The Fighting Kentuckian

John Wayne plays a frontiersman, who partners up with Oliver Hardy! This seems strange at first, but they have a great rapport and act well together. Vera Ralston is the love interest, and while she's pretty, she's not a great actress and is merely passable in the role. There's lots of fighting and heroic action in this movie, and it's a way to pass an enjoyable hour or two. John is at his most charismatic here.

I'd never heard of this one before and didn't know John Wayne had acted alongside Ollie Hardy until today. I like both though and I do enjoy a Western and this was a very enjoyable Western.

An American Western-comedy; A story set in Alabama, 1812, about a Kentucky trooper who makes a long journey homeward with his army confrère and becomes involved with a robber baron's plan to deprive hundreds of French army refugees of land promised by Congress, and he acts to prevent the villain's marriage to the daughter of a former French general. This is a routine Western with incessant chases and gunfire. The romance is stilted with no chemistry between John Wayne and Vera Ralston, who sounds more Czech than French. However, it is a boisterous distraction with sparkling photography, and the excellent comedy performances shine through its medicore storyline. John Wayne has screen presence, and his light humour complements the piece very well, never overshadowing Oliver Hardy's marvellous physical comedy, which is a treat to watch: two great light comedy performances. As an aside, though, Hardy is only slightly pugnacious here, which will feel muted in comparison to his high acclaim for his other pictures acting alongside Stan Laurel.

In 1817, following a land-grant Act of Congress, written to aide Napoleon-supporters in the War of 1812, 340 French families settled on four townships in Alabama. They arrived in Mobile, Alabama on the ship "McDonough" and made their headquarters in a small community named "White Bluff." A year later, with the community developed into a thriving village by their labors, they renamed it "Demopolis," an ancient Greek name meaning "City of the People." These Napoleonic exiles chose not to give it a French name that would recall their native land.

These cultured colonists, from the drawing rooms and military heritage of the old French aristocracy, were likely the least-prepared of any of the immigrant groups who settled the American wilderness, and soon found themselves pioneering the rugged interior of Alabama with illiterate traders, squatters and Indians for their neighbors. They called themselves "The Association of French Emigrants for the Cullivation of the Vine and Olive", but their attempt at olive and grape culture was a complete failure. The Indians taught them how to grow corn and beans, but when they discovered that through a surveying error they inadvertently had built their city outside the chartered boundaries, they drifted away, either returning to France or settling in Mobile or New Orleans. But Napoleon was no great hand when it came to reading maps and recognizing boundaries, either.

Director/writer George Waggner took the surveying mistake and converted it to a land-grab scheme, threw in a motley group of rugged Kentucky militiamen, returning from the Battle of New Orleans, used the most diverse cast in any of the American-frontier films from Republic...and then tossed in ten pounds of plot into a five-pound container. Most of which worked. Aside from the thematic song, a traditional called "Kentucky Marching Song", in which he wrote new lyrics to go with George Anthiel's arrangement. Neither of which, apparently, spent much time on the writing or the arranging.

John Wayne's second effort as star/producer (after "Angel and the Badman", in 1947), "The Fighting Kentuckian" is a VERY enjoyable tale, set in 1818 Alabama, of coonskin-capped Wayne, part of the Kentucky militia, falling for French immigrant Vera Ralston (in her second film with Duke), and discovering a plot to swindle the French community (composed of ex-officers of Napoleon, and their families) out of their land, by aristocrat John Howard and ruthless river boss Grant Withers.

What truly makes this film 'special' for me is Wayne's sidekick, portrayed by the legendary Oliver Hardy, of 'Laurel and Hardy' fame. Hardy, while a friend of Wayne, had only worked 'solo' once in a feature film in over twenty years (1939's "Zenobia"), and it took a LOT of coaxing (and Stan Laurel's 'blessing'), to get him to accept the role...and what a pleasure he is, to watch! Wayne and Hardy have a rich, warm chemistry, and the rotund comedian, with his infectious smile and Georgia drawl, makes even minor scenes (like swapping recipes with Ralston's mother) a joy.

With a first-rate supporting cast including Philip Dorn, Hugo Haas, Wayne 'regulars' Paul Fix, Jack Pennick, and Hank Worden, and Marie Windsor (who looks eerily like John Howard, in my opinion!), "The Fighting Kentuckian" is, despite the 'pans' you'll see in some of the reviews posted, one of my favorite John Wayne films...He was never more charming than you'll find him, here!