Fighting Man of the Plains

Although I only saw this film once (when it was released 50 years ago), it is one of my favorite Randolph Scott westerns. The combination of a turbulent setting (Quantrill's murderous raid on Lawrenceville, Kansas, and post Civil War Kansas ) and the main character's efforts to atone for his wartime actions by keeping the peace in a violence prone Kansas cow town rank it even with or better than Scott's later films directed by the acclaimed director, Budd Boetticher.

One of the nice things about FIGHTING MAN OF THE PLAINS is seeing VICTOR JORY in a role where he's playing the hero's friend rather than a villain. It's an above average RANDOLPH SCOTT western that was apparently filmed originally in Cinecolor but the TCM print is in B&W.

Scott is a man running from his past who is mistaken for the lawman who captured him but got killed along the way to bringing Scott to justice. We learn later that Scott was justified in killing a man in self-defense and did not deserve a reputation as a lawless outlaw.

He proves such a good shot when attacked by a town bully, that the townspeople appoint him sheriff of a small Kansas town, post-Civil War 1870s. He's able to keep that disguise for most of the story, until some of the crooked elements in town find out his true identity and make trouble for him before he can explain what happened.

The whole story has a pleasant Zane Grey feeling about it--although it's an original one written for the screen. BILL WILLIAMS is cast against type as a villain and JANE NIGH is the romantic interest as Jory's business partner.

Plenty of action and a colorful story combine to make a good Randolph Scott western worth catching. DALE ROBERTSON is introduced as Jesse James, a man who comes to Scott's rescue when the going gets tough.

I was just 6 years old when I saw "Fighting Man of the Plains"...my parents took me and my sisters to a drive-in movie in Indianapolis, Indiana. We used to go to the drive-in about once a month, because it was the best way for a young family to get a night out. What I remember most about the film is that rather early-on Randolph Scott is under arrest, and he and the lawman are taking a small raft-like ferry across some water, when a horse rears-up and its hoof smashes the lawman in the face. The movie was in color, and the close-up of the bloody face was mesmerizing. Randolph Scott then assumed the lawman's identity and went on to bring law and order to a lawless Kansas town. I grew-up to become a successful television news anchor/reporter and video producer...but I would love to see "Fighting Man of the Plains" again. It was a seminal moment in my childhood, and forever marked Randolph Scott...and westerns...as some of my favorite movie fare.

This is a real humdinger of a western. The plot and dialogue move along quickly, with no time wasted on unlikely romance or saloon song. On the contrary, this tight little gem centers fully and solely on the great Randolph Scott. Here, Scott is at his lean, trim, handsomest best; the director senses this, and the film is noteworthy for featuring a number of lovely, soft, lingering close-ups of Randolph's grim face. To me, this is a wonderful touch and a delightful tribute to one the Westerns' greatest stars.

The co-stars are fine as well, but they definitely play second fiddle to Scott. One unexpected twist involves the town's "tinhorn" gambler, played by Victor Jory. Jory is the only member of the town to recognize Scott as a wanted outlaw, and is certainly in a position to blackmail him; however, in a quite unusual development, Jory chooses to befriend Scott, and remains his loyal friend to the end.

"Fighting Man on the Plains" is the perfect late-40's Western, a fully mature old-fashioned good-guys vs. bad-guys bit of adult theatre, a genre film crafted to its full potential; and it sets the stage nicely for the more psychologically complex Westerns of the 50's.

Highly recommended for lovers of Westerns.

An unusual, slightly quirky Randolph Scott western with Scott playing a reformed outlaw keeping the peace with more amiable roles than usual for Victor Jory and Berry Kroger, and Jane Nigh as a rather equivocal female lead. There are also brief appearances by Dale Robertson with an introducing credit as Jesse James and James Griffith making an even briefer appearance in the opening scene as the despicable William Clarke Quantrill.