwell as a brunette is Gannin's girlfriend. Charles Lane, who died at 102, is a switchboard operator - his last credit was in 1995 after a 65-year career. Jason Robards Sr. Is uncredited as a hotel clerk. Frank Faylen plays a bad guy.

You can skip this.

Noted San Francisco bookie and club owner George Raft is being muscled by the syndicate. He shrugs it off until pal Harry Morgan is thrown down a flight of stairs and killed. After that Raft is hot for revenge.

Though this film was produced by RKO it has a Paramount look to it because of the presence of William Bendix as a police lieutenant and Frank Faylen as the syndicate's man in San Francisco.

Raft gets a lot of good advice from Bendix in the film, most of which he ignores. Raft also has some very treacherous associates as the viewer will find out.

George Raft films are always art imitating life when they are about gangsters. Except for horror film stars like Bela Lugosi and Boris Karloff, I doubt there was ever a major star whose own life so closely got involved in the roles he played.

Raft was hardly a great actor, but in gangster films he knew the mob literally from the inside out so it was never acting.

Bill Bendix of course is always good, films with him in it should be seen if for no other reason than to watch him.

Race Street is an average noir film which I'm sure entertained the audiences who came to see whatever A picture was playing with it.

George Raft is a well respected bookie in San Francisco. He's got a cute girlfriend in Marilyn Maxwell, a sister who's a lounge singer in Gale Robbins, and a cop friend in Lieutenant William Bendix. Raft doesn't play ball with him, but Bendix figures so long as things are quiet, he's doing his job. But when a mysterious stranger played by Frank Faylen decides to set up a protection racket for bookies, they resist. Harry Morgan winds up dead. Bendix investigates because it's his job. Raft, because Morgan is his friend.

The most interesting part of Raft's last film for RKO is the handsome shots of San Francisco shot by DP Roy Hunt. Miss Robbins' musical numbers are good, and Bendix is interesting in a straightforward, amiably corrupt role. Meanwhile, Raft continues to fail to impress me with his minimal performance, although he does manage to grit his teeth when he has been shot. With Russell Hicks, Tom Keene, Franklyn Farnum, and Charles Lane.