Let's Do It Again

Let's Do It Again is the third rendition of the play The Awful Truth about an about to be divorced couple who really belong together, but have to wait until the end of the film to find out. Ray Milland and Jane Wyman are the couple repeating the roles that Cary Grant and Irene Dunne had back in 1937 in The Awful Truth.

This started as an Arthur Richman play back in 1922 which ran 144 performances on Broadway with Ina Claire in the lead. So Let's Do It Again has a distinguished pedigree. This version had a musical score attached to it by Lester Lee and Ned Washington, none of the songs you will remember.

Jane Wyman who could sing and dance proves she can again in this film, it's the main reason to see the film. Ray Milland starts off well, as the film opens you see him jamming on the drums at a club while Wyman thinks he's in Chicago. He fakes that pretty good, but when he's called on to sing, it's not his finest hour on the big screen. The main ballad in the film is sung by Dick Haymes on record to Wyman.

She has two suitors for her on the rebound, Tom Helmore and Aldo Ray. Ray is not terribly comfortable in the Ralph Bellamy part, Bellamy played his role in 1937 film. Helmore is a cad, as he many times is on screen.

The distinguished pedigree of Let's Do It Again does not guarantee a top quality product. Overall the film is all right, but there's nothing new that's really good here.

Once I realized that Ray Milland was doing a poor imitation of Cary Grant's mugging in the original screwball comedy, "The Awful Truth," I knew why the film failed to sparkle as a comedy. Added to the comedy are some musical interludes that fall as flat as the dialog. The whole film leaves you feeling that it's a silly waste of time.

And in the central role of a woman determined to win her hubby back, Jane Wyman is dressed to kill but looks more like an uptight woman too prudish to display herself in such a lavish wardrobe. Only when she lets loose pretending to be Milland's hyperactive sister and demonstrates some of her flair for musical comedy does her performance come to life. Otherwise, you keep expecting those tears to flow.

The story may have worked in the '30s when screwball comedy was supreme and was handled with comic dexterity by a sparkling cast. But here it gets a flat reception from an uncomfortable looking Ray Milland, a miscast Wyman and an equally out-of-his-element Aldo Ray.

Summing up: A bad remake of a popular screwball comedy, it falls far short of the mark in every department--writing, acting, direction. Only Tom Helmore (the scheming husband of "Vertigo") manages to look and act as urbane and distinguished as the part demands with the proper comic flair.

Recently seeing this movie for the first time I was pleased to find that it is a very pleasant,frothy technicolored entertainment.Jane Wyman,whom I remember mainly from TV,is a very capable comedienne,and a very good singer.She is obviously enjoying herself,and looks very good too,in a dazzling Jean Louis wardrobe.Ray Milland plays her ex-husband in a Cary Grant type performance,and warbles a song or two.Aldo Ray is the new beau and also shows what a versatile actor he was.All in all,an undemanding Technicolor treat that is typical of it's period.Worth catching.8/10

"Let's Do It Again" is a 1953 loose remake of "The Awful Truth," this time starring Jane Wyman, Ray Milland, Aldo Ray and Valerie Bettis. Milland plays Gary Stuart, a songwriter who occasionally takes off, saying he's going to Chicago or wherever, when all the while he's playing with nightclub bands in town. To make him jealous, knowing full well he's lying to her, his ex-performer wife Connie (Wyman) pretends she spent the night with a friend, Courtney Craig (Tom Helmore). Husband and wife have both carried their games too far and get a divorce, though they're still in love.

The comments on this site are a bit surprising regarding Wyman. People seem to forget that before Johnny Belinda, Wyman was a stunning blonde who did plenty of comedy. I never understood the brown hair and the short do, but she played the role of Connie well and did her own singing. Despite comments to the contrary, I thought she looked quite beautiful. Her clothes were nothing short of sensational in this Technicolor production. Milland does a good job as Gary. Aldo Ray looks quite handsome and is okay as Connie's wealthy suitor. Valerie Bettis is on hand to do some sexy dancing. The music in this film is bad.

It's no "Awful Truth," lacking in just about every department except maybe gowns. If you forget it's a remake of that classic, you should enjoy it for what it is - light fluff.

In 1937, director directed a clever romantic-comedy, "The Awful Truth". It starred Cary Grand and Irene Dunne and the film was often wonderful--one of the better films of its type in the 1930s. Now, in 1953, the much less famous director Alexander Hall is given the unenviable task of doing the remake--with lesser actors in the leads and a lot of unnecessary singing and dancing tossed into the mix. Is there any possible way he could even come close to the original in quality or laughs? Well, the answer is an obvious NO--and I pretty much figured this out before the movie began. After all, the only reason to remake a movie is if the original was somehow seriously flawed and the remake corrected this. But the original was awfully good, so polished and featured amazing actors at their best--so how could Ray Milland and Jane Wyman hope to recapture the magic. Plus, the new script certainly isn't any better-in fact it's much worse (the film just didn't know when to end--and the final song by Wyman was god-awful). It seems that the one relatively minor flaw I saw in the original was still in this one...that the wife really did have reason to divorce because it's implied that the husband really WAS cheating on her. And, cheating is certainly NOT a subject that makes a film romantic. Now a misunderstanding causing the divorce, that probably would have worked better.

The bottom line is see the original and only see this remake if you are bored and there's nothing better on the television. Not a bad film--just an unnecessary one.