The Magic Carpet

Considering "The Magic Carpet" is a costume drama starring John Agar, this film isn't nearly as bad as it could have been.

After the Caliph is murdered, his son (baby Agar) is placed on a magic carpet that spirits him away. It lands in an alley, where the baby and carpet are picked up by the guy who played Pete on the TV series "Fury." The grown boy (adult Agar) is now a physician's assistant. He pulls out a tongue depressor and tells one of his patients to open his mouth and say "Ali Baba." (I kid you not.) Meanwhile, the new Caliph, played by Gregory Gaye, aided by Raymond Burr as the Vizier, is taxing the populace to death.

It's time for a hero. Agar becomes (drum roll) the Scarlet Falcon!!

I must admit, Agar looks simply stunning in red. Apparently, he is the only clean-shaven man in the Middle East. He also displays feats of derring-do, with some nifty sword fighting and a few wrestling moves (he takes out a few dudes with a monkey flip and hip toss). Agar may have had a career doing some action flicks, instead of the 1950s-60s sci-fi crap in which he was saddled.

Agar manages to infiltrate the Caliph's lair by curing the old geezer's hiccups. We get a gratuitous shot of Agar in Arabian bathing trunks. Fortunately, the producer (Sam Katzman, who else?) spared us the sight of Burr in similar garb.

George Tobias is on hand for some comic relief. Patricia Medina plays Tobias' sister, and she has eyes for Agar. She also dances for the guys. She's pretty.

Did I mention Lucille Ball is in this? She plays the evil Caliph's sister. She discovers Agar is really the Scarlet Falcon, so it is off to the chopping block for Agar.

Can the Magic Carpet save him? Will Agar take his rightful place on the throne? Will Agar and Medina get to do a little nookie-nookie on the Magic Carpet?

I totally disagree with some previous comments. It seems as though everyone wants message films, or biting dialog for a picture to be great. Whatever happened to films being made strictly for entertainment sake. If you are looking for academy award performances forget it, but for a rainy afternoon and you just want some simple escapism then this is just the thing. The interesting thing about the whole movie was how Lucille Ball foiled all of the bigwigs who tried to put the screws to her by offering her this movie to fulfill her contract obligation. they all thought she would turn them down but she fooled them and accepted and as soon as the film wrapped she was gone.

Lucille Ball didn't have to do THE MAGIC CARPET and chose to make it just to finish off her contract with Columbia and move onto her planned new TV show, and we all know the result of THAT. Columbia did not believe that Ball would accept the role in this film, but she outfoxed them all and played the villainess in this Arabian Nights-type fun film. I saw it initially when it was first released, and I LOVE LUCY was already a smash hit on the tube. It was the second half of a double bill, and the audience enjoyed every minute. It was an unintentional(??) riot to see Ball so out of the character that we had come to expect already from LUCY. The SRO audience hooted, laughed, giggled, and had a great time. I don't even recall what the main feature was.... But THE MAGIC CARPET is still remembered, and I would love to find a copy.

This low budget adventure stars John Agar, Raymond Burr of TV's Perry Mason, and a very pregnant Lucille Ball The poor production values used to make this movie give it the look of a Technicolor, Three Stooges episode. It's really too bad I would have enjoyed a good Arabian Adventure, starring Lucille Ball!

I expected far worse from this Sam Katzman production. Far far worse. But it is actually an excellent little Arabian Nights programmer, in the right line of the Universal Studios movies from the forties and fifties, directed by the likes of John Rawlins, Arthur Lubin, George Waggner or George Sherman, starring Maria Montez or later Maureen O'Hara and Piper Laurie. I was very enjoying this One Thousand and One Nights programer. Maybe because of the Lew Landers influence as a director on Katzman, I quite don't know. It is colorful, splendid photography for this kind of grade B stuff. Yes, very good and entertaining movie.