The Texas Rangers

In so many ways, this is typical Hollywood.

History is botched so thoroughly, this script becomes caricature.

Despite a great cast, and a pretty good story, watching it was painful for me because of all the character names: Butch Cassidy and the Sundance Kid, John Wesley Hardin, and so many other real villains of history are thrown into the mix here.

Naturally, being bad guys, most of them get bumped off -- and it is really infuriating to watch because all those people had real deaths at other places and times.

Why?

Why not just make up other names and present a nice fictional story? It would have been a much better movie.

It's too bad that Butch Cassidy and the Sundance Kid were no longer in a position to sue for the way that they're portrayed in this humble but lively early assignment in glorious SupercineColor for a young Phil Karlson in which George Montgomery teaches a real ugly collection of bad guys that crime doesn't pay the hard way; with Gale Storm the spunky young heroine who edits the local rag and whose pappy naturally met her end at these miscreants' hands.

The action keeps moving, the colour's pretty, the locations attractive. Those looking for deep motivation wouldn't be watching a film like this in the first place; the rest might find it worth a look.

This movie gets my vote as Gale Storm's best western film. She is outstanding in her scenes with her leading man, George Montgomery. The film begins with Johnny Carver (Montgomery), Buff Smith (Noah Beery Jr) and the Sundance Kid (Ian MacDonald) robbing the Waco bank. Sundance double-crosses Carver and Smith, shooting Carver in the back and killing the town sheriff. Fade to prison where Carver and Smith are being held. Major Jones of the Texas Rangers gets the men freed to become Rangers and track down the outlaws who are terrorizing the good folks in Texas. They are released and become Rangers over Helen Fenton's (Gale Storm's) objections. As a Ranger, Johnny meets up with his kid brother (played by DYNASTY director Jerome Courtland) who is killed by the Sam Bass gang. Johnny vows his revenge and gets it. George Montgomery's scenes with Gale are absolutely first rate. The cinematography by Ellis W. Carter is breathtaking! Gale told me that The TEXAS RANGERS was filmed "on location" but in Hollywood-not Texas. No matter, the scenery is beautiful and real...not projected. This is a four star picture in my book. Well worth seeing and owning!

Beautifully filmed, SuperCineColor production from Columbia pictures, with a good cast. George Montgomery and Noah Berry are ex-outlaws-turned-Texas Rangers, sent out to help round up the gang they used to ride with. Gale Storm plays a feisty newspaper lady who don't cotton much to Montgomery on account of he was with the outlaws who gunned down her father, the Sheriff, before Montgomery turned into a good guy.

Montgomery plays one of those a man-in-the-middle characters: he infiltrates the outlaw gang, but the Texas Rangers think he's gone bad again. Nobody believes he's a good guy except the lovely and faithful Miss Storm, after Montgomery works his charm on her. Meanwhile, the outlaw boss knows Montgomery is a spy, so they plan to kill him after he helps with a million-dollar train robbery

Action? Dern tootin', pardner! After being shot several times and almost falling off the train, Montgomery slugs it out with an outlaw for control of the engine while the rest of the gang rides alongside, shooting at him. The outlaw tries to feed him into the boiler! Montgomery wins the fight when he sticks the outlaw's gun down the man's pants and pulls the trigger! Ouch .. . ('This is for shootin' my kid brother in the back, you low-down varmit!')

Not exactly 'The Magnificent Seven', but good Western fun from the colorful 1950s.

I was never really a fan of George Montgomery's westerns; they were pretty cookie-cutter jobs, one looking pretty much like the next, cheap black-and-white somewhat shoddy productions with lame scripts and made by mediocre and uninspired directors.

This, however, is WAY above his usual product. It's beautifully shot--I never thought SuperCinecolor could look so good--with a terrific cast of great western veterans, such as John Dehner, Ian McDonald, Douglas Kennedy, Noah Beery, Jock Mahoney, Myron Healey, to name just a few--and in Phil Karlson he had probably the best director he ever worked with. Karlson was known for his fast-paced, right, action-filled westerns that moved like lightning, and this one doesn't disappoint. Montgomery is more animated than he usually is--as a director himself maybe he realized just how good Karlson was and put more heart and effort into his performance than he usually did, Whatever the case, this is one of Montgomery's best westerns--fast, a lot of action and not slowed down too terribly by the usually hammy Gale Storm as his love interest.

If you're looking for a history lesson, look somewhere else--this isn't a documentary. If you're looking for an interesting, satisfying western with good action, beautiful color and spirited performances, this is one for you.