Loose in London

It is with this film that the focus of the Bowery Boys movies becomes pure comedy. The change from gangster melodramas to comedy is gradual, and many of the Jan Grippo and Jerry Thomas films which precede this one point in the direction of comedy. Ben Schwab, the new producer of the series, wanted a purer sense of comedy. After doing "Jalopy", which used the regular writers and the regular director, William "One Take" Beaudine, Schwab replaced them with Ed Bernds and Elwood Ullman. These men had been working on Three Stooges shorts for years. Ullman was always a writer and Bernds had started as a sound effects man and had graduated to writer-director. The Bernds directed Columbia short comedies are usually superior to the ones produced at the same time by Jules White. Bernds and Ullman brought their short subject slapstick comedy style to the Bowery Boys and this produced the funniest movies in the series. Sure, the stories might have been better before, but the formula of someone walking in Louie's Sweet Shop and taking the boys out of their element was a great set-up for slapstick comedy. The focus of the films became Leo Gorcey and Huntz Hall; Bernard Gorcey is given better material, but David Gorcey and Bennie Bartlett slip more into the background or even out of the films. Schwab also replaced longtime musical director Edward Kay, whose music consists of transformations of "Sidewalks of New York" and "B" western clichés, with the more modern and comic sound of Marlin Skiles.

The Bowery Boys films were mindless entertainment. This is NOT meant as a criticism--they were quickly made and interesting B-movies with very modest pretenses. I mention this because you shouldn't expect a film that you'd find on a disc from The Criterion Collection or at a fancy film festival--they were popular entertainment for the masses. Because of that, I cut their films a lot of slack and realize they aren't 'high art'!

"Loose in London" is one of the later films from the Boys. Because of that Sach and Slip are looking practically geriatric (they're hardly boys any more) and all the familiar old members of the gang have long since disappeared. It's simply the Sach and Slip show.

The film begins with Sach (Huntz Hall) learning that a very, very distant relative in Britain wants to see him. Once there, the gang learn that the old man plans on leaving his fortune to someone...but hasn't yet decided. As for Sach's other family members, they've decided...Sach must die because he looks like the likely candidate because the Uncle seems to like him a lot! What follows is predictable and a nice time-passer. And, as usual, they manage to escape death...though you'd sure think these idiots would be the FIRST to die in real life!

Nothing special, nothing bad here. The usual blend of slapstick and laughs and nothing more.

The Bowery Boys wreak havoc in England in this so-so entry in the series (the thirtieth!). The flimsy plot has Sach finding out he's related to an earl, so he and the fellas head to London. The plots to these things always seem to revolve around Sach. Anyway, it's basically like the one where they hung out with hillbillies except the gags are changed to fit the new locale. Still another "fish out of water" story. Leo Gorcey and Huntz Hall are both in fine form doing what they do. Bennie Bartlett and David Gorcey prop up scenery (as usual). Bernard Gorcey is fun as Louie the Sweet Shop owner, an unofficial Bowery Boy himself and the scene stealer in many of these films. It's really not a great movie but it is fun in spots. Not one of my favorites.

Possible good fortune knocks on the door of Louie's Sweet Shop on the Bowery where four guys who every now and then have jobs are known to hang out. It seems as though a fellow with the high sounding moniker of Horace DeBussy Jones might actually rate that kind of a name. He could be the long lost descendant of a collateral branch of the Earl of Walsingham's family. And the current Earl is not doing all that well health wise.

Instead of just Huntz Hall coming over the whole gang departs and the sight of them seems to perk the old Earl played by Walter Kingsford up. They've been slowly poisoning him in the hopes of at least one of them being made his heir. But Kingsford is actually charmed by the moronic clowning of The Bowery Boys and he goes off the medicines the relatives have him on and starts getting a little color back in his cheeks.

The relatives are played by Norma Varden, Angela Greene, William Cottrell, John Dodsworth, and Rex Evans and they're not happy about their cousin from across the pond to say the least. It might further their interests if Kingsford got more suddenly dispatched and the Bowery Boys blamed for it.

The Bowery Boys recycle a lot of material from other films and use it in their's. The characters of Walsingham family come from just about every film with an English setting you can name. Still the results here aren't too bad. Huntz Hall's battle with a stuffed fox that may still have some life in it is a classic.

This Bowery Boys film did not have all that much of Leo Gorcey and his original language malapropisms. Huntz Hall has center stage here and if you are fans of his, this film is for you.

The Bowery Boys movies are hit and miss. This one is one of the hits. There are more smiles than laughs but that's okay. The movie is enjoyable. The boys are all in fine form, especially Huntz Hall. The last fifteen minutes or so of "Loose in London" is actually really funny. I put this one in the Bowery Boys win column.