The Battle at Apache Pass

The 1950s saw some improvements in the way Native Americans were being portrayed in movies. Instead of being just mindless savages, films began showing these people as people...and often people who were honorable and were forced by white society to fight. However, unfortunately, at the same time, studios continued the dreadful practice of having the lead Indians played by white folks in dark makeup...such as having the Jewish-American actor Jeff Chandler play the Chiracahua Apache chief, Cochise! Such casting was not unusual, as Chandler had perviously played Cochise in "Broken Arrow" and various other non-Natives played chiefs in various films of the day...including, of all people, Rock Hudson in "Taza, Son of Cochise"! Clearly this is a case of Hollywood taking two steps forward in its portrayal of the American Indians...and one step back!

Despite some VERY stilted language and Chandler playing Cochise, the film does have some very positive things about it. The warrior Geronimo, an important character in the story, is played by an honest-to-goodness Native (Jay Silverheels). The story, also, is very favorable towards these people and essentially puts the blame on some of the Indian wars on the whites...which was the actual case with Cochise and the so-called 'Battle of Apache Pass'. FInally, and most importantly, the film IS entertaining and exciting.

This colorful western is a rousing yarn that is one of the best of the 1950s. The picture is based on two historical events, the shameful Bascom affair, and the fight in Apache Pass in which two mountain howitzers foiled a well-planned ambush by the Indians. Cochise's Chiricahuas and the U.S. cavalry do all they can to keep peace in the southwest but renegade Mogollons and greedy, scheming whites are just as determined to cause trouble between the Apaches and the soldiers. Jeff Chandler reprises his role as Cochise in the landmark western, "Broken Arrow", as does Jay Silverheels as the warlike Geronimo. John Lund is the major who is sympathetic to the Indians and values his friendship with Cochise. Bruce Cowling and Jack Elam are the white men who have other ideas about how to deal with the Indians. Richard Egan and Hugh O'Brian are also good as army lieutenants. Tech credits are great, especially the camera work by Charles Boyle and the music score by Hans Salter.

Pretty good western chronicles a strong fight between the Indian tribes and the US cavalry in New Mexico territory . Set during the American Civil War , this is the story of Maj. Jim Colton (John Lund) , a hard-working officer who has a nice relationship with Apache leader Cochise (Jeff Chandler). Indians and US cavalry intend to make peace but the tribal chiefs feel their treaty has been violated . Then , at Fort Buchanan shows up the nasty and politically ambitious Indian agent Neil Baylor (Bruce Cowling) along with his supporter Mescal Jack (Jack Elam) , and , subsequently , there takes place the kidnapping a local farmer's son . The corrupt Baylor convinces Lt. George Bascom (John Hudson) that Cochise is the main responsible , and both of them execute an attack against Indians . Meanwhile , leader Jeronimo (Jay Silverheels) carries out razzias against the US Cavalry , caravans and settlements . The Apaches and Cavalry later meet in a battle that ends in disaster , with hostages executed by hanging on both sides . Shortly after , the cavalry column advances into the Apache pass and things go wrong .

A-Universal-International-Picture gets Western action , exciting assaults , go riding , shootouts , breathtaking Indian raids on Yankees regiments and resulting to be quite entertaining . This moving movie is an epic portrait of the thrilling story about tribal chiefs decide to unite their forces against the trespassing whites that break their treaties . The movie depicts a fictionalized account of "The Bascom Affair" of 1861 and "The battle of Apache pass" of 1862 . At Apache pass took place an impressive battle , the first time that the Indians meet modern , for the age , artillery U.S. All the battle scenes in this production were actually photographed at Arches National Monument Park . Producers gratefully acknowledge the assistance of the national Park Service of the United States Department of the Interior whose splendid cooperation made these scenes possible . It is medium budget film with good actors , technicians , production values and pleasing results . At the ending , when takes place the Indian attack , possesses all the sweep , grandeur and noisy action of the greatest Westerns of an age long past . The picture contains spectacular charges of Indian riders , including an overwhelming final when the US soldiers are besieged at a rocky pass . Nice acting from a great cast . As John Lund is good as a honorable Major who is in charge of maintaining order and attempts to keep the peace between US cavalry and Indians . The best acting is given by Jeff Chandler who provides stature to the role , delivering sincerity and bravura . Chandler was known , until his early death , for playing Indian chief Cochise , a dignified portrait well shown in : ¨Broken arrow¨ (50) by Delmer Daves , that was the first time the Red Indian was depicted as a human being rather than a brute savage merely to bite the dust at the hands of the US cavalry , as well as ¨Battle of Apache Pass¨ (1952) and ¨Taza , son of Cochise¨ (1954) by Douglas Sirk , this latter Jeff/Cochise is briefly glimpsed as a dying man at the beginning and handing over the reins of power to Rock Hudson as Taza . Although Chandler also played all kinds of genres , such as : ¨Return to Peyton Place¨(drama) , ¨Flame of Araby¨ (adventure) , ¨Merrill's marauders¨ (wartime , in his last film) , until his early death at 42-year-old . In addition , support cast is frankly excellent , such as : Beverly Tyler , John Hudson , Richard Egan , Gregg Palmer , Regis Toomey , Hugh O'Brian , James Best , and Jay Silverheels in his usual role as Geronimo , a violent Indian chief vowing to lead the tribes in battle against the encroaching white men . Furthermore , special mention for the usually baddie Jack Elam . This stimulating and stirring Western was beautifully photographed in Cinemascope , print in Technicolor by Charles Boyle , Universal's ordinary cameraman . And an original and shining score from Has J salter .

This motion picture was professionally directed by George Sherman in colorful style , though has a few flaws . He realized a great number of films , especially Westerns . As he specialized almost exclusively in "B" westerns , including the "Three Musketeers" series, which featured a young John Wayne. George directed lots of Westerns as ¨The Last of the Fast Guns¨ , ¨The Lone Hand¨, ¨Santa Fe stampede¨ , ¨Red skin¨ ,¨War Arrow¨ ¨Chief Crazy Horse¨ ¨Calamity Jane¨, ¨Relentless¨ , ¨Comanche Territory¨ , ¨Dawn at Socorro¨, ¨Border River¨ and many others . He also made occasional forays into action and horror themes, often achieving a sense of style over substance . The only "A"-grade films to his credit were two westerns starring John Wayne: ¨Comancheros¨ (1961) (as producer) and ¨The big Jack¨ (1971) . His last films were realized in Spain as "Find That Girl" , ¨The new Cinderella¨ and ¨Joaquin Murrieta¨. Rating : 6/10 . Acceptable and passable . Well worth watching .

George Sherman was an old hand at B westerns due to his long stint at Republic, where he specialized in them. His experience shows in this tight little Universal B western. John Lund and Jeff Chandler are stalwart as, respectively, a cavalry officer trying to avert an Indian war and Apache leader Cochise. The cast is filled with veteran character actors, which is always an asset, and the action scenes are extremely well handled. Altogether a tight, enjoyable little western. Recommended.

And also a BROKEN ARROW sequel; in other terms one of those westerns for which the Indians were not the villains all the time. Splendid settings for the Universal Studios movie. It brings nothing new compared to other westerns of this kind, with more or less the same message. It is very well made, by a real professional George Sherman, a western specialist who began his career in the late thirties for Republic Pictures, in B westerns, as so many other B directors ( but in the early fifties), such as RG Springsteen, Harry Keller, Thomas Carr, whilst other directors like William Witney, in the early fifties too, proceeded their career, working for Republic Studios, still for the same kind of B westerns, after his highlight serial period, between the late thirties and forties. Awesome battle sequences, breathtaking moments for the audiences.