The Desert Fox: The Story of Rommel

The story of the final years of the respected World War II German general, Erwin Rommel (James Mason).

I really didn't know much about Rommel going in to this film, and I don't know if I know all that much more coming out of it. Apparently he was British? And he answered to a silly Hitler that seemed liked a caricature of the real thing? I joke, but it is amusing how movies used to make no attempt whatsoever to get people's nationality correct.

Beyond that, the film is actually fairly decent because it operates more or less as a one man show for James Mason. And Mason is a joy to watch (and an even bigger joy to listen to). Not a bad story, either, although I am not sure how openly people were calling Hitler "evil" and trying to overthrow him.

Although a very well crafted and watchable film that stays close to the historical characters and events, without the usual Hollywood treatment of such period war movies - action heroes, love interest, bangs and explosions etc., however there is some strange castings. Notably Manfred, Rommel's son, who looks like a 1950's geeky American college kid. Jessica Tandy, a much underrated actress is superb. Mason could act the pants of any other actor and shines in this film, as indeed he did playing the same role in The Desert Rats. Richard Boone in a rare non-cowboy role makes me wonder why he never prospered in mainstream cinema. For once Hollywood manages to make a factual film without distorting history in order to get bums on seats and sell popcorn.

While a highly rewatchable war movie, with a corker of a performance from James Mason, this motion picture does have its inaccuracies--beginning with its memorable opening. In truth, British commandos did not sneak or charge in, outfitted in nightfighting fatigues; they simply walked in, disguised in Axis uniforms with fake ids. Though the covert mission proved a fiasco, Rommel, in true chivalrous tradition, had these would-be assassins buried with full military honors. However, cinematically-speaking, it's a gripping moment, and it's considered the first true pre-credit movie sequence, a trick one would see quite often in later movies, such as the Bond films and others.

The movie focuses largely on the Field Marshall's involvement with the attempted assassination of Hitler, but just how much (or how little) Rommel was involved is still arguable. Curiously, James Mason once mentioned how he was up for the part of Rommel and was competing with another Fox contract-player, Gary Merrill (best known as Bette Davis's love interest in ALL ABOUT EVE). Mason was impressed by how well Merrill marched and strutted, doing bits of military-like physical action that didn't come easily to the urbane Mason. Even though Mason ultimately won the part over Merrill, he self-critically felt he didn't fully do the role justice (though many, including myself, wouldn't agree with him). Perhaps the studio opted for Mason to bring out a sympathetic quality, because viewers do tend to forget the numbers of Allies who died directly because of the main character! Rommel was a great general for his energetic and ingenious tactics, not for (possibly) wanting Hitler killed.

Don't get me wrong; this movie is still a joy.

Wonderful performances, first-rate script and direction (moving musical score in key places, as well), plus a well-structured theme about moral dilemmas of patriotic soldiers who realize they're obeying evil orders, make this a little-known gem.

Did Rommel really participate in the plot to kill Hitler? Hitler sure thought so. He had his favorite general poisoned; about that there is no question.

Did Rommel know Hitler before the war? Not sure when they became acquainted but Rommel ran AH's bodyguard unit for a while, then became one of Hitler's favorite generals when he helped sweep the British to Dunkirk in 1940.

Was Rommel aware of and morally responsible for the Holocaust? A recent award winning Rommel biography cites one scene I wish they could have included in this film: Rommel around 1941 advised Hitler that he was concerned by Allied carping on German anti-semitism. "Why don't we put some Jews into prominent leadership positions and shut them up?" Rommel suggested. Hitler told Rommel to stick to military matters and, after the general exited the room, told associates: "That fellow has absolutely no understanding of what we are trying to accomplish."

The movie does generally succeed in portraying the theme of a soldier so single-mindedly focused on the professional technique of his job that he only slowly awakens to the moral horror and self-destructiveness of the leader he serves.

The Churchill quote used at the film's ending is meant to address (and answer) the questions about whether it is morally proper to make a film that glorifies a Nazi general. If Churchill could say such magnanimous things about him...and it's an accurate quote...then so could Hollywood.

(Interesting historical note: British film audiences in the early 1950s were not in such a generous mood. The studio quickly churned out the much-inferior "Desert Rats" film, featuring Mason as a more-villainous Rommel, to mollify outraged critics.)

Where did the quote come from that is spoken in this film by von Reunstadt: "Victory has a thousand fathers, but defeat is an orphan"? Yes, JFK used it, famously, after the Bay of Pigs fiasco. Many newsmen of the time mistakenly credited the president with originating it, but JFK didn't claim credit for it. The line has since been traced back to some Italian count in the 1500s. His name was Ciano or something like that. But JFK was a big movie fan and, my guess is, probably learned this aphorism from "The Desert Fox" a decade before using it in his famous post-Bay of Pigs press conference!

I cannot count the number of times I've seen this excellent film. It is endlessly watchable. James Mason plays a very believable Rommel (at least he looked the proper age unlike the actor who played him in PATTON). True, this is an idolized portrait of Rommel, whose reputation in history (after all he was Hitler's favorite general, an autocratic and egotistical warrior who served his Furher with skill and zeal) was salvaged because of his final opposition to Hitler, an action that caused his death on Hitler's orders. It would be interesting, as one reviewer wrote, to see a German filmmaker's take on Rommel's life.

The script is tight, giving the cast excellent opportunities to create intelligent and believable characters. To the film's credit, the historical events are generqally presented with fairly good accuracy. As a side note: the voice of British General Desmond Morris (upon whose biography the film is based and who gives a running narration throughout) was dubbed by actor Michael Rennie (THE DAY THE EARTH STOOD STILL), but who is not credited.

Despite flaws that mark all historical movies of any age, but especially biographies, I highly recommend THE DESERT FOX, especially for it's acting.