The Torch

Revolutionaries led by Pedro Armendariz, blow into a Mexican town and turn it upside down. Disregarding the advice of old friend and priest Gilbert Roland, he falls in love with Paulette Goddard, the daughter of a wealthy man slated for execution. He pursues her, despite the fact that the sassy senorita hates his guts.

Armendariz delivers a magnetic performance and his character is an interesting one, with the General showing many sides of his multi-faceted personality.

Armendariz's and Roland, as well as the exciting takeover scenes make the first third of the film quite compelling. However, after the General and the girl meet, it all becomes more conventional and sometimes downright silly, with Goddard overacting her part, before turning a bit morbid, as the whole town is stricken with a deadly outbreak of influenza!

Overall, it's a fairly interesting film, competently directed by frequent actor Emilio Fernandez and atmospherically photographed on some excellent Mexican locations.

While a distinguished film-maker in his native country, director Fernandez is perhaps best-known today for playing the heinous General Mapache in Sam Peckinpah's seminal THE WILD BUNCH (1969); for the record, later he was also the one to make the titular request in the same director's BRING ME THE HEAD OF ALFREDO GARCIA (1974). This genuinely oddball Western, then, was a Hollywood remake of Fernandez's own previous critical success ENAMORADA (1946) – proving once again that the tradition in Tinseltown of looking for hot properties (when it comes to both subjects and their creators) in foreign lands is indeed a long-standing one; unfortunately, the end result here begins promisingly enough but gradually peters out. Anyway, apart from the director, Pedro Armendariz also reprises his earlier role of the Bandit General (which is how the film was known in the U.K.), while associate producer Paulette Goddard unwisely chose herself for the role of the leading lady. Ostensibly the town beauty, Goddard is far too old for the part but, sporting a completely misconceived schoolgirl look and playing it utterly over-the-top, her performance is forever threatening to bring the whole film crumbling down with it! Luckily, Fernandez gives the whole a remarkably visual texture (straight from the very opening scene in a glass factory) that lends it a presciently "Spaghetti Western" feel and the intermittent, awkward instances of goofy humor (including Goddard sending Armendariz literally flying off his horse into the air with a firecracker!) only serve to reinforce this impression. The third star featured here is Gilbert Roland but his role of the taciturn town priest (and old school friend of Armendariz's) is clearly subservient to the main couple who, inevitably, form a tenuous triangle with Goddard's dullish fiancée. The Mill Creek DVD I watched was a typically substandard edition that failed to do justice to celebrated cinematographer Gabriel Figueroa's (also from the original Mexican production) lyrical shots, and the hiss-laden soundtrack was similarly hard to sit through.

Paulette Goddard had a hand in the production of this because she liked the (far superior) source film "Enamorada" from four years earlier. Pedro Armendáriz reprises his role as the conquering general "José Juan" who arrives in a town determined to secure it's riches for his libertarian cause. He also has an old friend here, in the form of the priest "Sierra" (Gilbert Roland) and quickly takes a shine to the feisty "Maria Dolores" (PG) who is already promised to the local, rather decent, "Dr. Stanley" (Walter Reed). Regrettably, the production here is pretty basic, there is way too much dialogue and little enough action for the usually charismatic Armendáriz to get his teeth into. Goddard looks the part, but doesn't feature anything like enough to keep this from meandering along waiting for the plague and/or the government troops to come and force a few hands. It's only eighty minutes long but there really isn't enough story to pad it out that long and it struggles to sustain much interest - even with a population of two-faced townsfolk and a little personal tragedy thrown in too. It's poor, this, sorry.

It's the Mexican Revolution of a century ago, a time of great anarchy and in a town where Paulette Goddard is the town beauty and richest girl there one of many Mexican generals comes to town. Pedro Armendariz is looking to set up headquarters there. as the local warlord.

Goddard is set to marry American doctor alter Reed, but Armendariz sets uphis own campaign to win her in is own boorish way. Will she stay with Reed or respond to Armendariz?

The Torch is a remake of a Mexican production Enamorada with Armendariz in h same part. Goddard is added for some American box office draw and Gilbert Roland who is of Mexican ancestry shaves his mustachw and becomes a priest here. Not a typical Roland part but he carries it off.

For fans of he principal players.

THE TORCH was shot entirely in Mexico, originally titled BELOVED and starring, along with Paulette Goddard, was Pedro Armendariz and Gilbert Roland. It is said that Diego Rivera painted Paulette while she was there filming the movie. It was also where she acquired much of her famous jewelry collection.

THE TORCH is a dark comedy/drama with a screenplay by Inigo de Martino Noriega about a notorious Mexican bandit (Armendariz) who ransacks a town and takes it over. He's a sort of South-of-the-border Robin Hood. While he proceeds to bring all the wealthy business men of the town down to their knees, he discovers the daughter of one of them (Goddard) whom he immediately pursues. She, of course, refuses his advances. With the help of the local Padre (Roland) the two are brought together, and in time she discovers his good intentions and qualities. Engaged to another man of the town, she leaves him to join the bandit king. The final picture shows the rich daughter walking bedside the bandit on horseback, as a camp follower, a symbol of devotion in those days and times. A bit corny, but fun to watch the stars hold their own. The scenery of Mexico along with Goddard's still good looks make it worth the watching. It is available on VHS.