Train of Events

Compenium films such as these were very popular in the late forties.Naturally their success rides and falls on the quality of the story.Alas in this case only one of the stories is worth telling.The Valerie Hobson/John Clements story is truly awful.Jack Warners domestic problems seem more like an episode of the Huggetts.The ex German POW story has some promise but becomes repetitive.The Peter Finch/Mary Morris story is quite good but is undermined by the somewhat ridiculous proposition that a murderer would cart the dead body of his wife around in a theatrical basket.The fact that there is a good cast,and a strong band of writers and directors make it all the more disappointing.The most interesting aspect of the film is the considerable location work,which includes a view of the late lamented Euston arch.

This is so much better than all the mass of train thrilers, all excellent and outstanding in suspense, while this one is no thriller but all perfectly natural, telling the stories of very ordinary people om board a train heading for disaster. The character you will remember best and forever is probably Peter Finch in his first film role as a Shakespeare actor in a truly tragic part, having lost his life and soul in six years of war and being constantly betrayed by his wife. His story is a drama in itself, while the other three destinies that are being followed are easier to digest, the story of the train driver, the story of a conceited conductor, his piano soloist and his wife, and the story of a German refugee, still suffering from the traumas of his past. Above all, the story is ingeniously conceived, weaving together four very different destinies, totally different from each other, none knowing anything about the others, and there are som police investigators as well, headed by Michael Hordern. There are so many dimensions to this film, the concert hall, the Shakespeare theatre, the domestic circumstances of the train driver and his family and friends, and the desperate circumstances of the refugee and his self-sacrficing girl getting their hardship exacerbated by a ruthless callous landlady. It's a pearl of cinematic invention, and the music adds to genuine quality as well. This is a film to enjoy and admire - and to have your compassion boosted with.

A novel piece of early post war British film noir with four concurrent plots - some better than others. A very young Leslie Phillips in a non comedy role and other strong actors including Peter Finch and Jack Warner. Fascinating for railway enthusiasts and a reminder of how dirty and run down the environment was in those days. Well shot and the special effects can be excused!

This is a not very widely known portmanteau film from 1949, in which four disparate stories are told, each culminating in the protagonists boarding a train to Liverpool, their stories becoming ever more enmeshed, only this train is headed for disaster.

I largely agree with Robert Temple's review (although there are spoilers and it is John Clements who plays the composer, not Gregson).

In contrast to many of the other reviews I found something rather good in all four stories, be it drama, witty dialogue, or humour. I thought it was all rather well done actually. For me, the standout performance was probably that of Peter Finch, who looked gaunt and utterly riven throughout.

In addition to the intriguing structure of the film -which has surely acted as an example to later directors- this film has interest today because it shows many street scenes in London and various scenes shot on the railways; who would have thought the age of steam would be over about fifteen years after this?

Anyway whilst some of the facets of this film will be lost on some folk, overall I thought it a pretty good effort, deserving to be better known and more widely appreciated than it is. Eight out of ten from me.

'Train of Events' was a critical and commercial failure in its time but if you like these British films as much as I do I think you'll find plenty to enjoy here.

'Compendium' films were popular in the late Forties, several were made from the short stories of Somerset Maugham and then there was the greatest of them all 'Dead of Night'. 'Train of Events ', hardly in that class, contains four stories which all culminate on a train which we saw crashing in the opening scenes. So, like 'Friday the Thirteenth' ( a great portmanteau movie made in 1933) the climax is a matter of virtue rewarded and villainy punished as not everyone survives.

Interestingly television is quite strongly featured for the time (1949), a wind-up gramophone looks much more appropriate!

Valerie Hobson is first actor credited though her role is no larger than several others, she plays the forgiving wife of a philandering husband. In real life Hobson was married to British cabinet minister John Profumo whose relationship with Christine Keeler brought down a government in the sixties. Once again Life Imitates Art. In another story Peter Finch murders his faithless wife. He spouts chunks of Shakespeare, looked gaunt and middle-aged to me.

The model-work at the climax is satisfyingly convincing, I recommend 'Train of Events'