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6.6/10
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At the end of the Civil War, two friends return home to Colorado and one of them has changed and is violent and erratic.At the end of the Civil War, two friends return home to Colorado and one of them has changed and is violent and erratic.At the end of the Civil War, two friends return home to Colorado and one of them has changed and is violent and erratic.
- Director
- Writers
- Stars
- Awards
- 1 nomination total
William 'Bill' Phillips
- York
- (as Wm. 'Bill' Phillips)
Stanley Andrews
- Roger MacDonald
- (uncredited)
Emile Avery
- Townsman
- (uncredited)
Walter Bacon
- Townsman
- (uncredited)
Walter Baldwin
- Tom Barton
- (uncredited)
Symona Boniface
- Matron
- (uncredited)
Chet Brandenburg
- Party Guest
- (uncredited)
James Bush
- Cpl. Dixon
- (uncredited)
Nora Bush
- Townswoman
- (uncredited)
Boyd Cabeen
- Townsman
- (uncredited)
- Director
- Writers
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Colorado was a large, booming territory in 1865. It did not enter the union until eleven years later, and as the only new state to get admission in 1876 it has the right to remain our "Centennial" State (for the centennial of the Declaration of Independence). In the Civil War there were few engagements in Colorado, but one that did stick out was a massacre (there is no other way of putting it) of Indians by a Colonel Chivington at Sands Creek. Chivington's daughter had been raped by an Indian, and he took advantage of a relatively mild act of legal disobedience by the Indians to kill a good number of them.
"The Man From Colorado" is not dealing directly with the Sands Creek Massacre (no Indians are involved in the story). Instead, Chivington's character is transferred to Glenn Ford, who in the closing days of the Civil War perpetrates a similar atrocity, this time on surrendering Confederates. Ford and his friend William Holden have been through the whole war together, but Holden has managed to retain a sense of balance despite the horrors he has seen. Ford is on a slippery slope. Even after the atrocity he is still aware of his act of cruelty and writes in his diary about it. He can't control himself anymore.
Unfortunately his war record stands him well with the richest men in the territory, especially Ray Collins. Collins has managed to get control of the claims that should be used to pay the ex-Union troops. He wants a strong man to be the Federal judge of Colorado territory. Who better than the no-nonsense Ford? So Ford gets the judicial position. Holden has lost his old girlfriend (Ellen Drew) to Ford, but he remains a friend. However he and Drew are increasingly aware of Ford's mental instability. So is everyone (except Ray Collins), as Ford keeps giving the most draconian decisions from the bench. In particular to his former soldiers, now fighting to get back their claims. This, of course leads to their becoming bandits. A vicious cycle, of course. Holden and Drew may be able to break it - Drew has seen Ford's diary.
In the wake of World War II's returning men, and the many suffering psychological trauma, "The Man From Colorado" was a timely film. Ford never played a psychotic type as well as here. Holden (actually in a supporting role - before his burst into super stardom) is a great balance to Ford. Rains performs well as do most of the cast. And by the time the holocaust unleashed by Ford's appointment to the bench is finished, even Ray Collins wishes he never was dumb enough to put this man on the bench.
"The Man From Colorado" is not dealing directly with the Sands Creek Massacre (no Indians are involved in the story). Instead, Chivington's character is transferred to Glenn Ford, who in the closing days of the Civil War perpetrates a similar atrocity, this time on surrendering Confederates. Ford and his friend William Holden have been through the whole war together, but Holden has managed to retain a sense of balance despite the horrors he has seen. Ford is on a slippery slope. Even after the atrocity he is still aware of his act of cruelty and writes in his diary about it. He can't control himself anymore.
Unfortunately his war record stands him well with the richest men in the territory, especially Ray Collins. Collins has managed to get control of the claims that should be used to pay the ex-Union troops. He wants a strong man to be the Federal judge of Colorado territory. Who better than the no-nonsense Ford? So Ford gets the judicial position. Holden has lost his old girlfriend (Ellen Drew) to Ford, but he remains a friend. However he and Drew are increasingly aware of Ford's mental instability. So is everyone (except Ray Collins), as Ford keeps giving the most draconian decisions from the bench. In particular to his former soldiers, now fighting to get back their claims. This, of course leads to their becoming bandits. A vicious cycle, of course. Holden and Drew may be able to break it - Drew has seen Ford's diary.
In the wake of World War II's returning men, and the many suffering psychological trauma, "The Man From Colorado" was a timely film. Ford never played a psychotic type as well as here. Holden (actually in a supporting role - before his burst into super stardom) is a great balance to Ford. Rains performs well as do most of the cast. And by the time the holocaust unleashed by Ford's appointment to the bench is finished, even Ray Collins wishes he never was dumb enough to put this man on the bench.
"The Man From Colorado", filmed in 1948, portrays two men and how the trauma of the Civil War affected them, and those about them. Glenn Ford delivers a truly mesmerizing performance as a Civil War commander who is slowly being gripped by madness due to the violence of the War, while William Holden plays the part of a veteran of the same war, is able to cope with the aftermath, and yet, is unable to prevent his friend from sinking into degenerate madness.
After the war has ended, both men return to the same hometown to resume their lives. Ford is appointed as a federal judge of the territory, and he, in turn, names Holden as federal marshal. Ultimately, Ford's character sinks deeper into violence and glaring errors in carrying out justice, and Holden has to try and stop his former friend.
Don't let the age of the film deceive you, this movie does pack a message that can be applied today. An 8/10 viewing mark
After the war has ended, both men return to the same hometown to resume their lives. Ford is appointed as a federal judge of the territory, and he, in turn, names Holden as federal marshal. Ultimately, Ford's character sinks deeper into violence and glaring errors in carrying out justice, and Holden has to try and stop his former friend.
Don't let the age of the film deceive you, this movie does pack a message that can be applied today. An 8/10 viewing mark
Glenn Ford was as good as anyone playing an intense psychotic, which he does here in this above-average western. Ford, playing "Col.Owen Devereaux," gets elected to the position of "judge" right after his distinguished career in the Civil War. Unfortunately, he has mental problems and this position carries too much weight for an unstable sort such as him to be carrying. His best buddy, "Capt. Del Stewart" (William Holden) sees his friend as he is and tries to reason with him and help him out but winds up being alienated, too, by the paranoid judge whose problems escalate as the story goes on.
There's not a tremendous amount of action in here, but it still moves pretty fast and looks really nice on DVD. This is one of the few color films of the 1940s.
Ellen Drew, Ray Collins and Ed Buchnan provide good supporting help in the story. If you like some of the Anthony Mann-James Stewart westerns of the late '40s/early '50s, you should like this one, too.
There's not a tremendous amount of action in here, but it still moves pretty fast and looks really nice on DVD. This is one of the few color films of the 1940s.
Ellen Drew, Ray Collins and Ed Buchnan provide good supporting help in the story. If you like some of the Anthony Mann-James Stewart westerns of the late '40s/early '50s, you should like this one, too.
Best friends Owen and Del, along with local men, are mustered out of the Union army at Civil War's end. Trouble is Big Ed has grabbed the men's gold-bearing land while the men were gone, and now, as a judge, Owen has to enforce the law in Big Ed's favor. This splits the community into warring factions.
Gritty, character-driven western. We know at outset that Owen (Ford) is a flawed character when his Union detachment shells surrendering Johnny rebs. In fact, Owen hides his killer instinct behind an uptight rendering of authority, whether as a colonel or as a federal judge. Ford plays the authoritarian part so grimly (count the smiles—I stopped at zero), it's hard to see how the charming Caroline would be attracted to him. Nonetheless, the interplay between best-friends Ford and Holden is involving and forms the story's core. Alliances between the various factions are sometimes hard to keep up with, but are more unpredictable than usual. And I especially like that final maneuvering around the bridge that I didn't see coming.
Columbia Studios popped for a lot of extras, along with fine special effects, especially when the burning wall comes down. Funny, though, how mountainous Colorado looks like greater LA. Too bad Columbia didn't pop for sending the crew at least to Lone Pine and the Southern Sierras. All in all, it's a very different kind of horse opera that avoids the usual clichés, with Ford at his absolute grimmest. Clearly, however, he and Holden are on their way up the Hollywood ladder.
Gritty, character-driven western. We know at outset that Owen (Ford) is a flawed character when his Union detachment shells surrendering Johnny rebs. In fact, Owen hides his killer instinct behind an uptight rendering of authority, whether as a colonel or as a federal judge. Ford plays the authoritarian part so grimly (count the smiles—I stopped at zero), it's hard to see how the charming Caroline would be attracted to him. Nonetheless, the interplay between best-friends Ford and Holden is involving and forms the story's core. Alliances between the various factions are sometimes hard to keep up with, but are more unpredictable than usual. And I especially like that final maneuvering around the bridge that I didn't see coming.
Columbia Studios popped for a lot of extras, along with fine special effects, especially when the burning wall comes down. Funny, though, how mountainous Colorado looks like greater LA. Too bad Columbia didn't pop for sending the crew at least to Lone Pine and the Southern Sierras. All in all, it's a very different kind of horse opera that avoids the usual clichés, with Ford at his absolute grimmest. Clearly, however, he and Holden are on their way up the Hollywood ladder.
It begins at the end of the Civil War when a coward massacre takes place , fdealing with two Civil War vets at odds , as two friends return home to Colorado , one an honest marshall (William Holden) , the other a sadistic judge (Glenn Ford) has changed and is now violent and erratic. As two friends go their separate ways after Civil War , one leads an upright life as a sheriff , but the other corrupted by the war engages in a violent campaign to build his own law , and carrying out terrorisation . Colorado's wasn't big enough for both .. when a moan came between them ! .They Turned the West Into a Jungle of Male Killing Male for a Woman!
An odd , old but solid Technicolor Western fare about two friends return home after their discharge from the army after the Civil War , but one of them becomes an erratic , disturbing judge with quirky acting by Glenn Ford , while his friend decently acted by William Holden who desperately tries to find a way to help him. It begins as a sluggish , slow-moving Western with long ball scenes but follows to surprise us with complex characters , thrills , breathtaking patches and decent plot about two different friends ; as both of them end up on opposite sides of the law . The simple tale is almost rudimentary though full of clichés , as the engaging script lines too often settle for crude routine , at times . Suspense and tension builds over the time in which the outlaws and the starring await to take the final confrontation . The action is competently made , as when the nasties shoot and hang without remission and even fire a village . The highlights of the film are the scenes in which the strict judge exects his particular justice by hanging and the final facing off . William Holden provides a slighly laborious acting as new Marshal , but his interpretation is really eclipsed by the great Glenn Ford has had deep-rooted psychological damage due to his experiences during the war, and as his behavior becomes more and more insane . They're well accompanied by a good support cast , such as : Ray Collins , Edgar Buchanan , Jerome Courtland , James Millican, Stanley Andrews , among others .
The motion picture was well directed by Henry Levin . Ex-actor ,director Henry Levin was a previous stage player who had a prolific and long career as filmmaker entering the directing in 1943 about every genre over the next 36 years . His heyday was in the 1960s , when he turned out several bright and frothy sex comedies, notably ¨Belles on their toes , Come fly with me , Honeymoon hotel¨ , his greatest films were on the adventure genre as ¨Genghis Khan , The wonderful world of Brothers Grimm , The bandit of Sherwood Forest , The return of Monte Cristo and Journey to the center of the earth¨ . Although Levin's forte was light comedies, one of his most interesting films was a dark, brooding western ¨Lonely man¨ (1957) and ¨Desperados¨ , both of them with Jack Palance. He finished his career piloting made-for-television movies, and died on the final day of shooting Scout's Honor (1980) (TV). If you are looking for Westerns with action , violence but also story and atmospheric scenes The Man from Colorado(1948) should be for you.
An odd , old but solid Technicolor Western fare about two friends return home after their discharge from the army after the Civil War , but one of them becomes an erratic , disturbing judge with quirky acting by Glenn Ford , while his friend decently acted by William Holden who desperately tries to find a way to help him. It begins as a sluggish , slow-moving Western with long ball scenes but follows to surprise us with complex characters , thrills , breathtaking patches and decent plot about two different friends ; as both of them end up on opposite sides of the law . The simple tale is almost rudimentary though full of clichés , as the engaging script lines too often settle for crude routine , at times . Suspense and tension builds over the time in which the outlaws and the starring await to take the final confrontation . The action is competently made , as when the nasties shoot and hang without remission and even fire a village . The highlights of the film are the scenes in which the strict judge exects his particular justice by hanging and the final facing off . William Holden provides a slighly laborious acting as new Marshal , but his interpretation is really eclipsed by the great Glenn Ford has had deep-rooted psychological damage due to his experiences during the war, and as his behavior becomes more and more insane . They're well accompanied by a good support cast , such as : Ray Collins , Edgar Buchanan , Jerome Courtland , James Millican, Stanley Andrews , among others .
The motion picture was well directed by Henry Levin . Ex-actor ,director Henry Levin was a previous stage player who had a prolific and long career as filmmaker entering the directing in 1943 about every genre over the next 36 years . His heyday was in the 1960s , when he turned out several bright and frothy sex comedies, notably ¨Belles on their toes , Come fly with me , Honeymoon hotel¨ , his greatest films were on the adventure genre as ¨Genghis Khan , The wonderful world of Brothers Grimm , The bandit of Sherwood Forest , The return of Monte Cristo and Journey to the center of the earth¨ . Although Levin's forte was light comedies, one of his most interesting films was a dark, brooding western ¨Lonely man¨ (1957) and ¨Desperados¨ , both of them with Jack Palance. He finished his career piloting made-for-television movies, and died on the final day of shooting Scout's Honor (1980) (TV). If you are looking for Westerns with action , violence but also story and atmospheric scenes The Man from Colorado(1948) should be for you.
Did you know
- TriviaColumbia Pictures spent quite a bit on The Man in Colorado. At one point, the crew dynamited the side of a 1500-foot mountain in California's San Fernando Valley in order to create a deep gorge as called for by the script. And the western town they constructed was one of the largest location sets ever built by Columbia up to that time. During filming of a massive fire scene at the end, however, the set caught fire uncontrollably, and Holden and Ford tried to actually fight the fire until firemen could arrive. "Dad came away coated in black soot, with burns to his arms and hands," Ford's son Peter later wrote.
- GoofsMany of the men are wearing trousers with belt loops and belts. Belt loops were not added to men's trousers until the 20th century.
- Quotes
Owen Devereaux: [voiceover as he writes in his diary] I killed a hundred men today. I didn't want to. I couldn't help myself. What's wrong with me? I'm afraid... afraid I'm going crazy.
- Crazy creditsOpening credits are listed in the pages of a book being turned by a hand.
- ConnectionsFeatured in Brave Warrior (1952)
- SoundtracksWhen Johnny Comes Marching Home
(uncredited)
Written by Louis Lambert (pseudonym for Patrick Sarsfield Gilmore)
Played at the homecoming
- How long is The Man from Colorado?Powered by Alexa
Details
Box office
- Budget
- $1,000,000 (estimated)
- Runtime
- 1h 40m(100 min)
- Color
- Aspect ratio
- 1.37 : 1
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