In 1870, widowed farmer Zachary Hallock secretly joins a group of outlaws as a solution to his money problems.In 1870, widowed farmer Zachary Hallock secretly joins a group of outlaws as a solution to his money problems.In 1870, widowed farmer Zachary Hallock secretly joins a group of outlaws as a solution to his money problems.
James Arness
- Gus Varden
- (as Jim Arness)
Stanley Blystone
- Citizen
- (uncredited)
Johnny Carpenter
- Minor Role
- (uncredited)
Frank Ellis
- Citizen
- (uncredited)
Brian Garfield
- Young boy
- (uncredited)
Chuck Hamilton
- Sheriff
- (uncredited)
Jack Harden
- Minor Role
- (uncredited)
Tom Hubbard
- Regulator
- (uncredited)
Donald Kerr
- Wedding Guest
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A solid western with a twist told from a child's POV. James Aeneas from gun smoke fame and the dependable Joel Mccrae deliver sublime performances with Barbara hale a la Perry mason adds her appearance as Joel's love interest.
Joel McCrea and his motherless son, Jimmy Hunt, head out to Colorado to buy a farm. They seem to be making a go of it, and things are good enough for McCrea to arrange to marry Barbara Hale, but then the crop fails. Miss Hale marries him anyway, but McCrea needs money. He hooks up with a couple of stagecoach robbers.
It's one of Universal's "shaky A" westerns, with George Sherman in charge of the shoot, and Maury Gertsman handling the cameras to show the Colorado Rockies in every handsome shot. Good story, too but I never saw a dog that clean.
It's one of Universal's "shaky A" westerns, with George Sherman in charge of the shoot, and Maury Gertsman handling the cameras to show the Colorado Rockies in every handsome shot. Good story, too but I never saw a dog that clean.
A good Western movie. Excellent acting especially by Barbara Hale and Jimmy Hunt. No one knows that Joel McCrea is working undercover. His son (Jimmy Hunt) believes he is an outlaw and so does his bride (Barbara Hale). Lots of action and twists and turns.
It may be a B-Western, but Universal popped for some of the best scenery (southwestern Colorado) found in any Western, A or B. I really liked the story's first part, dealing with topics seldom found in any oater—like raising money to buy a farm, horses, a wagon, plus making a home without a woman. In other words, elements of real frontier life too unexciting for most horse operas. But then the plot turns into more conventional cops and robbers, which is okay but hardly memorable.
Telling the story from the boy's point of view is a helpful touch—that way we understand the changes he and his dad are going through. Little Jimmy Hunt is excellent as young Joshua, looking like a real kid instead of a Hollywood charmer. And of course there's McCrea. No cowboy actor gave off an air of quiet nobility better than this underrated actor. Always low-key, he never swaggered like many of his peers or called undue attention to his character. Yet he could exert a quietly persuasive authority when necessary, made more effective by that low-key background. In my little book, he's one of the best of all cowboy actors.
Anyway, it's a good little Western distinguished by the stunning, well-photographed alpine scenery.
Telling the story from the boy's point of view is a helpful touch—that way we understand the changes he and his dad are going through. Little Jimmy Hunt is excellent as young Joshua, looking like a real kid instead of a Hollywood charmer. And of course there's McCrea. No cowboy actor gave off an air of quiet nobility better than this underrated actor. Always low-key, he never swaggered like many of his peers or called undue attention to his character. Yet he could exert a quietly persuasive authority when necessary, made more effective by that low-key background. In my little book, he's one of the best of all cowboy actors.
Anyway, it's a good little Western distinguished by the stunning, well-photographed alpine scenery.
I have not seen much of George Sherman's directorial work, but I liked his film, REPRISAL (1956), and now I have enjoyed THE LONE HAND (1953) with the ever humble and reliable Joel McCrea pulling quite a stunt, after misleading everyone for some three quarters of this flick.
Good to see Barbara Hale away from Raymond Burr's gay clutches in PERRY MASON - but then that famous TV series would start only in 1957. Hale certainly looks good and, above all, trustworthy and in love with Joel.
Jimmy Hunt plays McCrea's son and his is the voiceover, going from happy son who loves his father to disdainful of the same for joining the criminal gang operating in the area.
Strong cinematography by Maury Gertsman. Worth a watch 7/10.
Good to see Barbara Hale away from Raymond Burr's gay clutches in PERRY MASON - but then that famous TV series would start only in 1957. Hale certainly looks good and, above all, trustworthy and in love with Joel.
Jimmy Hunt plays McCrea's son and his is the voiceover, going from happy son who loves his father to disdainful of the same for joining the criminal gang operating in the area.
Strong cinematography by Maury Gertsman. Worth a watch 7/10.
Did you know
- TriviaIn this role, as in others, James Arness is shown with his natural colored hair, blonde. Later, he had to dye his natural blond hair since dark hair was considered more masculine, especially for the role of Matt Dillon in Gunsmoke.
- GoofsWhen the boy is driving the wagon and the men are shooting at it, in the shot from the rear it is clear an adult stuntman was used. The amount of his back seen is much higher above the rail than when the boy was shown driving the wagon.
- How long is The Lone Hand?Powered by Alexa
Details
Box office
- Gross US & Canada
- $1,150,000
- Runtime
- 1h 20m(80 min)
- Aspect ratio
- 1.37 : 1
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