Mystery at the Burlesque

This is like no other murder case. More interesting than who done it in this case is how it was done. It could only have been done from stage, so the helpless inspectors have no choice but to endure the whole show over again from the beginning to investigate at which point the shot could have been fired and how. They reach the end of the show until before the finale in a hilarious Mexican number all the girls on stage fire their own pistol.

This is a criminal comedy at its very best. It couldn't be more hilarious. At the same time, it's almost documentary, since this theatre actually never closed during the war but kept on giving shows day and night and was extremely popular in its charming location off the Piccadilly.

The poor inspectors have to suffer through one silly number after another, plagued by a bassoon pedant, silly dances with dogs, satirical ballets making fun of Hollywood, and in between lots of gags in the canteen, police officers getting lost in the theatre falling over chairs, one trying to escape and so on, while the girls keep playing cards when they are not on stage.

It's a wonderful rendering of how life at the Windmill actually went on almost non stop throughout the war with all its idyllic professional but endearing silliness. Applause, and applause again with cries for joy. It's simply adorable.

A Detective and his Sergeant investigate a murder at The Windmill Theatre, how in Earth was a man killed in the front row during a performance, surely one of the cast must have committed the act? The cast perform the show for The Police to determine when, where and whodunnit.

It's a charming film, a comedy, musical whodunnit. It's sentimental, funny and really sweet. Expect laughs, entertainment and a raft of famous faces. The identity of the killer almost becomes insignificant as you're lost in a raft of musical numbers and dances.

The best scene is surely the alluring tableaux, in 1949 that would have been incredibly risqué, it's somehow sexy, but classy and captivating, she had some real talent.

Some very fine performances, as a massive Jon Pertwee fan, I loved seeing him in an early role, it's crazy how much he and his son look alike.

Cameos for Peter Butterworth, who appears in some very funny scenes.

Charming.

6/10.

A man is killed at that most dangerous place in the world: a theater. Movie stalwart Detective Inspector Garry Marsh shows up with comic-relief sergeant Jon Pertwee to investigate. This involves recreating the show, during which the front-row victim was offed.

The Windmill, for those of you who haven't seen MRS HENDERSON PRESENTS, was the London music hall that included tableaux vivantes to get around British law that forbade nudity on the stage -- unless the performer didn't move. Alas, the film producers never offer much more than the sort of semi-revealing costumes that I saw at Radio City Music Hall as a child. Neither was I terribly impressed by the mystery aspect. I spotted the killer early on, but found no clue leading to the detection until the final revelation.

Still, there are some good, if not particularly memorable revue numbers, and the performers are pretty young women. There is also one particularly funny bit in which a comic, used to a large, appreciative audience, is forced to go through his routine for two tired, stony-faced detectives. Although it's strictly a B movie, it's a very pleasant, bright time-waster.

When a man is killed at the Windmill Theatre during a performance, the police have to discover which of the actors and stagehands is a murderer.

Murder at the Windmill is bad. Apparently someone thought the film would be better with musical numbers, so there's a couple randomly shoehorned in at various intervals. The numbers are horribly staged, and the songs are terrible. You also get to suffer through a terrible comedy routine by Jimmy Edwards and some guy doing a Jimmy Stewart impression.

Jon Pertwee is the only good actor in the bunch, giving a fun comedic performance as one of the policemen. The rest of the cast is pretty unmemorable, with the exception of Diana Decker, who is horrendously annoying. Peter Butterworth has a bit part as a policeman.

Unless you're a diehard Jon Pertwee fan, I'd avoid this one.

Well thats what the BBFC censor of the day would have said.I decided to make this post to correct some errors made in other posts.Up till 1967 when theatre censorship was abolished all stage performances came under the auspices of the Lord Chamberlain.Nudity on the stage was allowed provided that the nude did not move.So the maxim "if it moves its rude".So there were no strippers or nude dancing of any kind at The Windmill.There were "tableaux vivant" as they were called.Artfully posed nudes.So the show we see on screen is nothing like the one that would actually be performed on the stage.This film was made when the Windmill was still at its peak.In the fifties strip clubs would open up in adjacent Soho so men could go to see striptease without having to see variety acts,music hall at that time also dying.By the early sixties The Windmill had to close.The Theatre is still there but i believe that it is now a nightclub.This film is a historic reminder of what used to happen there.As they used to say "We Never Clothed".