The adventures of motorcycle cops, from their academy days, to chasing crooked truckers.The adventures of motorcycle cops, from their academy days, to chasing crooked truckers.The adventures of motorcycle cops, from their academy days, to chasing crooked truckers.
George Barrows
- Henchman with Rifle
- (uncredited)
Margaret Bert
- Rural Driver's Wife
- (uncredited)
Robert Carson
- Homicide Detective
- (uncredited)
Phil Chambers
- Police First Sergeant
- (uncredited)
John Close
- Police Lieutenant
- (uncredited)
Chuck Connors
- Deputy Sheriff
- (uncredited)
Fred Datig Jr.
- Police Candidate
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Motorcycle Cops and Motorcycles are the Main Thing in this Mainstream Movie of the Docu-Types that were Prolific in the Early Fifties. This one has the Whole First Half Devoted to a Behind the Scenes Look at the Police Academy Training. Intriguing to Some it is quite a Boring Affair unless Ogling the Vintage Bikes is Your Thing.
It Zeroes in on Three Recruits and Their Initiation with some Youthful Playfulness and getting the Babes is Forefront. In the Second Half it is a much Better Movie as these Rookies are Thrust into a Crime Investigation and in the Third Act it Becomes a real Barn Burner with some Hard-Edged Violence and Believable Danger.
Ralph Meeker Melts the Screen with His Macho Egomania and Foolish Behavior but in the Space of the Film's Short Running Time Matures into a Full Blown Police Officer, however never Losing Sight of the Ladies.
It Zeroes in on Three Recruits and Their Initiation with some Youthful Playfulness and getting the Babes is Forefront. In the Second Half it is a much Better Movie as these Rookies are Thrust into a Crime Investigation and in the Third Act it Becomes a real Barn Burner with some Hard-Edged Violence and Believable Danger.
Ralph Meeker Melts the Screen with His Macho Egomania and Foolish Behavior but in the Space of the Film's Short Running Time Matures into a Full Blown Police Officer, however never Losing Sight of the Ladies.
I was an LAPD Explorer in the late 1960"s and had shot on the Academy pistol range. The movie showed the Los Angeles Police Department Headquarters (outside) before Parker Center was built. It also showed the real Academy with the pool, parade ground, a fenced area, indoor training area, dispatch, and pistol range. The part that was not real was the dining room. The dining room looked like a movie set. Some of the the motorcycle training looked real too like laying down the bike and driving through the cones. Like I learned during my motorcycle training course (civilian), it does not take much of a rider to go fast. The trick is how slow can you go!. It was also interesting how the movie gave a plug for the Los Angeles County Sheriff's Department. The movie had everything I like bikes, guns, and cops. What else is there.
This is a decent old movie with several future TV stars. It even has an almost unrecognizable Chuck Connors who looks like a teenager. It depicts the training that the motorcycle officer take. The actual plot is pretty weak but that's OK. I have a pretty good copy of it from TCM.
I am trying to remember the name of a similar 50s B&W movie about LAPD recruits who end up on motorcycles. In an early scene, one of the soon to be cops is a swimming pool cleaner and flirts with a babe in a swimsuit. This is about all I can vaguely remember except that there were some decent motorcycle scenes.
Anybody have a clue on the title or any of the actors?
I am trying to remember the name of a similar 50s B&W movie about LAPD recruits who end up on motorcycles. In an early scene, one of the soon to be cops is a swimming pool cleaner and flirts with a babe in a swimsuit. This is about all I can vaguely remember except that there were some decent motorcycle scenes.
Anybody have a clue on the title or any of the actors?
I saw this movie as a kid when i was about 13 or so. I remeber this as one of the coolest movies I have ever seen. I am sure, now it would seem a little less dramatic, but it has stayed with me all these years. There is one scene where the truck hijackers are stopped by a cycle cop and when they get the chance to knock him out they do. They then take him and put him under the tires of the big rig and {pretty violent for back then} back up over him. A young chuck Conners, Ralph Meeker and Keenan Wynn make this a must see for biker, crime and film noir fans. I believe Ted Turner owns this movie and I wish he would release it on video. Enjoy the film if you can ever see it.
The first half of this modest 69-minute movie tells, in semi-documentary fashion, of the training of rookie cops in early 1950s Los Angeles. Needless to say, all these rookies are white males but it's the "dated" quality of the movie which lends it a curiosity value as an artifact of its time. Police buffs should enjoy looking over the equipment, the uniforms, the training techniques, the investigation methods, etc.
A let's-catch-the-cop-killers plot takes over in the second half. It's minor stuff but affords an opportunity to look over a cast soon to find greater success in TV westerns. There's Robert ("Wagon Train") Horton and Jeff ("Jefferson Drum") Richards and -- in a small part -- Chuck ("The Rifleman") Connors. Rounding out the cast of cops are Ralph Meeker and Keenan Wynn. There's a certain "fetish" appeal in seeing these men in boots and leather jackets and motorcycle pants, and Meeker, Horton, and Richards also do a "beefcake" scene by a lake where they appear in swimsuits. (Richards must have tipped the wardrobe department to give him the snuggest-fitting suit.)
A few scenes appear to be shot on actual L.A. streets but much of it is recognizable as the MGM back-lot. Somewhere, on one of those hills, Robert Horton would soon be stripped to his shorts and tortured by North Korean guards in "Prisoner of War."
Director Fred Wilcox later helmed the classic "Forbidden Planet."
A let's-catch-the-cop-killers plot takes over in the second half. It's minor stuff but affords an opportunity to look over a cast soon to find greater success in TV westerns. There's Robert ("Wagon Train") Horton and Jeff ("Jefferson Drum") Richards and -- in a small part -- Chuck ("The Rifleman") Connors. Rounding out the cast of cops are Ralph Meeker and Keenan Wynn. There's a certain "fetish" appeal in seeing these men in boots and leather jackets and motorcycle pants, and Meeker, Horton, and Richards also do a "beefcake" scene by a lake where they appear in swimsuits. (Richards must have tipped the wardrobe department to give him the snuggest-fitting suit.)
A few scenes appear to be shot on actual L.A. streets but much of it is recognizable as the MGM back-lot. Somewhere, on one of those hills, Robert Horton would soon be stripped to his shorts and tortured by North Korean guards in "Prisoner of War."
Director Fred Wilcox later helmed the classic "Forbidden Planet."
Did you know
- TriviaThe art on the cover of the Warner Brothers Archive Collection DVD shows Ralph Meeker laying next to Elaine Stewart in a bathing suit. In the movie, it is Jeff Richards who is next to Stewart in this scene, whereas Meeker is in a canoe with his girlfriend. This art may be from an original lobby card for this movie or maybe was created specifically for the DVD box art.
- GoofsWhen O'Flair is fighting the bad guy with a meat cleaver, the bad guy takes a couple of swings at O'Flair and misses, hitting the wall instead. Before that, you can see about a dozen marks in the wall from previous takes.
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- Budget
- $472,000 (estimated)
- Runtime
- 1h 9m(69 min)
- Color
- Aspect ratio
- 1.37 : 1
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