The Desert Rats

This is a really enjoyable movie. Burton and Newton do a fine job, as do a cast of familiar British character actors. James Mason in his first outing as Rommel is especially fun. He reprised the role in a later Rommel bio-pic (titled "The Desert Fox: The Story of Rommel").

Despite it's age, most of the attempts at special effects (artillery in the distance, explosions done via matte) come off well. As for the scenes where they really shoot off some pyrotechnics, they spared no expense! The overall portrait of the desert and army life looks very real and has the ring of truth. The plot is exciting and never drags.

The only problems are the over-patriotic script (I guess we should cut them some slack here, this movie was made much closer to the war than we are today!) and as noted elsewhere, the inappropriate German weapons. It's amazing that they used Thompson machine guns instead of MP40's, when for the next 30 years everybody from "The Man from U.N.C.L.E." to James Bond would use the MP40 all over the place. In summary I think this movie was a bit better than I expected and holds up well to repeated viewings.

This was the first movies I was ever allowed to stay up and watch on the old Saturday Night At The Movies show on NBC so it has always had a fond place in my heart. Although some might dismiss it as clichéd, it is a tight, well told story that some of today's films might do well to emulate. The realism, ambivalence, and irony of today's war films is definitely missing but one should remember that this was the "good" war. While the other reviewers may criticize its historical accuracy, as someone who grew up hearing war stories from American and Canadian WWI and WWII veterans, it does capture the feeling of a period without going overboard on heroics or far-fetched plot twists.

Interesting re-enactment of the desert campaign during WWII as seen through the experiences of one small company in the British army. They are a disparate group of soldiers. A motley band of commonwealth troops of mixed personalities led by Captain MacRoberts played by Richard Burton. Through the fire and hell of battling the Desert Fox and his war-hardened troops MacRoberts by lifting their spirits and their morale eventually melds his men into a fighting fit group of warriors. Enough said.

Although the story has neither the forced authenticity of 'The Longest Day' or the Hollywood panache of 'Where Eagles Dare' I believe it still manages to stand out in a special place on its own. Prior to a host of many other war movies it was the first to concentrate exclusively on the common soldier in the trenches, his anxieties for the present and hopes for the future. I also liked the side story of the young captain who is surprised to have under his command a favourite old school master, Bartlett played by Robert Newton. It causes some quizzical looks amongst the men, especially when he insists on continuing to address the old private as sir. Here the Desert Fox is played with dignity and respect by James Mason. The other german characters are also portrayed benignly, perhaps in view of the fact that very few atrocities were committed by Rommel's troops unlike their counterparts in Eastern Europe. History records accurately what eventually happened to Rommel in the aftermath of the plot to assassinate Hitler but here that is all in the near future. I recommend this b & w film to all war movie buffs of this English made genre but if you're looking for 'Saving Private Ryan' perhaps you should give it a miss.

In 1941, during the World War II, Field Marshal Erwin von Rommel (James Mason) tries to conquer the city of Tobruk in Libya and the British battalion defends this location to avoid Rommel to reach the Suez Canal. The young, but experienced British Capt. 'Tammy' MacRoberts (Richard Burton) leads a limited number of inexperienced Australian troops in the defense of Tobruk, and uses raids during the night against Rommel forces to keep the balance between the strong German army and the reduced British-Australian forces, and MacRoberts' troops are called "The Desert Rats". "The Desert Rats" is a very realistic war movie, presenting strategies, battles, action scenes and a great duel between James Mason and Richard Burton. I am not sure whether Robert Wise used footage of some real battle scenes along the film, since the realism in the black and white photography is amazing and sometimes it looks like a documentary. There are also excellent lines between Richard Burton and James Mason, and Richard Burton and Robert Newton, in the role of the former teacher of MacRoberts. "The Desert Rats" is a highly recommended movie. My vote is eight.

Title (Brazil): "Ratos do Deserto" ("Desert Rats")

The Desert Rats is an unpretentious war film that tells a good story with economy. The heroics come without drum-rolls.

The most fascinating part of this film is to watch both the marvelous Robert Newton and the under-rated James Mason give Richard Burton acting lessons.

Burton tends to chew the scenery when he snarls, "Good-morning," as though he were the youngest in a large family, doing anything for attention.

Newton counters Burton's unnecessary histrionics with a beautifully modulated realization of-himself in disguise as Prof. Bartlett, Burton's old instructor. I think this is the most honest look at the REAL Newton on film. The rueful man who clearly understands his inability to stay sober, but still has enough control to see his own and everyone else's situation clearly. He is the kind, timorous, brilliant failure who, in one burst of glory, up-stages his more successful juniors. Newton delivers a truly magical performance.

James Mason also delivers a balanced and multi-layered Rommel. Of course he practiced playing this brilliant German General in the better-known film, The Desert Fox.

Burton comes across as pure ham in The Desert Rats, but there IS one scene he has where he is honest and effective. He explains to Bartlett that the picture of the young woman in his wallet is his wife. The picture actually IS Burton's wife, pre-Elizabeth Taylor.

Otherwise, although Burton is billed as the star, the film belongs to Newton and Mason. See it for the pleasure of their company.