The Walls of Jericho

Cornell Wilde is the county attorney in the small Kansas town of Jericho. His best friend is Kirk Douglas, the editor of the local newspaper. Wilde is running for Congress, but the appearance of Anne Baxter, who left town a child and has come back a lawyer, stops Wilde from running. He does not wish to go to Washington with his always angry wife, Ann Dvorak. Instead, Douglas and his gossipy wife, Linda Darnell go to Congress, and Miss Baxter leaves for Kansas City rather than begin a "tawdry, backstreet affair." But when Colleen Townsend is accused of murdering a man in Jericho. Miss Baxter calls in Wilde to get her back to Jericho and assist in the defense.... despite the gossip.

It's director John Stahl's last tear jerker, a genre he excelled in in the 1930s. He would round off his career with two light comedies and die in 1950 at the age of 63. At first I wondered why Stahl had been the choice for this movie, instead of 20th Century-Fox's resident master of small-town life, Henry King. The answer soon became clear. The set pieces that open the movie are looks at the neighborhoods and relationships during the Mauve Decade that offer edgy, disapproving looks at the small-minded and evilly gossipy people who make the venue a purgatory, even as sentimental songs come out of Victrolas and pianolas. Stahl excelled in the portrayal of nastiness under the calm facade. King liked small towns.

I didn't enjoy the movie much. This sort of weeper has never been my cup of tea, and the big ending with a trial, a shooting, and Wilde lying in a hospital bed, possibly dying (surely not in a Hollywood movie!) was way over the top for me. But there's no arguing that Stahl's acerbic attitude toward the "nice" people is on full display here.

The Walls Of Jericho finds both Cornel Wilde and Kirk Douglas as ambitious men and best friends who become estranged due to the behavior of their wives Ann Dvorak and Linda Darnell. Dvorak is an alcoholic and Darnell is a manipulator. The one thing that Darnell could not manipulate was an affair with Wilde who turned her down flat because of his friendship with Douglas. That sends Darnell into a quiet rage and her manipulations of people and events drives the film after that.

Also in the picture is Anne Baxter a female attorney in the ragtime era when such people were a rarity. She's the daughter of Henry Hull who was an attorney who Wilde admires, but who has fallen on bad times. She and Wilde hit it off professionally and personally, but when it looks like an affair might be in the offing, Baxter moves away.

However the arrest of young Colleen Townsend brings Wilde and Baxter together professionally. Townsend is charged with murdering town tough Barton MacLane and it will take some good lawyering to get her off. But that brings Darnell out who sees Wilde once again as a threat to her husband who is now a Congressman. And of course there's that ever present itch that Wilde has never scratched for her.

The Walls Of Jericho is a ragtime soap opera set in the Roosevelt-Taft era. The choice roles in this definitely are for the females with Darnell, Baxter, and Dvorak all making themselves memorable. In fact Baxter gets a chance at what is normally a male prerogative in the cinema, she gets to make a closing argument before a jury.

For reasons I don't understand this film is rarely seen and that does a disservice to the female cast members. This contains some of the best work any of the three leading ladies have done, especially Baxter. It will be a revelation if you get the chance to see this.

If you like small-town scandals, like Peyton Place, go out and rent The Walls of Jericho, an aptly titled old classic starring Cornel Wilde, Linda Darnell, Kirk Douglas, Anne Baxter, and Ann Dvorak.

Cornel is in a rut, with his career and his marriage to Ann. His married pals Kirk and Linda have more energy and ambition than him, but they aren't perfect either. Linda has a crush on Cornel, but he still harbors feelings for Anne, a childhood sweetheart. Linda gets upset and insulted, and she makes it her mission to seek revenge on Cornel. Kirk plays the innocent stooge in this one, rather than the villain he played so often in later years, so if you want to see him in a sweet role, you've got to find him in a late-1940s movie.

This isn't the greatest small-town movie, but it certainly is entertaining. It's nice and soapy, with lots of melodrama, angry women in beautiful gowns, innocent men getting made fools of, and over-the-top courtroom scenes. You'll also see Marjorie Rambeau, Henry Hull, and Barton MacLane in the supporting cast.

In spite of the title ,the movie has nothing to do with Joshua and the Bible ;it's closer to film noir than to melodrama ,like "leave her to heaven " which already featured Cornel Wilde ; but in spite of its high rating , it cannot be mentioned in the same breath as the Stahl /Wilde/Gene Tierney's tour de force in 1946 ;even "the foxes of Harrow (1947) had a better screenplay .

It pits Wilde /Baxter 's idealism against Darnell/Douglas' careerism ;in consequence,the movie really takes place in the second part of the movie, when poor Marjorie might be sacrificed to political ambitions : here the movie thoroughly belongs to Anne Baxter ,who alone against the world of the high and the mighty ,shows an unexpected stamina and strength of character :at a time when ,most of the time, women had minor roles in the courts of justice ,the movie can be considered ,from that point of view, a successful effort.

From 1948, The Walls of Jericho stars Cornel Wilde, Linda Darnell, Kirk Douglas, and Anne Baxter, directed by John Stahl.

Wilde plays Dave Connors, the county attorney in the small town of Jericho, Kansas, at the turn of the century. He's loved by the townspeople and is considering a run for Congress. His life isn't an easy one: his wife (Ann Dvorak) is a drunk and unpleasant.

When his best friend, newspaperman Tucker Wedge (Douglas) introduced Dave to his new wife Algeria (Darnell), it's obvious she's used to a much fancier way of life. She also immediately attracted to Dave.

When she can't get anywhere with him, she convinces her husband to start a campaign about problems in town and blame Dave - except there aren't any problems. Then she convinces Tucker to run for Congress.

Dave, however, is in love with Julia (Anne Baxter) - it's a chaste love, but when they finally declare themselves, he realizes if he runs for Congress, he will never be able to see her even platonically. So he drops out, thwarting Algeria's plans yet again.

Julia leaves town anyway. However, circumstances, bring them back together. Just what Tucker's wife was waiting for.

Darnell has a real Gene Tierney conniver role here - in fact, Gene was set to play it - and she does it well. Anne Baxter is appropriately noble. Cornel Wilde never did it for me. He just can't warm up the camera.

The direction is somewhat static. I saw this on YouTube where all the background noise is described as "applause"