Captain Horatio Hornblower

.... mainly for a French,who ,like me,is not really a fan of Napoleon! "Hornblower" is a great adventures movie where so many things happen that it's hard to believe the film "only " lasts two hours.It has everything that kind of movie demands: -action: the naval battles are among the best you can see in a movie.

-humour: Peck's face when he learns he has handed over an "allies" ship to his "new" enemy is worth the price of admission.

-and above all,emotion;two scenes are unforgettable: the first one takes place on the ship:the middie is dying and Lady Wellesley kisses him farewell the way his mother did when he sailed away;the second is the scene of the letter Hornblower's wife wrote just before her death: as the officer finds his house empty , a voice-over reads the whole message .

"Captain Horatio Hornblower" is the perfect show for the whole family on a Xmas evening

It took Hollywood a while to bring to the screen C. S. Forester's fascinating character Horatio Hornblower but never known to do things by halves it amalgamated in this film not one but three of Hornblower's early adventures, namely 'The Happy Return', 'Ship of the Line' and the short story 'Flying Colours'.

By all accounts it was originally intended as a vehicle for Errol Flynn but alas Mr. Flynn's star was beginning to wane and his unreliable behaviour made him too risky a proposition. As there was no actor on Warner Brothers' payroll who seemed to fit the bill, it fell to Gregory Peck, on loan from David 0. Selznick, to play the part. It turned out to be inspired casting as Mr. Peck captures brilliantly the character's innate courage and intelligence as well as his reserve and introspection. This is a star performance from one of Hollywood's finest. Those who describe him as 'wooden' are not looking at his eyes!

The obligatory romantic interest is supplied by Lady Barbara Wellesley, fictionalised sister of the Duke of Wellington who is played by Virginia Mayo.

Apparently a number of English actresses were considered but were either unavailable or uninterested. This is a far cry from Miss Mayo's role as Verna in 'White Heat' and she acquits herself very well. She is immensely appealing and has a chemistry with her leading man which always helps. Of course Miss Mayo always found an extra vitality for this particular director.

The indifference that director Raoul Walsh felt towards dialogue scenes is legendary but his mastery of action sequences is evident here in the naval battles. He never allows the pace to slacken and is aided by Guy Green's cinematography and a splendid score by Robert Farnon.

As roughly ninety-six per cent of the earth's water is oceanic it is hardly surprising that the genre of 'nautical fiction' has proved so popular. The pioneer in this country was of course Frederick Marryat who influenced both Forester and Patrick 0'Brian. Regarding the preference that some reviewers have expressed for Peter Weir's version of 0'Brian's 'Master and Commander', I can only only echo Hornblower's "Ha-hmm!"

I don't know that much about the story of Captain Horatio Hornblower, so I can't vouch for the accuracy of this version. I saw it because I was interested in its director Raoul Walsh, who creates another of his roaring and high-spirited masterworks with this serene, honest, swiftly-paced adventure of the 19th-century British Fleet Captain, from the celebrated three novels by C. F. Forester. Walsh depicts Hornblower, fantastically incarnated by Gregory Peck, as a modest man characterized by a sense of duty and honor. Peck is perfect for the role. Aided by stunning Technicolor scenery and marvellous score, this simple epic on the high seas navigates through several battles in Spain, France, and South America. Walsh's staging of the battle scenes is flawless. But I was really impressed by the romantic moments by Hornblower and Virginia Mayo's Lady Barbara Wellesley. Their love scenes are wonderfully gentle and moving without being forcefully sentimental.

"Captain Horatio Hornblower" is a great timeless classic from a master director.

It's unfair that Raoul Walsh's name is labeled by the books as a second-level filmmaker in relation with, say, a Ford or a Hawks. He was an extraordinary crafted and prolific director, capable of incorporating standard studio material into his own personal worldview. `Captain Horatio Hornblower' is full of little moments that exceed any genre limitation. These `sparkles of Truth' may be the tracking shot along the empty room while Peck reads the letter of his deceased wife, or when Virginia Mayo kisses the youngster the way his mother used to did. So the adventure film becomes something bigger than life, just as `White Heat' used of the conventions of the gangster film to turn into metaphysics, or `Colorado Territory' departed the western into the depths of existentialism. This film is enjoyable from beginning to end, and it's a clear predecessor of Peter Weir's `Master and Commander', with which it shares a few tone, character and plot elements.

Great naval adventure, based on CS Forester's series of books. Solid plot, energetically directed. Special effects are great, especially for 1951.

Gregory Peck is his usual brilliant self. Solid support from Virginia Mayo, Robert Beatty and James Robertson Justice.

Great fun.