Royal Wedding

Jane Powell (as Ellen Bowen) was a surprisingly adept partner for Fred Astaire for those of us who know her best as a brilliant soprano songstress. She kept up with him, step for step. She's probably best known for her fabulous voice as showcased in SEVEN BRIDES FOR SEVEN BROTHERS, but she brought in the wonderful tune, "Too Late Now," here in ROYAL WEDDING. Astaire was his typical debonair self, and his role is reminiscent of that in THREE LITTLE WORDS.

The plot of ROYAL WEDDING is easy to follow and serves as a great backdrop for Astaire and Powell and their respective musical talents. And yes, Sarah Churchill is Winston's daughter. Worth seeing more than once.

So, basically everybody around the globe knows- and has seen the famous dancing sequence with Fred Astaire dancing on the walls and ceilings. But how many people actually know that, that sequence is from this movie? I'm surprised that a movie with such a famous sequence isn't better known.

In essence "Royal Wedding" is your typical MGM musical, with still a couple of extra pluses, that makes this movie distinct itself from the average, formulaic movie musical, from the same time period. Obviously the famous sequence with Fred Astaire dancing on the ceiling is one of them but to me it also was the humor. Musicals really aren't best known for the well placed and original humor but this movie does a great job at providing a couple of genuine good and original laughs.

The story is kept simple and formulaic and above all also of course very predictable. The movie doesn't offer an awful lot of surprises but yet the story serves its purpose and that fits the genre just right.

There are a couple of great and likable characters in this movie, that help to make the movie an extra joy to watch. Fred Astaire of course steals the show with his acting and dancing but also Jane Powell as his sister was great. Not too happy about the casting of Sarah Churchill (Winston Churchill's daughter). No offense but she just isn't beautiful enough (she has got her daddy's looks, I'm afraid) for her part and also perhaps a tad too old. It just doesn't fit the genre.

The musical numbers are all well executed, mainly those by Fred Astaire. The sequences were however a bit too 'stagey' for my taste, although I should admit that the musical genre has just never been my favorite movie genre.

All in all an enjoyable to watch typical MGM musical, with a couple of more offerings in it than its fellow genre movies.

7/10

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If you like lighthearted, fluffy, feel-good films then this movie could be up your alley. The dancing is superb and very creative, and the singing from both Jane Powell and Fred Astaire is wonderful. Jane Powell is amazing in her role, very convincing. Fred Astaire shines as well. The only things wrong with this movie is a) as other people have commented, is the boring love interests. They seem very wooden, there's no chemistry, they don't sing and dance. Basically, they suck and could have been much better casted. The second thing is that a few of the songs are pretty boring, but I loved "Too Late Now" and "How could I believe you.." Very clever. Great dancing, great stars, beautiful costumes, great acting (from Jane Powell and Fred Astaire) and lovely songs! I really enjoyed watching this movie.

Typical Fred Astaire,in other words great entertainment.Over the years the listing of favorite Astaire numbers has become a favorite pastime of many. This movie contains more than found in any other single show. The dance with clothes tree and using the wall and ceiling are precious. However there is another that is never mentioned that is on my list that delights me no end. How could you believe me when I said I loved you when you know I've been a liar all my life is one of the gems of American entertainment. To borrow an opinion from George Burns. the American musical composers and the theater and movie industry in which they showed their wares is America's greatest contribution to world culture.Royal Wedding is so typical of years of magnificent productions.

After their act is broken up in New York, a brother/sister tap dance team (Fred Astaire and Jane Powell) travel to England and immediately fall in love with new acquaintances. Powell goes after royalty in the form of Peter Lawford and Astaire sets his eyes on Sarah Churchill. Which will win out in the end, their old dance routine or their new romantic interests? Pure Hollywood fluff here, but enjoyable for the time period nonetheless. One of the more under-rated musicals of the early-1950s. Astaire, getting up in years here, still shows amazing athleticism through the dance sequences. Not a bad time passer. 4 stars out of 5.