Rachel and the Stranger

"Rachel and the Stranger" has been one of my favorite "little" films over the years. I only say little because my mother and I are the only two fans of it that I actually know of, but I'm sure there are hundreds of fans out there who love "Rachel and the Stranger" as much as we do. TCM runs it two or three times a year and I try not to miss it. I guess it was a big hit in its time even though it's not as well known today, but my advice is to watch it if you ever get the chance. At about 90 minutes it doesn't wear out its welcome and seems to be over as fast as it began. And with three great stars like Loretta Young (WOW!), William Holden and Robert Mitchum, you really can't go wrong. All three are perfect in their roles. The film is a traditional Western in many ways, but what I like most about it is the humor that's woven in throughout. One sequence even develops into slapstick, but it works. Overall, a really wonderful and enjoyable movie. This is the kind of film that you just end up counting among your favorites even though it's likely that no one you know has ever seen it. And it's the kind of film that you want everyone to see so you can strike up a conversation about how much you love it! Watch it and enjoy!

At its most basic, "Rachel and the Stranger" is a domestic comedy set in the wilderness of 18th century Ohio. Director Norman Foster manages to pack more charm into each five minutes than most films have during their entire running length.

At its most ambitious, "Rachel and the Stranger" is an allegorical story about the impact of a catalyst into a seemingly stable dynamic. In this case the stranger in the title, Jim (Robert Mitchum), visits the isolated farm of long-time friend David Harvey (William Holden), his young son Davey (Gary Gray), and their bond servant Rachel (Loretta Young). David bought Rachel (who is working off her late father's debts) after his wife died, needing a replacement to help raise Davey. He married her out of respect for social convention but has no intention of consummating the marriage.

While David treats Rachel with respect and consideration, his son is openly resentful of the substitute mother. After some initial progress the threesome settles into a distanced existence, a rut from which there is little chance they will be able to escape on their own. But things quickly change when Jim stops by on his way to town. For the first time Rachel has someone who actively engages her. Jim's attentions build up Rachel's status in Davey's eyes while causing David to see her obvious attractions for the first time. But Foster doesn't limit things to this predictable interplay; he builds on it by having Rachel quickly come out of her guarded shell in response to Jim's interest. Even the makeup people get into the act as Young goes from the look of a plain pioneer woman to a subtle radiance.

All four stars are excellent. It was probably Holden's best performance as he provides most of the humor with his growing attraction to Rachel and his increasing irritation with the attention Jim is paying to her.

Young was about 10 years too old for her 25 year-old character but this is not really a factor as the age of the character is unimportant; you wonder why they did not simply change the one reference to her age after casting Young for the part. Young's acting tends to be underrated because of her later work as a television hostess but even her film work as a teenager was extraordinary. She was an especially good casting choice because the repressed Rachel needs to subtly convey a depth and dimensionality early in the film to make her later transformation plausible.

Mitchum gives perhaps his liveliest performance as he seems to be having a lot of fun with his part. Gray is solid as always, one of those rare child actors who were not irritating after a few minutes on the screen.

Then again, what do I know? I'm only a child.

I loved this movie. I thought the banter between Holden and Mitchum were subtly hilarious. The facial expressions were spot on from Holden. Young was formidable in this part as well. I think it takes a strong cast to make a movie that revolves around four sole characters. It was a great romantic comedy. I liked the chemistry between Mitchum and Young on screen. I also thought that Gary Gray added the right amount of drama/comedy to the whole show. I loved the scenes in the woods with Mitchum and Holden bickering and making their pleas to Young. All in all, I think this is a good movie, and definitely worth the time of watching.

RACHEL AND THE STRANGER has the kind of quiet charm that LORETTA YOUNG always possessed and benefits from the more rugged screen presence of its leading men--WILLIAM HOLDEN and ROBERT MITCHUM. Loretta is an indentured servant who becomes the wife of William Holden and must prove herself worthy of the affections of Holden and his young son.

There really is very little in the story that is original and the outcome can be predicted from scene one. It's clear that Loretta, as Holden's second wife, will have a hard time replacing his winsome wife who was a woman of modest talents and dearly loved by husband and son (GARY GRAY). Not unexpectedly, they both warm to her and so does Holden's "stranger" friend, ROBERT MITCHUM, who does a nice job raising his voice in song accompanied by guitar. Mitchum gives his usual laid back performance, nicely understated. The story may be a little too slow moving for some tastes since it's more of a character study of a widower and his new wife than it is a western.

There's no real excitement to the story until the Indian attack which comes late in the story, but the film depends on the central performances of Young, Holden and Mitchum to hold interest as the three of them have some amusing interactions throughout the story.

Nicely photographed in outdoor settings photographed in crisp B&W, it's a film full of simple charm without anything pretentious about it.

Only drawback: Overuse of the phrase "I reckon" to give the dialog a bucolic flavor. Its use is way overdone and actually becomes irritating when the script has the phrase repeated every few seconds by everyone in the cast.

This is a film that for most of its running time has no other players than the three adult leads and a child. The players had better be good for this one. Fortunately they are and Rachel and the Stranger has a good quiet charm about it.

The title role is played by Loretta Young. She was a year past her Oscar winning performance in The Farmer's Daughter and really at the top of her game. Rachel is a bondservant who is bought by widower William Holden to help out at the family farm, bring back a feminine touch to the place and help raise his son, Gary Gray. Rachel is bought for "eighteen dollars and owing four" by Holden, but frontier proprieties being what they were, Holden has to marry her.

But she's no wife, she's bought and paid for help, until Holden's friend Robert Mitchum shows up and starts looking at her as a desirable woman. Now Holden starts thinking along those lines and the fun begins.

Holden and Mitchum both do very well in typical roles for both at the time. Bill Holden called this his "smiling jim" period which ended with Sunset Boulevard a year later.

Mitchum gets to sing in Rachel and the Stranger and even cut a couple of records of the songs he sings from the film. Not bad for Bob, among the many accomplishments of that complex and talented man was as a singer and songwriter. He didn't do it often enough in movies.

But the movie really turns on Loretta Young's performance. She strikes just the right note as the bondwoman who helps make the whole lot of them a family again.

The movie is also a good depiction of frontier Ohio. An Indian attack is part of the problems the quartet faces and the Shawnees were very active there until the Battle of Fallen Timbers which took place in 1795. Figure the action to be taking place slightly before that.

A nice entertaining film.