In the midst of a feud between two rancher families, a shrewd woman marries one of the ranchers and later tries to take his land through divorce and violent tactics involving a gang of outla... Read allIn the midst of a feud between two rancher families, a shrewd woman marries one of the ranchers and later tries to take his land through divorce and violent tactics involving a gang of outlaws.In the midst of a feud between two rancher families, a shrewd woman marries one of the ranchers and later tries to take his land through divorce and violent tactics involving a gang of outlaws.
- Jim Pozner
- (as Louis J. Heydt)
- Carl
- (uncredited)
- George
- (uncredited)
- Townsman
- (uncredited)
- Townsman
- (uncredited)
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For the benefit of civic historical programs, I am trying to track down a copy of the movie. We are a small town trying to beat the doldrums that affect many small towns in America at this time. We are trying put together a film festival focused around "The Raton Pass" and the associated history of our area---the Santa Fe Trail. We have been through what seems to be all of the normal sources to find this movie. Can anyone help with a source?
The plot is very good. She arrives in town to find herself in the midst of a feud between two families. She immediately seeks out a young man from the richest family and seductively (which she is excellent at) works her way into his heart. He marries her and she is given deed to half the ranch. When her husband brings home an even richer man who owns a railroad in hopes of getting him to financially back the ranch, she convinces her husband to leave the job to her. Instead, she seduces him into falling in love with her also and talks him into buying out her husband. He agrees.
Suddenly, they find themselves totally alone as all the hands have quit the ranch. So she sends for a gunman she met by chance at the very beginning of the Western. He brings in his "boys" and they begin to take over the ranch. Finally there is the ultimate showdown between Neal, Morgan (her husband) and the gunman (Cochran).
And as I said: Patricia Neal is the dastardly darling right up to the very last breath. The role would have better suited Barbara Stanwyck or Betty Davis. But Patricia Neal it did not suit even though she did a fine job (as always). While I have seen her in many movies I shall never be able to accept her in any villain role. The Western is very good and well worth any amount of money paid to obtain it but it is just not the kind, sweet, adorable feminine Neal I am used to in movies.
Overall the cast is commendable. One might wish for a lead male with more gravitas than Dennis Morgan, but he looks good and does what he can well enough, true also of the other men, but the standout is Steve Cochran, "the Elvis of Noir," who gets more screen time here than he did in his other movies worth watching. Like the real Elvis, Cochran can pout, curl his lip, swagger, make all the men want to chase him off and all the women forgive him anything, even wanton murder.
It's a surprisingly woman-centered film, and the two female leads--Patricia Neal and Dorothy Hart--rock the screen in a variety of ways. Neal's an unusually soulful actress even here as a villainess, and when at the peak of her foxy power she shows up dressed in black gaucho threads, you hate to see the scene end. Hart, whom I didn't remember, has screen presence even as a blonde Latina, she pronounces her Spanish dialogue convincingly, and her character shows surprising and convincing self-determination.
The scenario is remarkably complex even if not fully developed. For instance, the geography of town, ranch, river, and "lava" or grazing fields set up at least three competing power factions, though they're displayed more on a wall-map in the ranch-house than in the outdoor settings, which are standard western backlots and California foothills.
The only ridiculous turn in the plot occurs when the hero is shot in the back at short range, transported to the countryside, and obviously near death, whereupon Hart's senorita does surgery, after which he hero rises, after a few obligatory grimaces, resumes fighting with guns and fists. In less of a hurry, these complications could have led to a more interesting final showdown.
No hesitation in granting Raton Pass a 7 and only wish--with its wealth of materials--Raton Pass had spent a little more time, effort, and production costs on realizing the possibilities of an 8 or 9.
Did you know
- TriviaLast movie Patricia Neal made under her contract with Warner Brothers.
- Quotes
Ann Challon: You could have kept him out of there.
Cy Van Cleave: Yeah, guess maybe I could've, if I'd tried.
Ann Challon: You swaggering stupid fool. If anything happens to him...
Cy Van Cleave: [slaps Ann across the face] Some kind of talk I just can't listen to. Not even from a harpy like you.
Details
- Release date
- Country of origin
- Language
- Also known as
- Along the Santa Fe Trail
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 24m(84 min)
- Color
- Aspect ratio
- 1.37 : 1