Texas, Brooklyn & Heaven

Texas, Brooklyn & Heaven (1948)

** 1/2 (out of 4)

Eddie Tayloe (Guy Madison) is working at a Texas newspaper when he inherits some money and decides to head off to New York City to try and become a playwright. On the ride there he meets Perry Dunklin (Diane Lynn) and agrees to give her a lift to the city. Once there they split up but soon they are going to be reunited.

William Castle, yes, that William Castle, directed this romantic comedy that borrows a few moments from IT HAPPENED ONE NIGHT, which is pretty remarkable when you think about it. That Capra film was released more than a decade earlier yet it was still being ripped off in 1948. With that being said, TEXAS, BROOKLYN & HEAVEN isn't a masterpiece or even a good movie but it is a pleasant entertainment that is worth watching.

The film is basically a romantic comedy that works in large part because of its two stars. I wouldn't say that Madison or Lynn gave great performances but both of them are just so cute and charming in the film that you can't help but enjoy watching them and their adventures as their characters slowly get back together. I thought the film did a good job with at least keeping you entertained by the story and Castle managed to keep the film moving at a nice pace and delivering some charm along the way.

The film is pretty basic in regards to its story as there's certainly nothing here that we haven't seen countless times before. As I said, the two leads are just so charming together that you don't mind going along for the ride. The supporting players include James Dunn, Florence Bates, Margaret Hamilton in a small role and Roscoe Karns in a brief bit. James Dean is said to be in the picture but I wasn't able to spot him.

Bill Frawley(Fred Mertz!) , Irene Ryan(Granny!), Margaret Hamilton(the Wicked Witch!), and Florence Bates, and Roscoe Karns. Gadz! who ISN'T in this film from United Artists ?? Boy meets girl on the road, and they are both running away from their jobs. Eddie (Guy Madison) quits when he finds out he has inherited some money from his dead uncle. Diana Lynn is "Perry", who left town when her brother gets married. They get in a car accident, and the whole plot-line is pretty silly, but you just have to go along with the ride. Liberal use of back drops. Lots of talking. and Lionel Stander is the hotel bell-hop.. he was "Max" in Hart to Hart. Flo Bates (the thief on the subway) was in SO many early films, and worked with just everyone..(LOVED her in Rebecca!) Margaret Hamilton is the prim and proper landord, who rents a room (the stable) to Perry. Picture is pretty good, but sound goes way up and way down, so be ready for CRAZY loud commercials. Bill Frawley (Fred Mertz, three years BEFORE I Love Lucy!) is the big shot agent, who doesn't like Eddie's work. a couple funny scenes, at Coney Island, and again when the ladies play cards. These folks were all masters at vaudeville. SO fun to see all these pros in comedy. the film is so understated... too bad the script is so slow. they all would have been even more amazing with a better script. it does go all over the place. but if you stick around, it's a lot of low key fun. This one was important, just for all the big names in here...

Texas, Brooklyn and Heaven should by all accounts been a winner with the wonderful cast of character players that inhabit this film in support of young leads Guy Madison and Diana Lynn. But for whatever reason the film both in its quiet humor and some uproarious belly laugh humor just doesn't quite gel.

Future horror film director William Castle was in charge of this small independent production released by United Artists. Madison is a writer on a Dallas newspaper who's left a legacy of $6000.00 by his grandfather so he decides to go to New York and try his hand at writing a play. Along the way he picks up hitchhiker Diana Lynn and the two go to New York. Finding Manhattan a bit pricey even then, the two wind up staying in Brooklyn. Madison in a small hotel and Lynn with an adopted 'mother' Florence Bates in an apartment which she rents from three spinster sisters, Irene Ryan, Margaret Hamilton, and Moyna McGill.

Other than those I've mentioned such outstanding players as James Dunn, Jesse White, Clem Bevans, James Burke, Michael Chekhov, William Frawley and Lionel Stander are all here. Audie Murphy makes his screen debut in the beginning of the movie as a copy boy on Madison's paper and his scene is with Madison. That alone should make any devoted old film fan want to see Texas, Brooklyn and Heaven, but for the most part these folks are subdued in their characterizations.

And like a much better film It Happened In Brooklyn from the year before there is nary a mention of the Brooklyn Dodgers or Ebbetts Field. That's almost sacrilege.

You might want to look at Texas, Brooklyn and Heaven just to see this fabulous cast. But I think you'll walk away disappointed.

Guy Madison inherits $6,000. He quits his job on the paper and heads from Texas to New York to finish his play and get it produced. Meanwhile, Diana Lynn also leaves Texas, and the two of them travel together. She goes to Brooklyn, where she charms everyone in the Borough of Churches, which is populated exclusively by eccentrics. Meanwhile, Madison makes the rounds.

Their inevitable love story is the glue that is supposed to hold together this collection of oddities, like obnoxious spinster sisters, a superannuated pickpocket, a place where you can ride camels across the desert, elephants across the jungle, or horses across the prairies, as well as an assortment of bartenders, Santa Clauses and cops. It doesn't work on those terms, but there's such an assortment of fine comic character actors offering eccentric performances that I was charmed nonetheless. Where else can you can find James Dunn and Michael CHekhov, Florence Bates and Lionel Stander, William Frawley and Roscoe Karns, Margaret Hamilton and Irene Ryan, and Audie Murphy in his film debut?

Eddie Tayloe's grandfather leaves him six thousand dollars and the money belt it came in, freeing Tayloe to leave his dull newspaper job in Texas and move to New York to become a playwright. Along the way, his car breaks down and a girl walking along the highway asks for a lift. It turns out she's a nice girl, named Perry, running away from a job at a gasoline station. Soon they're off to New York together, but part ways once they arrive. Time passes and Eddie is failing to sell his play; Perry is failing to find a job. Odd circumstances, involving an old pickpocket named Mandy (Florence Bates), bring them together again. Three starchy sisters (including Irene Ryan and Margaret Hamilton) renting a room, a bartender named Mike, and a sleepy old immigrant (Michael Chekhov) running a mechanical menagerie all play parts in this romantic comedy.

William Castle, before his days of making gimmick-laden shockers, directed this unfunny script, straining to be zany and eccentric, and ending up dull. Guy Madison as Eddie is very handsome but stolid. Diana Lynn as Perry fares a little better, but her affectedly odd character thwarts her efforts. Florence Bates comes off the best. The movie is bad but not unbearable, if you want to see it for the supporting cast, which includes William Frawley, Jesse White and Lionel Stander.