Red Ball Express

Midway through the war, the March of Time devoted time to a filmed panel discussion - quite a new idea, then - as to how the war was to be won. One comment was "This is a Quartermasters' war. Solve the issue of logistics and you've won the war".

That might have been the mission statement of this, very watchable, film

It's a sad commentary that before the Armed Services were integrated post World War II by President Truman, the Red Ball Express was one of the few that black American soldiers could fully participate in and that one was relatively behind the lines.

Jeff Chandler plays the steely eyed commander of this bunch of formerly civilian truck drivers now chosen as a unit to supply Patton's advancing army with needed fuel. Among the cast is a young Sidney Poitier as one of the drivers. They may have been behind the lines, but the picture clearly shows their participation in the war wasn't an easy street.

Chandler's job is to weld this disparate bunch into a unit and he succeeds despite a lot of racial tension. The cast performs admirably in this picture.

One of the great stories of World War II was the rapid advance across France of Patton's army after the breakout from the Normandy beachhead. He could have never done it without the heroic efforts of the men depicted in this movie. It was Ike's and Patton's secret weapon and this picture an admirable tribute to them.

In Red Ball Express, a group of soldiers whose job isn't normally featured in movies gets center stage. War pictures are usually about the daring Marines or the sailors who are desperate for a taste of the action, not the folks assigned to the boring jobs. These men are the truck drivers who deliver supplies to the fellows featured in the other movies. It's an interesting angle, and if you do find that aspect of the war intriguing, you'll probably like it.

Jeff Chandler stars as the head of the platoon, and of course (since there has to be some drama in a movie that doesn't scream 'drama') he clashes with the other men. Alex Nicol holds a grudge because his brother was killed in a battle involving Jeff. There are also some testy scenes involving Sidney Poitier and the white soldiers who begrudge being assigned to an integrated unit. I've seen much more riveting war movies in my day, but if it sounds interesting to you, give it a shot and see what you think.

The story was inspired by events in Louis L'Amour's life when he served in the European campaign. Louis L'Amour for those who may not know was a prolific writer of Westerns and single-handedly reinvented that literary form.

He told his WWII tales at the Brown Derby on Vine Stree in Hollywood. Louis often met with Cobb who ran the place. They often spoke of American Natives especially the Crow Indians in Wyoming and Montana. In any case, someone overheard Louis's WWII tales and it became this film.

I don't know if Louis L'Amour was ever credited. I don't think so. Much of this author's early life could easily serve as an exciting source of several entertaining and illuminating films.

Partially filmed in Fort Eustis, VA in 1951-52. I was in the army, at Ft. Eustis, waiting for my shipping orders when the cast and crew arrived. Many of us were used as background. Before they left, they gave us a special screening with most of the actors attending. Jeff Chandler was there. I met one of the actresses, who was with the cast, but not in the picture. We had some nice chats; I saw her off when they departed. I was 12 when world war II started and all of the war films were in black and white. Even the news was in black and white. I feel that black and white and war go together. There is nothing pretty about war. All wars are, more or less, the same; why should the films be any different?