St. Benny the Dip

Regarding the previous comment about being unable to see St. Benny the Dip as a parody of Les Miserables, I, too, do not see a parody. I do see, however, an homage to Les Miserable. There is in both works the common theme of redemption. In the same way the priest in Les Miserables covers for Jean Valjean and gracefully provides for him, so, too, does the priest in St. Benny the Dip provide for our three scoundrels, and that gracious act in the same way begins the process of redemption. True, Jean Valjean was not the scoundrel that Benny, Matthew, and Monk are, but they, like Valjean move from outside the law to inside the law.

Grace begets grace.

This film is a pleasant surprise from cinema's greatest liar, Edgar G. Ulmer. (His claims for his career in interviews seem now to be regarded as largely preposterous -- many flat out lies, much inflation of his contributions...) But this is a nice, competent little comedy built from crime story elements, and quite enjoyable. Part of the surprise is the far-better-than-just-decent cast: Dick Haymes (ok -- none too great -- in the title role), Nina Foch, excellent as The Girl in The Story; Lionel Stander, as always both lively and believable, and Roland Young, looking sadly worn out. Below the title, there is Oscar Karlweis, a most appealing Viennese actor (and important on Broadway as Jacobowsky in the original production of "Jacobowsky and the Colonel," in the role Danny Kaye played in the film), Jean Casto (her only film role; she originated the role in "Pal Joey" (1940) that made Elaine Stritch a star in the 1952 revival -- which co-starred Lionel Stander!). Uncredited: Dort Clark (of "Bells Are Ringing") and John Lupton (of "Battle Cry"), both in small speaking roles. Lastly, Freddie Bartholomew appears in his final film role -- and, sadly, appears to have completely lost his talent. The role is terrible, and he's awful in it. Smart man to leave the business at this point.

As to the relation of this film to Ulmer's oeuvre -- well, don't make me laugh! But I will say that the absence of Ulmer's musical "genius," that fellow Erdody, is extremely welcome. As always with Ulmer, there is too much score, but this one is not as insufferable as the ones Erdody cranked out.

A sweet, entertaining film.

Considering its a Danziger Brothers poverty row production, St. Benny the Dip is blessed with a marvelous cast. Dick Haymes, Lionel Stander, and Cosmo Topper himself, Roland Young, play a trio of small time hoodlums who disguise themselves as priests to escape a police dragnet. Finding themselves in an abandoned Bowery mission, the threesome take their masquerade to extremes, holding services and feeding the poor. This marvelous tale of redemption also stars a luminous Nina Foch as love interest and Freddie Bartholomew in his final screen appearance. This is perhaps the first and so far only noir-comedy ever made, with some very fine black and white location photography by Don Malkames, whose career took him from Yiddish pictures to 'race' films. John Roeburt's screenplay is consistently intelligent and amusing. The film's low budget is apparent, but its clear everyone involved was working very hard to make a quality picture, and they succeeded.

In New York City, dapper Dick Haymes (as Benny), gruff Lionel Stander (as Monk), and crafty Roland Young (as Matthew) are a trio of con men who hide from the police by assuming the identity of three reverends attending to a needy mission. While hiding out, the three con men of the cloth begin to question their criminal ways. Our leading man Mr. Haymes cozies up to attractive blonde illustrator Nina Foch (as Linda Kovacs) while Mr. Stander mulls over the family he left...

Freddie Bartholomew (as Rev. Wilbur) makes his last feature appearance, in a supporting role. Although still a young man, and acting able to follow a successful character actor career path, Mr. Bartholomew retired from the screen grind. Haymes' sole song "I Believe" is not the Frankie Laine song that came out a couple years later. The obvious plot potential in making Mr. Roland a fallen preacher is not realized. This would have made his part, and the story, stronger.

***** St. Benny the Dip (8/24/51) Edgar G. Ulmer ~ Dick Haymes, Lionel Stander, Nina Foch, Freddie Bartholomew

How is this a parody of "Les Miserables"? I fail to see any similarity other than the fact that both stories deal with sympathetic criminals. There is no chase, no obsessive policeman-the Sgt. isn't really in pursuit of Benny and his gang in the way Javert pursues Valjean. I don't see any true parody here at all but I am willing to listen to counter arguments.

Is it possible that you mean a particular scene? I'm going to go back and watch it again to see if I can catch something I might have missed the first time around.

The movie is pretty lightweight despite its creative team having such a strong pedigree but still, it's pleasant enough. Stander and Roland Young are great as usual and crooner Dick Haymes is likable and believable enough as Benny. It's not "We're No Angels" or "His Girl Friday" but it's not bad.