When a friend dies, a gambler adopts his daughter. Complications ensue.When a friend dies, a gambler adopts his daughter. Complications ensue.When a friend dies, a gambler adopts his daughter. Complications ensue.
- Awards
- 2 wins total
Wilfrid Hyde-White
- Col. Bradley
- (as Wilfred Hyde White)
Patrick Baring
- Commissionaire
- (uncredited)
Patrick Barr
- Bert - Adam's Friend
- (uncredited)
Betty Blackler
- Ruth
- (uncredited)
Dora Bryan
- Blonde Sales Assistant
- (uncredited)
Larry Dann
- Boy
- (uncredited)
Featured reviews
It all basically began with Adam and Eve. We've seen the young, innocent girl maturing into the young lady and falling in love with the older man in "My Fair Lady," and "Gigi." This is basically the same story in "Adam and Evelynne."
When Stewart Granger's friend dies, he takes his daughter in. The latter, Jean Simmons, believes that Granger is his father until she is told otherwise by Granger's girlfriend who senses Simmons as future competition. That sense proves correct when Simmons returns from finishing school in Switzerland all grown up. Problem is that Granger has never told her his true vocation: illegal gambling.
The story unfolds how they fall in love and the eventual treachery of his girlfriend and younger brother to destroy him over this love.
The film is nicely done. Jean Simmons goes from an unhappy child, looking for her father to the mature young woman searching for love.
When Stewart Granger's friend dies, he takes his daughter in. The latter, Jean Simmons, believes that Granger is his father until she is told otherwise by Granger's girlfriend who senses Simmons as future competition. That sense proves correct when Simmons returns from finishing school in Switzerland all grown up. Problem is that Granger has never told her his true vocation: illegal gambling.
The story unfolds how they fall in love and the eventual treachery of his girlfriend and younger brother to destroy him over this love.
The film is nicely done. Jean Simmons goes from an unhappy child, looking for her father to the mature young woman searching for love.
I bought this movie because I love Granger and Simmons so much in 'Young Bess'. The quality of the VHS copy however is disappointing, I wonder if it due to repairing technical problems or lack of budget? Nevertheless, it is still worth the money because every once is a while, there will be a close-up of Granger or Simmons that is clear enough for an audience appreciation.
Granger and Simmons radiate their charms so effortlessly here because the characters they played are practically themselves--English socialites. The overall delightful result may look easy but it is however important that the script did not step into any wrong note.
Granger and Simmons radiate their charms so effortlessly here because the characters they played are practically themselves--English socialites. The overall delightful result may look easy but it is however important that the script did not step into any wrong note.
Stewart Granger is "Adam", a rather raffish gambler who, when his wartime friend "Chris" dies, adopts his daughter "Evelyn" (Jean Simmons) who has hitherto been living in an orphanage. Initially he pretends that he is her father, but that is soon exposed by his friends and the two must now treat honestly - or as honestly as he knows how - with each other and the bond begins to mature, much to the chagrin of the rather calculating Helen Cherry... Both stars work well together, and the simple story is a well written and directed tale of deceit, deception and some good old-fashioned love and with Wilfred Hyde-White (another of those actors whose voice has a instantly identifiable silky timbre) adds a little charm to the proceedings, too - and in the end it all comes down to a moustache!
Eh, to each his own. It was an okay film, but honestly, I find the way Evlyne so swiftly went from thinking that Adam was her father to being romantically in-love with him rather disturbing. I get that the heart wants what the heart wants and all that, but in my humble opinion, this is one case where it would have been better to keep it a father-daughter relationship. Once Evelyn found out the truth, Adam could have just said that it doesn't matter, because he'll be her honorary father, and that would have been sweet and noble. But, the way the story develops takes that away in a sense, and it feels a trite incestuous to me.
I had been told to see this movie by a friend, if just for a sight of Stewart Granger with a moustache and I wasn't disappointed. Granger and Jean Simmons work beautifully together again, in this movie based on the concept of a young girl falling in love with an older man - and one she believes to begin with is her father!! Simmons is adorable as the young girl, whisked away from a life of labour and far more likeable in this role than any other. I loved the final scene between the two of them and the running joke that Granger looked better with his moustache after all! Not one to watch if you don't like continuous remakes of the 'old man, young girl' scenario, but in this case it works to perfection.
Did you know
- Trivia"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on September 29, 1952 with Jean Simmons and Stewart Granger reprising their film roles.
- Quotes
Adam Black: She's just a child. I'm not used to children--they get hurt so easily. I don't like hurting people like that.
Moira Hannon: No, there are other ways, aren't there?
- SoundtracksO Who Will O'er The Downs So Free
(uncredited)
Written by Robert Pearsall
Details
- Runtime
- 1h 10m(70 min)
- Color
- Aspect ratio
- 1.37 : 1
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