The Man from the Alamo

Texas , when General Santa Anna seized the Presidency of Mexico. They were them faced with the prospect of military government of war. General Sam Huston was entrusted with the task of mapping a course of action that would determine the future of Texas. 1836 a soldier called John Stroud, Glenn Ford, is sent from The Alamo during its last hours to get help, but then he is branded as a coward and a deserter. As he struggles to clear his name. Stroud infiltrates Wade's band led by Victor Jory. As The Alamo mission became a fortress and the fortress that became a shrine.

Well acted and colorful film, this one will satisfy those with a taste for action. Furthermore, here shows up some historic roles from The Alamo such as Col. Travis , Davy Crocket and Jim Bowie. Stars Glenn Ford and Julie Adams give acceptable interpretation. While support cast is pretty good, such as Chill Wills who played in El Alamo by John Wayne, Neville Brand as a rebel, Hugh O'Brian and special mention for Victor Jory as leader of a gang of renegades turncoats supporting Mexicans. And Guy Williams , before his successful series playing El Zorro.

It displays a glimmer and brilliant cinematography by Russell Metty, Universal Pictures regular . And a moving as well as charming musical score by the classic composer Frank Skinner. The motion picture was well directed by Budd Boetticher who was a Western expert. His first Western was in 1949 called The Wolf Hunters, following Cimarron Kid , Bronco buster, Horizons West, Seminole, and Wings of the hawk . In 1956 with 7 Men From Now starts his collaboration with Randolph Scott, along with producer Harry Joe Brown and writer Burt Kennedy , including prestigious titles as Tall T, Decision at sundown, Buchanan rides alone , Ride lonesome, Comanche station , among others. Rating 6. 5/10 . His last Western was in 1969 titled A time for dying with Audie Murphy. The movie witll appeal toWestern aficionados and Glenn Ford fans

Glenn Ford plays the only survivor of the Alamo -- not a very popular man in Texas. Of course, the story gives him a good excuse -- he drew lots with some other Alamo soldiers to see who would go west to defend their homes from Texan bandits hired by the Mexicans, but the families were already dead when he gets there -- but nobody wants to believe him, except one lovely woman on the wagon train he sets out to defend. Only problem is his strategy of siding with the bandits to get into their confidence puts him in a nearly impossible situation.

A well-made film, with convincing action and gritty characters. Unlike other Boetticher westerns, here the scale of the film is "epic" as the future of the West hangs in the balance. Ford makes a surprisingly good substitute for Randolph Scott or John Wayne.

Every single picture signed by Budd Boetticher worthwhile to see, one the greatest western director of all time, The Man From The Alamo is a minor work, about the famous Alamo when Texas became an independent Republic and Col. Santa Anna tries incorporate it on Mexico territory, the story starts at Alamo under siege and strong attack, some farmers decides that one of them will be choose to look out how are their families around, the chosen one is John Stroud (Glenn Ford), he left the Alamo before the massacre took place.

Aftermaths find out his whole family killed by American allied at Santa Anna's cause, solely remainder a one survivor only, the little Mexican boy Carlos who is a kid of his old employee also killed in the raid, Carlos told to Stroud that weren't Mexican soldiers that killed them, but American men disguised as Mexican outfits lead by the renegade Jess Wade (Victor Jory) reaching at near city Stroud is treat as coward and he needs clean your name, however first he wants a revenge against Jess Wade that killed his family meanwhile Gen. Huston is gathering men to strickes back.

It displayed a lit bit about Texas story, re-telling how the lonely territory was still apart of the United States at its time, the Alamo and all unfold the real happenings afterwards over the Alamo massacre and under leadership of the Gen San Huston at final battle of San Jacinto, instead the picture focuses on the story of a supposed man John Stroud, the casting have so many interesting people as Julie Adams, Chill Wills, Hugh O'Brien, Neville Brand an upcoming stars as Guy Williams, Stuart Whitman and Dennis Weaver, also the old acquaintance of us uncredited Kenneth MacDonald who was a usual guest as bad guy on The Three Stooges.

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First watch: 2023 / How many: 1 / Source: DVD / Rating: 7.

By chance, June clouds threatening, I sat down and watched this entertaining western on a Saturday afternoon. An earlier commentator ended his praise for this film by noting that it is "an excellent western for a Saturday afternoon." And it was. The ethical dilemma of leaving a field of battle (in this case the Alamo)to try and save the lives of loved ones is a powerful theme. The repercussions to John Stroud, Ford's weary but stalwart character, are scorn, accusations of cowardice and worse. The best part of the film are the sweeping shots of the Texas plains. The movie is well-composed, capturing the majestic plains and hills with a strength of purpose that demands an emotional response. One of the early films of Jeanne Cooper, who is a favorite of mine.

There is always something interesting and just a bit different in this Director's Movies. This one is no exception. It is replete with thought provoking ideas like cowardice, bigotry, loyalty, and other values only found in the better Westerns.

This is an action filled Film with guns blazing, galloping Horses, Wagon Trains, bushwhackers, Mexican impersonators, fist-fights and all that is expected in this type of thing. But the difference here is the intelligence. The injection in a popular genre some things that rose above the material.

Budd Boetticher, Anthony Mann, and sometimes John Ford and Howard Hawks always gave more than the raw material. This is a modest effort from one of the Greats with an OK cast and a Production that looks so much bigger than it was. That was Boetticher, he was always so much bigger and better than what he was allowed.