IMDb RATING
7.0/10
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A scientist obsessed with the past transports himself back in time to 18th-century London, where he falls in love with a beautiful young woman.A scientist obsessed with the past transports himself back in time to 18th-century London, where he falls in love with a beautiful young woman.A scientist obsessed with the past transports himself back in time to 18th-century London, where he falls in love with a beautiful young woman.
Ronald Adam
- Dr. Ronson
- (uncredited)
Robert Atkins
- Dr. Samuel Johnson
- (uncredited)
Felix Aylmer
- Sir William, the Physician
- (uncredited)
Hamlyn Benson
- Bow Street magistrate
- (uncredited)
Katie Boyle
- Girl
- (uncredited)
Richard Carrickford
- Bow Street Runner
- (uncredited)
Jill Clifford
- Maid
- (uncredited)
Arthur Denton
- Loonies' Driver
- (uncredited)
Peter Drury
- Policeman
- (uncredited)
Featured reviews
Based on John L. Balderston play Berkeley square that was also loosely based on Henry James unfinished novel The sense of the past and a remake of the 1933 film of the same title starring Leslie Howard. The movie begins almost as a sci-fi film in a laboratory where scientifics Michael Rennie and Tyrone Power work doing atomic tests and follows as a mystery noir when they arrive to Power old XVIII mansion in Berkeley square. There, watching the surprising similarity between a Power XVIII century ancestor's portrait and he, he begans to explain to his friend a theory about returning to XVIII century, "the age of reason, of dignity and grace, of quietness and peace", as he says. As Rennie leaves the house a thunderstorm falls and time travel begins...
As the movie moves on we have a glimpse of what XVIII century really was aside of Power romanticized notions: an obscure time, full of social injustices, children work and misery as well as the illustrated era that produced men like Joshua Reynolds, dr. Johnson and James Boswell. But how did the bad things have changed if progress advances arrived sooner than they really did?
Although this "historical" part of the story is not enough developed in favor of a love story, the film presents an interesting reflection about past times looking better than they really were. Authenticity is captured by accurated sets of XVIII London (reconstructed in London Denham studios) show a dirty, poor city with enormous social and class gaps. Even the "smell" of the poor city is noticed in a scene. In a nice scene Tyrone Power character goes to the poorer part of the city and can not stand the "smell" of it, putting some perfume drops in a handkerchief to avoid it. We also see the making of the matches, that did not in fact appear until XIX century. There is a bright scene referring to Georgians' lack of hygiene when everybody gets scandalized when knowing Power takes a bath averyday!
Excellent costumes designed by Margart Furse and splendid house interiors that bring a past century in all its splendor, the house becoming a character in its own right.
Filmed in England, Tyrone Power did a research on XVIII century by reading James Boswell writings Life of Samuel Johnson (dr. Johnson's most accomplished biography) as well as his London Journal, learning British customs and habits of that era.
As a curious note, when searching Georgian furniture for the movie in London, British dealers stated that they were practically cleaned out of pre-regency stock furniture by American antique hunters, estimating that more Americans than British owned Georgian furniture, making difficult to obtain pieces for the movie at affordable price.
Two scientists (E. N. Tiratsoo and I. S. Hallows, of an enterprise related to nuclear energy development) advised the studio on how to built the atomical research station.
Actor Raymond Huntley, who plays Helens's fiancee played 1970's BBC series Upstairs & Downstairs family solicitor sir Geoffrey.
Although I would have changed the ending for a more suitable one. Since there is no mention to Helen in Standish diary, a brighter and more imaginative explanation could have been that in the end Peter took her with him when the storm comes. Since she is not afraid of the future but interested in it and willing to live it, and because at one point she is even able to watch it through Peter's eyes and gets more fascinated than afraid of (a much enhancing and positive scene in comparison to 1933 version), it would have suited perfectly, making a more accomplished ending.
A tv version was also filmed in 1949 starring Richard Greene and Grace Kelly.
Highly recommended.
Although this "historical" part of the story is not enough developed in favor of a love story, the film presents an interesting reflection about past times looking better than they really were. Authenticity is captured by accurated sets of XVIII London (reconstructed in London Denham studios) show a dirty, poor city with enormous social and class gaps. Even the "smell" of the poor city is noticed in a scene. In a nice scene Tyrone Power character goes to the poorer part of the city and can not stand the "smell" of it, putting some perfume drops in a handkerchief to avoid it. We also see the making of the matches, that did not in fact appear until XIX century. There is a bright scene referring to Georgians' lack of hygiene when everybody gets scandalized when knowing Power takes a bath averyday!
Excellent costumes designed by Margart Furse and splendid house interiors that bring a past century in all its splendor, the house becoming a character in its own right.
Filmed in England, Tyrone Power did a research on XVIII century by reading James Boswell writings Life of Samuel Johnson (dr. Johnson's most accomplished biography) as well as his London Journal, learning British customs and habits of that era.
As a curious note, when searching Georgian furniture for the movie in London, British dealers stated that they were practically cleaned out of pre-regency stock furniture by American antique hunters, estimating that more Americans than British owned Georgian furniture, making difficult to obtain pieces for the movie at affordable price.
Two scientists (E. N. Tiratsoo and I. S. Hallows, of an enterprise related to nuclear energy development) advised the studio on how to built the atomical research station.
Actor Raymond Huntley, who plays Helens's fiancee played 1970's BBC series Upstairs & Downstairs family solicitor sir Geoffrey.
Although I would have changed the ending for a more suitable one. Since there is no mention to Helen in Standish diary, a brighter and more imaginative explanation could have been that in the end Peter took her with him when the storm comes. Since she is not afraid of the future but interested in it and willing to live it, and because at one point she is even able to watch it through Peter's eyes and gets more fascinated than afraid of (a much enhancing and positive scene in comparison to 1933 version), it would have suited perfectly, making a more accomplished ending.
A tv version was also filmed in 1949 starring Richard Greene and Grace Kelly.
Highly recommended.
This was one of the best 'love story' movies that I remember when I was a teen. I haven't seen this movie also in about 40 plus years. I hope somewhere that a copy was saved and released as a DVD. I think it was one of Tyrone Powers great love stories and the cast was excellent to match. I have wanted to see this movie so many times and looked in so many places to try and find a way to either see it again or obtain some sort of copy. I'd like to think that before I drop dead I would like to be able to see this movie one last time. I hope again that it hasn't been lost forever. The movie has already been described by others at IMDb. I wish more movies were made like this one and we had more actors like the ones in this movie. I remember seeing it on a black and white TV and being brought to tears after watching it on the Late show in NYC. One thing I remember about this movie was the strong love between Ann Blyth and Tyrone Power and how one could actually die of heart break.
I saw this movie "I'll Never Forget You", about 20 year ago and it was very entertaining. The story was very fresh ,in the sense that it was not a retread as we are all use to now a days. I would go as far as to say, it's one of the best fantasy / dramas of 20th century film making. Tyrone Power and Ann Blight performances make us believe their characters. The fantasy and drama of this film really comes through. I ,for one, would like to see it re-released on DVD, so young people could get a chance to see it. You know, the violence, we call movie making now days, is not conducive to entertainment or brain power. This movie is entertaining and leaves room for thought.
I haven't forgotten this movie even though haven't seen it in
almost 40 years. Tyrone Power plays a man unhappy with his own era in
human time while being almost obsessed with 18th century England.
Somehow, he knows that, due to a lightning bolt or something, he is
going to trade places with a man from the 18th century. And he is
delighted at the prospect of being transported to the era of charm,
grace, and sophistication and exchange wisdoms and witticisms with such
greats as Ben Johnson in a London coffee house. When the time switch
happens, he discovers that the times weren't what they were cracked up
to be. The streets are foul. The coffee shop conversationalists are
pompous and depressingly ignorant of certain fundamentals (to a 20th
century man) of science, geography, and even philosophical essentials
of the dignity of mankind. And instead of himself being received as a
man blessed with advance scientific knowledge, he is perceived to be
both an agent of Satan and insane. Meanwhile, of course, he meets the alter ego of the woman he knew in
the 20th century and a tender, haunting love story envelops the viewer.
almost 40 years. Tyrone Power plays a man unhappy with his own era in
human time while being almost obsessed with 18th century England.
Somehow, he knows that, due to a lightning bolt or something, he is
going to trade places with a man from the 18th century. And he is
delighted at the prospect of being transported to the era of charm,
grace, and sophistication and exchange wisdoms and witticisms with such
greats as Ben Johnson in a London coffee house. When the time switch
happens, he discovers that the times weren't what they were cracked up
to be. The streets are foul. The coffee shop conversationalists are
pompous and depressingly ignorant of certain fundamentals (to a 20th
century man) of science, geography, and even philosophical essentials
of the dignity of mankind. And instead of himself being received as a
man blessed with advance scientific knowledge, he is perceived to be
both an agent of Satan and insane. Meanwhile, of course, he meets the alter ego of the woman he knew in
the 20th century and a tender, haunting love story envelops the viewer.
I saw this movie in the 50's and thought it was one of the most beautiful love stories. Ann Blyth was one of my favorite actresses and she was, as usual, simply marvelous. Why don't they show it on television or put it out on video. I would love to see it again.
Did you know
- TriviaLike its better known predecessor, Berkeley Square (1933), this film was tied up in rights entanglements that prevented it from being shown on cable (Fox Movie Channel would be the place to see it), or released commercially on DVD. It was finally released on July 29, 2008, as part of Fox's "Tyrone Power Matinee Idol" DVD collection.
- GoofsAt about 1:05:30 into the DVD (Tyrone Power Matinee Idol Collection, Disk 5), Peter Standish says to Helen "When I kissed Kate ..." -- but he hasn't yet kissed Kate in the movie. In fact, his relationship with Kate has been rather frosty, except for their opening meeting -- and even then they did not kiss. So he has has nothing to explain to Helen. Perhaps there was originally a scene where Peter and Kate kissed to solidify their engagement, and that scene was cut from the final film. In any case, the absence of any such scene creates an apparent continuity blunder.
- Quotes
Tom Pettigrew: There's one habit of his which will never become the fashion. Every morning two serving maids have to carry buckets of water up flights of stairs for him to wash himself.
Mr. Throstle: He washes himself? All over?
Tom Pettigrew: Every morning!
Mr. Throstle: [incredulous] All over, every morning!
- ConnectionsFeatured in Tyrone Power: Prince of Fox (2008)
- How long is I'll Never Forget You?Powered by Alexa
Details
- Runtime
- 1h 30m(90 min)
- Color
- Aspect ratio
- 1.37 : 1
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