Death Goes to School

This is typical whodunit in the grand tradition of Agatha Christie (but definitely inferior to her best murder mysteries ): a place where a murder was committed and where everyone's a suspect,for everyone bore a grudge against the strangled victim .

And the suspects are all teachers in a girls school , that is people who should be models to their pupils ; using flashbacks is quite derivative,but it allows us to make acquaintance with these women who are not exactly the persons they claim to be .

This is OK murder mystery and the murderess 's motive makes sense .

Produced by former director Victor Hanbury, who died the following year shortly after 'fronting' for the blacklisted Joseph Losey on the even more histrionic 'The Sleeping Tiger'. This is also a fascinating artefact from the buttoned-down early fifties (with a conclusion involving assisted suicide that possibly encountered problems with the censor), adapted by Maisie Sharman from her own novel 'Death in Seven Hours' (1952), published under her pseudonym Stratford Davis.

Set in a girls' school in which the repressed passions of both staff & pupils have long ago reached boiling point; murder being the result (an outlet already manifest in the psychotic violence being displayed by the belles of St. Trinian's)!

DEATH GOES TO SCHOOL is a low rent British murder mystery that provides a neat counterpoint to the more popular hilarity of the ST. TRINIANS movies, which were just taking off during the decade. The production company was the little-known Independent Artists, who knocked out a few quota quickies before moving into TV production in the 1960s. The excellent NIGHT OF THE EAGLE is undoubtedly their best (and well-known) production.

This story is a typical murder mystery with a couple of sleuths in an all-girl school, hot on the trail of a murderer who took down the headmistress by strangulation with a scarf. All they have is a footprint to go on, but they soon uncover a hotbed of hatred and false identity, and they must piece together the clues to discover the one responsible.

The film features a leading role for a youthful Gordon Jackson as the no-nonsense detective and the ubiquitous Sam Kydd (who's uncredited for some reason) as his right hand man. The characterisation is slim, and the denouement is rather unremarkable, but the plot remains focused throughout. The all-girl school setting is a good one that Hammer would later use in the likes of LUST FOR A VAMPIRE in the 1970s. This film was shot at the attractive Merton Park Studios in Wimbledon, later the setting for the obscure Michael Gough horror, THE CORPSE.

Despite the flaws in the script and the improbabilities of this film, it comes over as a very good and uncomplicated murder mystery, with the only clue being the heel print of a size 5 shoe in the soil behind where the assailant may have stood behind the victim.

Despite the low budgeted production values, the film still had me guessing right up to the very end, leaving a conclusion that even the detectives were not able to come to.

It was surprising to see Gordon Jackson in one of his earlier films. He was a very fine actor and, at first, I thought that he was probably miscast in this film, but as his character developed you could clearly see why he was chosen for this role.

I am also surprised why the film was never remade, as with the right actors and director, the film could have become one of the great British classics.

The scene is a girls school where a pupil discovers the strangled body of her teacher. The dead woman had made many enemies at the school during her stay so there is no shortage of suspects. Scotland Yard arrives with Inspector Campbell (Gordon Jackson) in charge of the investigation. Key to the probe is a small ladies footprint found at the scene of the crime, prompting Inspector Campbell to believe the woman was murdered by another staff member.

The print I saw was clear and crisp and the production values nice for a low budget British mystery. The cast was solid but not spectacular in their work. The screenplay is somewhat staid and lacking an energy. The film tells the story from the viewpoint of the Police Inspector and a young schoolteacher who is under investigation. This crossing of views should deliver a interesting journey, yet it remains quite sedate.

I enjoyed this film. It was nice to see Gordon Jackson in a lead role and it was nice to discover a rare, old British mystery. This is not a lost gem, but a nice film for fans of British mysteries, like myself.