IMDb RATING
6.6/10
2.2K
YOUR RATING
While pursuing new love interests, a former married couple keep running into each other all over town.While pursuing new love interests, a former married couple keep running into each other all over town.While pursuing new love interests, a former married couple keep running into each other all over town.
- Nominated for 1 BAFTA Award
- 1 win & 2 nominations total
Shirlee Allard
- Secretary
- (uncredited)
Leon Alton
- Nightclub Patron
- (uncredited)
Merry Anders
- Marsha
- (uncredited)
Mylee Andreason
- Dance Teacher
- (uncredited)
Frank Arnold
- Art Teacher
- (uncredited)
Fay Baker
- Nurse Serena
- (uncredited)
Eugene Borden
- Teddy - Maitre d'
- (uncredited)
Paul Bradley
- Nightclub Patron
- (uncredited)
Sue Carlton
- Minor Role
- (uncredited)
Harry Cheshire
- Nina's Divorce Lawyer
- (uncredited)
Sayre Dearing
- Nightclub Patron
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I love that scene where the phony doctor and nurse keep upstaging each other while on TV. What a sparkling little comedy from two of the best comedic actors of the time —Holliday and Lemmon. Holliday is less pixilated than usual, but then she does play a TV writer. Lemmon also has fewer tics than usual, but that doesn't hamper the laughs at all. They play a married couple who divorce when he prefers reading second-rate Mickey Spillane to her. Of course, once divorced, they pine for each other following a series of comedic misadventures.
That manic dance number alone is worth the price of admission. I just hope they did it in one take, otherwise get out the respirator. Then too the "whooshing" bed proves a great bit of comedic inspiration. Note how its whooshing back and forth becomes innuendo in that flashback scene where they first meet. And what a cutely appropriate final whoosh to the movie as a whole.
A lot of credit should go to ace screenwriter Axelrod, who devises a series of amusing episodes where Nina (Holliday) and Robert (Lemmon) try to out-do one another in the I'm-so-over-you department. He grows a mustache and gets a sports car, while she does what any woman is expected to do—she gets a new wardrobe. Meanwhile, that expert performer Jack Carson lends first-rate actorly support but questionable best-friend advice; at the same time, Kim Novak gets into the swing with a vivacious party-girl performance.
All in all, the set-ups wear well despite the years. Sure, it's only well done fluff. Still, I'm just sorry there weren't more Holliday-Lemmon pairings, since their styles blend so perfectly as this movie so humorously demonstrates.
That manic dance number alone is worth the price of admission. I just hope they did it in one take, otherwise get out the respirator. Then too the "whooshing" bed proves a great bit of comedic inspiration. Note how its whooshing back and forth becomes innuendo in that flashback scene where they first meet. And what a cutely appropriate final whoosh to the movie as a whole.
A lot of credit should go to ace screenwriter Axelrod, who devises a series of amusing episodes where Nina (Holliday) and Robert (Lemmon) try to out-do one another in the I'm-so-over-you department. He grows a mustache and gets a sports car, while she does what any woman is expected to do—she gets a new wardrobe. Meanwhile, that expert performer Jack Carson lends first-rate actorly support but questionable best-friend advice; at the same time, Kim Novak gets into the swing with a vivacious party-girl performance.
All in all, the set-ups wear well despite the years. Sure, it's only well done fluff. Still, I'm just sorry there weren't more Holliday-Lemmon pairings, since their styles blend so perfectly as this movie so humorously demonstrates.
Don't you love it when the title of a film has no vowels? And when it has an exclamation mark, too! It makes pronouncing it even more fun. Never mind spelling it correctly. (And I am usually a decent speller.)
At any rate, Judy Holliday (whose last name I finally learned how to spell) enjoys an easy chemistry with costar Jack Lemmon in this film. She may very well be one of the zaniest comediennes ever. Her expressions, the way she uses her voice, and the mambo dance number where she contorts her body-- make watching this movie almost illegal. Add Kim Novak to the mix as a light-headed chick that Lemmon dates on the rebound from Holliday and you have a criminally good time.
At any rate, Judy Holliday (whose last name I finally learned how to spell) enjoys an easy chemistry with costar Jack Lemmon in this film. She may very well be one of the zaniest comediennes ever. Her expressions, the way she uses her voice, and the mambo dance number where she contorts her body-- make watching this movie almost illegal. Add Kim Novak to the mix as a light-headed chick that Lemmon dates on the rebound from Holliday and you have a criminally good time.
It's sort of like "The Awful Truth" as re-imagined by a '50s screenwriter with a smutty mind: Married couple divorce, try other partners, reunite. The high-school-boy-giggling-about-sex tone gets pretty heavy, but try to overlook that, because the film has so much to recommend it: New York location filming, early Kim Novak in a small part, and most of all, Judy Holliday and Jack Lemmon. Was there ever a greater romantic comedy team? She's hysterically funny and amazingly touching at the same time, and he partners her perfectly. They're even sexy together -- it's not a quality you usually associate with either actor. Watch the "mambo" sequence, with their shifting feelings about each other played out in dance: a classic scene.
I'd rate these two over even Tracy and Hepburn. How sad that they made only two movies together.
I'd rate these two over even Tracy and Hepburn. How sad that they made only two movies together.
Almost all US sex comedies of the 50's & 60's are dated now by a quaint leering approach to sex & marriage, not to mention the costumes, hair, settings. But the remarriage theme will always be ripe for romantic comedy fun. Here, George Axelrod got his start. He later wrote screenplays for "Will Success Spoil Rock Hunter," "Breakfast At Tiffany's," "Goodbye Charlie," and in a dark mood, "The Manchurian Candidate." His style is comparable to Preston Sturges, using wit to slice through the social conventions. Judy Holliday & Jack Lemmon were a wonderful match. Judy could play an "everywoman" to Jack's "everyman" as in "It Should Happen To You." She could surprise & bedevil him with her mix of ditzines & intelligence. Their comic timing together seems effortlessly perfect. This film should be remembered more fondly.
I never heard of this movie until I saw it on AMC. It's a funny sex comedy about Oscar-winners Judy Holliday and Jack Lemmon realizing they were better off before they divorced. It really hasn't received as much acclaim as Holliday's other comedy, Born Yesterday (winner Best Actress Oscar - 1950) and deserves a video release.
Did you know
- TriviaColumbia Pictures approached George Axelrod to produce a film version of his very popular play, "The Seven Year Itch," but the film rights were tied up as long as it was running on Broadway. He instead offered them "Phffft," an earlier play of his dealing with a similar subject.
- GoofsLate in the movie when Charlie is visiting Nina at her home, Charlie and Nina walk over to the couch. It is too dark there and when Nina begins to sit down, the crew turns on an extra light to brighten the scene.
- Quotes
Charlie Nelson: A mustache is a very important thing. That's part of the famous Charlie Nelson theory in the efficacy of face hair in dealing with the opposite sex.
Robert Tracey: [Slightly taken aback] What?
Charlie Nelson: Always remember this: dames become unpredictable when faced with a mustache. It both arouses, and angers them, because... being as it is a symbol of masculinity, they feel drawn toward it.
- ConnectionsFeatured in The Lady with the Torch (1999)
- How long is Phffft?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Y fueron felices
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 28m(88 min)
- Color
- Aspect ratio
- 1.85 : 1
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