Willie Kluggs enters the service with hopes of going overseas, but his uncanny marksmanship keeps him at home as a shooting instructor... much to his embarrassment.Willie Kluggs enters the service with hopes of going overseas, but his uncanny marksmanship keeps him at home as a shooting instructor... much to his embarrassment.Willie Kluggs enters the service with hopes of going overseas, but his uncanny marksmanship keeps him at home as a shooting instructor... much to his embarrassment.
- Director
- Writers
- Stars
- Nominated for 1 Oscar
- 2 wins & 2 nominations total
Jimmy Lydon
- Charles 'Charlie' Fettles
- (as James Lydon)
John Mitchum
- Schreves
- (scenes deleted)
Paul Picerni
- Kerrigan
- (scenes deleted)
Luis Alberni
- Barman
- (uncredited)
Michael Alvarez
- Soldier
- (uncredited)
Beau Anderson
- Soldier
- (uncredited)
Jackie Barnett
- Soldier
- (uncredited)
Gregg Barton
- Colonel
- (uncredited)
Norman Bergman
- Musician
- (uncredited)
Whit Bissell
- Lt. M.J. Hanley - Psychiatrist
- (uncredited)
George Blagoi
- German officer
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
6j-cf
Nobody can say that this is a masterpiece, because this picture was made by John Ford. And, as everyone knows, John Ford can't make a good comedy... This is all rubbish!! This is a good entertaining fordian reflexion about war, patriotism and life (in the army or in a provincial town). Ford is not an aggressive filmmaker like could have been Sturges (by the way, I love Sturges too, but for different reasons), and his look at his characters is tender, full of compassion and amusement, even if the main subject (war) is not funny, a fact which is here quite explicit. Ford knows the weakness points of his compatriots, but denounces them without anger. He is part of America, and is clever enough to know it and not to take everything too seriously. Any Ford's movie is, in some way or another, a comedy. That's his stuff, and even his most somber dramas are kind of comedies. See the cavalry trilogy, or even "how green...": in every Ford movie a character (most often, several) plays a funny-tender part. That's Ford's universe, with his highlights and his lousy pictures. This one is quite in the middle, so definitely worth watching!!!
I have seen this film 55 years ago. My brother and I found it excellent, with natural acting actors and plenty of fine humor. Years later I always remembered with pleasure some parts of it, but I didn't remember neither the original name, nor the director. Recently, researching John Fords films I find this site. Trying to find more films from one of my preferred directors. I read about ¨When Willy come marching home". It was amazing as I realized that this was the Film I never dreamed to find again. I cannot remember so much to be sure that my recollections are correct. I need to see this film again in order to do a more exact comment. During all this years I have seen thousands of films. If "When Willy come marching home" let such an impression on me during all this time, I believed it should be a very good one.
Gerardo Arias
Gerardo Arias
This unjustly neglected comedy is a variation on Preston Sturges's HAIL THE CONQUERING HERO. The first half, while well-acted and fluently directed, suffers from the comparison, especially with Sturges regular William Demarest playing a major role. However, about halfway through, the plot takes an original and unexpected twist, revealing that the first part was actually an ironic set-up for something funnier. Dan Dailey is fine as the endlessly frustrated soldier, Corinne Calvet looks absolutely stunning, and John Ford keeps everything moving.
This unheralded opus from one of our greatest directors seems both oddly timed, (5 years after the end of combat in WWII), and unfortunately truncated. The thankfully preserved out-takes presented as deleted scenes on the DVD reveal that this may have been intended as Ford's only full fledged musical....which would have stood in strong contrast to his magnum opuses of this period (the beloved cavalry trilogy)...
As it stands the finished edit is shockingly good on all accounts...full of the director's astonishing eye for human detail and subtle performance. It plays like a slightly warmer hearted Preston Sturges wartime wacky fest (with William Demarest cementing the connection by almost reprising his great role in "The Miracle of Morgan's Creek".
The few numbers that remain are a tantalizing glimpse of how delightful a longer cut would have been...and the (incomplete) outtakes are both delicious and heartbreaking...
One has to wonder who decided to edit the film down...and how much more successful (and remembered) it might have been as Ford's big wartime set musical...
As it stands the finished edit is shockingly good on all accounts...full of the director's astonishing eye for human detail and subtle performance. It plays like a slightly warmer hearted Preston Sturges wartime wacky fest (with William Demarest cementing the connection by almost reprising his great role in "The Miracle of Morgan's Creek".
The few numbers that remain are a tantalizing glimpse of how delightful a longer cut would have been...and the (incomplete) outtakes are both delicious and heartbreaking...
One has to wonder who decided to edit the film down...and how much more successful (and remembered) it might have been as Ford's big wartime set musical...
When Willie Comes Marching Home (1950)
** (out of 4)
John Ford's comedy about a man (Dan Dailey) who joins the Army to become a war hero but he ends up in the recruiting section back in his hometown, which gets the people there thinking he's a coward. I'm not sure what it is but these Ford comedies just aren't working for me. The whole idea is that the character is a very brave man but due to his placing, people thinks he's a coward. This one joke runs throughout the entire film and it just never made me laugh. I never got bored with the film but without any laughs there's really not much else going on. Dailey is very good in his role and keeps the film moving along. Colleen Townsend and William Demarest are also good as his parents. The film is a comedy but as expected Ford treats the war stuff very serious including during the opening when we hear about the attack of Pearl Harbor. This film shares a lot with Preston Sturges's Hail! The Conquering Hero but that film works a lot better. Vera Miles has her film debut here but I didn't spot her.
** (out of 4)
John Ford's comedy about a man (Dan Dailey) who joins the Army to become a war hero but he ends up in the recruiting section back in his hometown, which gets the people there thinking he's a coward. I'm not sure what it is but these Ford comedies just aren't working for me. The whole idea is that the character is a very brave man but due to his placing, people thinks he's a coward. This one joke runs throughout the entire film and it just never made me laugh. I never got bored with the film but without any laughs there's really not much else going on. Dailey is very good in his role and keeps the film moving along. Colleen Townsend and William Demarest are also good as his parents. The film is a comedy but as expected Ford treats the war stuff very serious including during the opening when we hear about the attack of Pearl Harbor. This film shares a lot with Preston Sturges's Hail! The Conquering Hero but that film works a lot better. Vera Miles has her film debut here but I didn't spot her.
Did you know
- TriviaWas an announced movie in "MASH" (1970).
- GoofsBill Kluggs is described as a phenomenal shot and proudly displays the Sharpshooter badge he earned in basic training on his dress uniform. But the best shooters in the military receive an Expert badge. Sharpshooter is a step down from Expert with Marksman being a step down from that. If he's actually the best shot in his outfit, he should have a higher rating than Sharpshooter.
- Quotes
William 'Bill' Kluggs: Somehow that stop-off at Loring Field began to stretch out like a visiting mother-in-law.
- ConnectionsReferenced in M*A*S*H (1970)
- SoundtracksWhen Johnny Comes Marching Home
(uncredited)
Written by Louis Lambert (pseudonym of Patrick Gilmore)
Played during the opening credits
Reprised by the fireman's band for Bill Klugg's first leave home
Reprised at the end
- How long is When Willie Comes Marching Home?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Front and Center
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,750,000
- Runtime
- 1h 22m(82 min)
- Color
- Aspect ratio
- 1.37 : 1
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