The Doctor and the Girl

Glenn Ford is a young doctor from a well-connected family in "The Doctor and the Girl," a 1949 film also starring Janet Leigh, Charles Coburn, Gloria de Haven, Bruce Bennett, and Nancy Davis, our former first lady.

Ford plays Dr. Michael Corday, an up and coming doctor who comes to do a rotation in a hospital and brings a lot of his well-known doctor/father's attitudes with him. The senior Dr. Corday (Coburn) has fixed attitudes about family and medicine and runs his home with an iron fist. The first night that Michael returns home from his medical training, his sister Fabienne (de Haven) announces that she's moving to Greenwich Village. In those days it was absolutely unheard of for an unmarried woman to move out of the parental home, so her father's not happy.

Michael isn't liked at the hospital. He's snobby, brusque, and too clinical, interested in his work but not people. Then he runs into a woman he processed in the outpatient ward, Evelyn (Leigh), who is waiting for lung surgery, and he realizes how cold he was to her. He works to make it up to her, and they wind up falling in love, and over his father's strenuous objections, he marries her and gives up the important residency he was promised. He and Evelyn move to her Third Avenue apartment, and Michael sets up practice. Meanwhile, the only child that hasn't disappointed the senior Corday is Mariette (Davis), who is marrying a doctor (when her dad sets the date) and is living at home. Corday Sr. soon learns the effect of his rigidity.

I really liked this film. It was an absorbing family drama, maybe on the soapy side, but there's nothing wrong with that when the characters are well depicted. Glenn Ford is very sincere and likable in his role and gets to show a little more dramatic range than usual; the pretty Leigh is lovely as Evelyn, frail but with an inner toughness. The rest of the cast is solid. Bruce Bennett plays the ENT doctor Michael has to deal with on his rotation. Bennett was in countless films, an Olympic champion in 1928, and died 5 years ago at the age of 100.

Very good movie, well worth seeing.

Such big names in this one... Glenn Ford had just made the awesome GILDA a couple years back... Charles Coburn was a character in so many old, mostly black and white films. although Gentlemen Prefer Blonds WAS in color. Janet Leigh, of course, will go on to make Psycho ten years later. and little ol Nancy Davis Reagan will be Mrs. President Reagan. Ford is the newly accomplished Doctor Corday. He runs into all kinds of serious issues, with patients at his hospital, as well as his own father, the older Doctor Corday ( Coburn). Will his good wishes for a patient interfere with his life at home? and will his dis-approving family let him live life his own way? it's like an episode of General Hospital, before there was such a thing. lessons about bedside manner and doctor skills. some pretty big issues about things that were just beginning to be discussed, towards the end of the film production code. Directed by Curtis Bernhardt, who also did Possessed (J. Crawford) and Stolen Life (B. Davis). He certainly worked with the greats. This one is just pretty okay. can't give it very high marks.

Even though it's reminiscent of pure soap opera, there is something legitimate here to keep you watching. In this case, it's the life and death subject matter and the "doctor's" decision to practice medicine in the poor part of town that keep the film vibrant. Parts are played well by all actors, allowing the plotline to be preeminent, as it should be.

We have a cohesive narrative here produced sensibly and wisely -- that reins it in, and takes it out of the realm of soap opera. This movie is "thinking" entertainment and is well worth watching.

Other reviewers of The Doctor and the Girl have rightfully praised its excellent treatment of a plot-line that at first glance seems familiar, even hackneyed. Of course, the sterling performances of everybody on screen are a huge asset to the picture. But for me, the gold medal has to be given to Curtis Bernhardt's expert handling of Theodore Reeves' adroit screenplay.

It's a tightly-paced film, with very few exteriors. But Bernhardt's brilliant interiors give superb depth to each scene and each character, from stern Charles Coburn to sylphlike Janet Leigh to earnest Bruce Bennett (in a great supporting role as an unassuming ENT specialist). The director keeps everybody's performance low-key and believable. In her first scenes, sickly Janet Leigh seems to be wearing no makeup at all. And even Charles Coburn isn't allowed to milk his scenes to the limit.

A master of lighting and camera angles, Bernhardt was one of the numerous excellent filmmakers in exile from Nazi Germany. His filmography is a strong one, studded with many entertaining films of the forties and fifties. Conflict, starring a quintessential Humphrey Bogart, and My Reputation with Barbara Stanwyck at her best, are two goodies that come to mind. And let's not forget Possessed, highlighted by Joan Crawford's hallucinatory performance.

But unlike some other exiled directors - such as Wilder, Lubitsch, Lang and Sirk - Curtis Bernhardt hasn't got any universally acclaimed masterpieces on his résumé, so he is often neglected by movie historians. But he was certainly a talent to reckon with, and any of his pictures deserve a careful look.

P.S. I totally concur with EliotTempleton's comments about Hollywood having a very long history of movies with medical themes. In fact Theodore Reeves, the main writer for this film, was the author of many medical screenplays dating back to the 1930s.

Hollywood loves making medical dramas, but not all of them become classics through the decades. The Doctor and the Girl is an excellent movie, but I'm willing to bet most people have never heard of it. Glenn Ford and Janet Leigh play the titular characters, and Charles Coburn has a pivotal role as Glenn's father. He's a doctor, too, and he expects Glenn to take over his lucrative practice in a very wealthy neighborhood where there's usually nothing more serious than housewives' nerves. Glenn, however, wants to help the impoverished and seriously sick. They argue constantly about the direction his life will take, and it's very well written because you can see both sides.

You won't find any blood and guts in this movie, like modern medical television shows. But you will find three-dimensional characters who are conflicted when they make life-altering decisions. A father wants what's best for his son, financially and romantically. A young man wants to believe he's making a difference. If you like this drama, try Not As a Stranger or The Young Doctors for equally obscure but powerful stories.