The File on Thelma Jordon

So much has already been said about this film, so I don't have to elaborate. All I can say about this movie is "oh my!". The reason being is that during the late 40's and early 50's a film about infidelity, even though popular at the time (Nora Prentiss, The Postman Always Rings Twice) was viewed by many as taboo, but that didn't stop them from flocking to the local theater to see it!

What puzzles me is that this film has been ignored. It is a well crafted movie with all the elements of a good film noir. It has crime, it has sex, it has deception and it has corruption throughout and it has great cinematography; what a perfect noir! If you have a chance to see this film on TCM, do yourself a favor and make a copy. You will not be disappointed.

From her first entrance, Stanwyck kept me captivated by her performance in this film. There is something about her that draws you in and holds you. You know there is more to her than meets the eye - but you're not sure what exactly.

I have always admired Stanwyck. She was born Ruby Stevens, a Brooklyn girl that worked for a phone company and then became a chorus girl, before finally going to Hollywood to chase her dreams. She was nominated 4 times for an Oscar for Best Actress ("Stella Davis", "Ball of Fire", "Double Indemnity", "Sorry ,Wrong Number") but never won - except for an Honorary Oscar near the end of her life. She was considered a gem to work with for her serious but easy going attitude on the set (unlike many of her contemporary peers). This makes me like her even more!

I thought the cinematography in this film was outstanding. I loved the elaborate sets and and set decorating.

The plot kept me intrigued as well. Corey plays the perfect fall guy for Stanwyck. His average looks and dull exterior tend to make you feel sympathetic for this guy. Some have commented that they didn't have much chemistry together. I agree that they are an unlikely couple, but it helps you see how he could get so caught up in her and be willing to sacrifice so much. She was obviously outside his league.

There are some nice twists and turns in the plot that will keep you interested - especially at the end. It's worth a watch.

The Assistant District Attorney Cleve Marshall (Wendell Corey) has an unhappy marriage with his wife Pamela Blackwell Marshall (Joan Tetzel) due to the interference of her father, Judge Calvin H. Blackwell (Minor Watson). He decides to drink in his office after hours instead of going to the birthday party of Pamela. Out of the blue, a woman named Thelma Jordon (Barbara Stanwyck) arrives at the office looking for Cleve's boss to report an attempt of robbery of her wealthy Aunt Vera Edwards (Gertrude W. Hoffman) and she ends the night drinking and dancing with Cleve in a restaurant. Soon they have a love affair and Cleve falls in love with Thelma. But he does not know anything about the past of the mysterious Thelma. When Aunt Vera is murdered at home, Thelma calls Cleve to help her since she would be the prime suspect of shooting her aunt. He covers up the evidences that might link Thelma to the death becoming her accomplice and is assigned to be the prosecutor of her judgment. What will happen to Thelma and Cleve?

"The File on Thelma Jordon" is a fine film-noir directed by the master Robert Siodmak. Barbara Stanwyck performs the typical femme fatale, seducing the assistant DA Cleve Marshall and destroying his life. The moralist conclusion could have been better but the film is worthwhile watching. My vote is eight.

Title (Brazil): "A Confissão de Thelma" ("The Confession of Thelma Jordon")

Perfectly decent noirish outing with excellent performance from Barbara Stanwyck, even if she has done much the same before. Small argument in my house where both my son and wife reckoned that the only problem was that they couldn't see the attraction of the femme fatale herself! I certainly beg to differ and feel most drawn to the feline duplicity of her sinister assuredness, but there we go. Even so a great tale that keeps twisting nicely so that even though you know she must be a baddie, the ever turning tale, especially when we get to court keeps you guessing. Wendell Corey is impressive as the assistant DA if not as a lover, but that's just me.

He was a dull, dull leading man; he's dull with Stanwyck again in "The Furies," a year later. But as a troubled, alcoholic DA who falls in with the conniving lady of the title, he generates interest, and even a little heat in his love scenes, of which there are many. There are many because, and the screenwriters didn't iron this out adequately, he loves Thelma, but he also loves his wife, a restrained Joan Tetzel, and we're not sure why he'd seek other pastures. He's really pretty rotten to the wife and the kids (played by Corey's own kids), and it's hard to entirely buy the path he takes when (deliberately badly) prosecuting Thelma for murder. Stanwyck's her usual sinuous self, and there's some wonderful moody noir photography, and a Victor Young score that's rather too pretty for the seamy goings-on. It doesn't entirely add up, including HOW would Thelma survive what happens to her at the end, but it's a pithy noir with a.sizzling femme fatale.