Kiss Me Kate

And it's apparent in the number of items thrown at the screen in this Technicolor musical based on the stage hit, from MGM and director George Sidney. Formerly married stage stars Fred Graham (Howard Keel) and Lilli Vanessi (Kathryn Grayson) agree to star in the new musical from Cole Porter (Ron Randell), a variation on Shakespeare's The Taming of the Shrew. Fred hopes to win back Lilli, while Fred's "protege", showgirl Lois Lane (Ann Miller), who also has a part in the show, drives Lilli to distraction. This complicated romantic dynamic plays on multiple levels as they struggle to get through the opening night show and its various obstacles.

I liked this rather complex production, with fun performances and excellent dance scenes. Ann Miller has the best dance sequences, although I also liked the amateurish number with Keenan Wynn and James Whitmore as two hoods singing and dancing. I enjoyed seeing Bob Fosse in an acting role. The movie was Oscar nominated for Best Score (Andre Previn & Saul Chaplin).

The movie is not the same as the stage production but it stands on its own as one of the best MGM musicals of the era. Howard Keel and Katherine Grayson were never better in any other of their films; Ann Miller is her usual energetic and delightful self, plus you get to see some superb dancers who made very few films at all, and they are all at the top of their form: Tommy Rall, Jeannie Coyne, Bob Fosse, Carol Haney and Bobby Van. The big closing number, From This Moment On, is a showcase for those five dancers plus Miller...look out for Fosse and Haney's amazing hipster/be-bop flavored segment! That song was added to the movie from another Porter show and it is the highlight of this great movie!

This is my favorite musical, not for the dancing alone, but it is the best. The dancers, not just Ann Miller and Rall, but Bob Fosse, Bobby Van, and Carol Haney!! What more could any dance fan want? There is always something new to see, no matter how many times you have watched it. The lyrics are magnificent, tricky and intriguing. When Howard Keel, dressed in those gorgeous tights, sings about all the women he has known, he's a knockout. Grayson is not my favorite actress, but she can sing, and she and Keel make a wonderful pair. I will admit that the music is great, but folks, catch the dancing!! The final dance number with the six dancers is superb, but how can you watch all six at once? You have to watch it several times, particularly the pair of Carol Haney and Bob Fosse.

Cole Porter's classic musical version of "The Taming of the Shrew" done as a film with MGM's best production values. Unfortunately, this also means Kathryn Grayson, whose performance as Kate is merely passable. But Howard Keel lives up to his star billing and delivers dynamite vocals and witty characterizations, as well as bringing the film much needed believability (he's the only one up there that seems like he actually COULD be playing Shakespeare). Ann Miller steals more than her share of the thunder as the show's ingenue (she'd been playing them for 20 years now). She does a lot of tough dancing with Fosse, Van and Co., leaving the heavy vocals for the others. Keenan Wynn is one of the gangsters who end up actors for a day, and he's living it up (on stage, the gangsters are usually the audience's favorite characters) Great songs, good show. Features the interpolated Porter tune "From this Moment On" -- the film's only improvement over the stage version.

Great adaptation of the Broadway musical with a wonderful Cole Porter score. Yes the plot is just an excuse (though not a flimsy one) to put the numbers together, but so what? Kathryn Grayson and Howard Keel are very good as battling exes who are destined to be together, in the best tradition of Scarlett and Rhett, with a dash of His Girl Friday thrown in. Plus, it's all acted out amidst Shakespeare's Taming of the Shrew, which provides for some great comic moments. Keenan Wynn and James Whitmore as the two gangsters are hilarious in the classic "Brush Up Your Shakespeare." Bob Fosse, who plays Bianca's blond suitor in the "Shrew" play-within-a-play, electrifies the screen with Carol Haney in their short but spectacular dance during the "From This Moment On" number. But it is Ann Miller who steals the show with her tradmark perkiness, charm and dynamite dancing skills, demonstrated memorably in another classic, "Too Darn Hot," and her numbers with Tommy Rall. Definitly recommended if you want a laugh, a tune to hum and a great show to see.