Mystery Street

This is an unusually-well-photographed detective film, starring Ricardo Montalban as a handsome and improbable young Boston detective. It has a first-rate villain, an interesting investigational format, some very good actors in minor parts and very fine B/W production values. The script was by Leonard Spigelglass, Sydney Boehm and Richard Brooks with first-rate direction by John Sturges. Rudolph G. Kopp did the music, Edwin Willis the sets with Ralph S. Hurst, Cedric Gibbons and Gabriel Scognamillo the art direction and John Alton the beautiful cinematography. In the unusually large cast besides Montalban as Pete Morales were Sally Forrest, Marshall Thompson, Elsa Lanchester, Edmon Ryan as the villain, Bruce Bennet as a forensics professor, Betsy Blair, Jan Sterling and many others. The storyline is actually fairly simple. A "B" girl being told to get lost by her rich married boyfriend has to hijack a car driven by a second man to get from Boston to Cape Cod. Months later, she turns up as a skeleton near Cape Cod. Working from clues with a forensics professor, Morales tries to free the innocent motorist she had hijacked from suspicion, prevent another killing and catch the guilty man. This is a very attractive and well-mounted production; Forrest is somewhat wasted as a housewife; but many people, Lanchester and Ryan especially, have small to large telling parts in this very good narrative. Not a great film but far-above-average in every respect.

A simple, clear plot that doesn't interfere with the power of the personal stories within. In its day it would've been shocking for showing the murder, and the discovery of the body. Good acting from a young Montalban.

This is proof that Ricardo Montalban was actually a fine actor, before he was somehow transformed into a caricature of himself by television. This movie is so well done, so tightly crafted that I am surprised I have never heard of it before. It may be the very first movie-version of "CSI"! Not as graphic and detailed as the TV show, but a forensic anthropological examination of the evidence by a Harvard doctor/professor is integral to the plot, and handled very well. The characters rise above typical stereotypes in this story, which almost plays like a docudrama as opposed to something created from whole cloth. Elsa Lanchester is particularly good too as a nasty landlady with no scruples whatsoever. Truly a hidden gem, and one worth the hour-forty or so you will spend watching it.

See it for the Boston locations, for an early gritty performance by Montalban before he became a Latin heartthrob joke, for the intricate plot, vivid characterizations and snappy editing, but see it most of all for the extraordinary cinematography of John Alton. What he does with composition, deep focus and lighting is amazing. That he often does it on locations where he did not have the control of a soundstage is astonishing.

First of all .... ELLLLLLLSSSSSAAAAAAAAAAA!!!!!!!!!!!!!!!!!! If you're an Elsa Lanchester fan, you've got to see this movie. Although she is fourth in the billing, I'd say she's on screen second in amount of time only to Ricardo Montalban. And, she plays her character wonderfully: a scheming, not-so-nice landlady! ELSA ROCKS!

Small aside: Thank goodness for Tivo's "wish list" feature and Turner Classic Movies! This movie came up during my Elsa Lanchester wish list search. Otherwise, I might never have seen it.

OK, back to the movie: I recorded it because of Elsa, and for that reason only. I was pleasantly surprised that I actually enjoyed the movie. It's a murder mystery, and Ricardo Montalban plays a young lieutenant trying to find the murderer. For 1950, I thought the detail of forensic information they went into was pretty good ... CSI fans might laugh or find it charmingly quaint, but I don't recall any other "noir" type of films that I've seen from this era talk about forensic details to the extent that this film does.

I won't spoil the movie, but there are two scenes I'd like to comment on:

1) While Ricardo Montalban is searching the office of a snobby Cape Cod blue blood, the blue blood (Mr. Harkley) says to him, "The Harkleys have been here since before this land became known as the United States. I can tell by your accent that you've been here less than one generation." (or words to that effect). RM shoots him a great look, then has a great parting shot when he leaves Mr. Harkley's office.

2) VERY BRIEFLY, say 60 seconds at the most, Ricardo Montalban is working out by himself in a squash or handball court. A very yummy shot if, like me, you are only familiar with the older "Kahn" (Star Trek) or "Fantasy Island" Ricardo Montalban. Rrrrowwwr!

Summary: Good movie. Good story. Good acting. ELLLLLSSSSSSAAAAAAA!!!!!!! I recommend seeing it if you can.

(Sadly, I just checked Amazon and I don't see this movie as being available for sale on either DVD or VHS. Scan your Turner Classic Movie listings for this. I'm sure they'll play it again. Or plug it into your wish list if you have a Tivo. And if you don't have a Tivo then get one! (No, I'm not an employee of Tivo nor a shareholder! Just a huge Tivo fan!))

My rating = 8/10