Dallas

I don't think I've ever watched a good cast work harder to make a bad script work. Which means the directing had to be good too. And, for the period, the production values are pretty high too. But the real candidate for lynching was the writer, not the bad guy in the movie.

I would have scored it lower but for the laughs I got out of the woefully bad dialog and virtually every cast member's heroic efforts to keep a straight face while delivering their bits. If you're a Gary Cooper fan, or just like to listen to Ruth Roman's sexy husky voice, the rest is worth a watch for just how funnily bad it is. Funnier than many an intentional western parody.

Former Confederate soldier Blayde Hollister (Gary Cooper) is looking for revenge against a group of crooked carpetbaggers. Wild Bill Hickok is the law and he shoots Hollister dead. It turns out that the two friends had faked the incident. They allow in the new Federal Marshal Martin Weatherby (Leif Erickson). Hollister and Weatherby head off together with Hollister taking Weatherby's identity.

Gary Cooper is doing his High Noon thing. I'm looking for something much more brutal. He should be laying waste to anyone remotely connected to the incident. This needs to get much darker considering it's for his family. I also don't like the loudmouth reb during the shoot-out. He is so clueless that it becomes annoying. Otherwise, this is fine.

The only reason I watched this film was because of Gary Cooper. While maybe not the nicest person in the world in real life, he was a wonderful actor and I'd watch even one of his weaker films just to see him act. And, as usual, he was very good (though a bit old to win the girl at the end of the film).

The problem, then, is that despite all of Cooper's talent, the film is just a very ordinary and run-of-the-mill cowboy film. I could EASILY have imagined almost any other actor being able to do Cooper's role and the film would STILL have been mediocre. It's because so many elements of the plot just seem too familiar and too clichéd.

About the only thing that stood out was the interesting character played by Leif Erickson---who oddly received such low billing in the film even though he was one of the main characters! The idea of an Eastern "dude" coming West to impress his girl was kind of funny and he did provide a few cute moments and an interesting sidekick, of sorts, for Cooper.

Aside from that, the film is imminently skipable. It's a film that only Cooper addicts or B-quality Western addicts should watch--there are frankly too many better films out there worth your time.

Just about every noted western city shows up sooner or later as the title to a western. This certainly isn't about the early days of Dallas which was founded right after Texas came into the union and was named for the current Vice President George Mifflin Dallas. Dallas was from Philadelphia, was once the Mayor there, and never visited the city named after him.

What this is is a nice Gary Cooper shoot 'em up with a nice post Civil War plot. Hollywood abounds in those, carpetbagger rule in Texas and the men who do something about it. Red River is the best example.

Gary Cooper is outlaw and former rebel Blayde Hollister who is "gunned down" by Wild Bill Hickok so he can operate undercover and get a particularly loathsome family named Marlow who burned his former plantation in Georgia. Aiding him is Leif Erickson who plays a tenderfoot marshal from the East (hey they weren't all Hickoks and Earps). Cooper takes Erickson's identity and Erickson goes along as his own brother.

Up and coming starlet Ruth Roman plays the love interest. She's Erickson's fiancé, but Cooper has caught her eye.

Two of the Marlows are Raymond Massey and Steve Cochran. Massey's villains are always shrewd and are usually done in by circumstances beyond their control. Steve Cochran fresh from his stint as Big Ed in White Heat is the vicious, but stupid underling brother.

It's a good plot and a lot's been edited out badly. For instance at one point you see Gary Cooper in hot pursuit of Massey to Fort Worth. Then it cuts straightaway to the Fort Worth jail and no explanation of how Cooper got in there.

Leif Erickson never made it to the top. He usually was the second lead who never got the girl. Television gave him the stardom that eluded him on the silver screen with High Chapparal.

Steve Cochran usually played villains with a kind of snake-oil charm, like Big Ed in White Heat or as Doris Day's KKK husband in Storm Warning. Same here although the twist is he's not the sharpest knife in the Marlow drawer.

Today's generation thinks of Dallas and they think of the Ewing family of the 80s. This is NOT the story of their early days, but its nice Saturday matinée fare.

This stylized and well financed Western looks good but is light and flimsy for the genre. It can not hold a candle to other Gary Cooper vehicles like High Noon, however it is worth a view if you catch it like I did on a lazy afternoon on the Encore Western channel.

The film's setup seems contrived and the dialogue is uneven and sometimes even clumsy but it does include enough star power such as Raymond Massey, Ruth Roman, and Leif Erickson (who lend their considerable talents) to make it worthwhile.

Cooper is always a force to be seen and this is no less so in this forgettable Western but even his presence can not totally save this movie.

Watch if there is nothing else compelling on, but don't expect great Western fare like High Noon, Gunfight at the OK Corral or The Lawman. This just isn't it.

I understand why some might rate this rather mediocre film highly as it is difficult to downgrade any film in this (nowadays) under appreciated genre. But there are such amazing Western films out there that great ratings should only be reserved for the true crème de la crème so that those just dipping their toe into this wonderful pool of cinema are not mislead or unduly disappointed and consequently disenchanted with the whole Western genre.