The Man from the Alamo

Texas , when General Santa Anna seized the Presidency of Mexico. They were them faced with the prospect of military government of war. General Sam Huston was entrusted with the task of mapping a course of action that would determine the future of Texas. 1836 a soldier called John Stroud, Glenn Ford, is sent from The Alamo during its last hours to get help, but then he is branded as a coward and a deserter. As he struggles to clear his name. Stroud infiltrates Wade's band led by Victor Jory. As The Alamo mission became a fortress and the fortress that became a shrine.

Well acted and colorful film, this one will satisfy those with a taste for action. Furthermore, here shows up some historic roles from The Alamo such as Col. Travis , Davy Crocket and Jim Bowie. Stars Glenn Ford and Julie Adams give acceptable interpretation. While support cast is pretty good, such as Chill Wills who played in El Alamo by John Wayne, Neville Brand as a rebel, Hugh O'Brian and special mention for Victor Jory as leader of a gang of renegades turncoats supporting Mexicans. And Guy Williams , before his successful series playing El Zorro.

It displays a glimmer and brilliant cinematography by Russell Metty, Universal Pictures regular . And a moving as well as charming musical score by the classic composer Frank Skinner. The motion picture was well directed by Budd Boetticher who was a Western expert. His first Western was in 1949 called The Wolf Hunters, following Cimarron Kid , Bronco buster, Horizons West, Seminole, and Wings of the hawk . In 1956 with 7 Men From Now starts his collaboration with Randolph Scott, along with producer Harry Joe Brown and writer Burt Kennedy , including prestigious titles as Tall T, Decision at sundown, Buchanan rides alone , Ride lonesome, Comanche station , among others. Rating 6. 5/10 . His last Western was in 1969 titled A time for dying with Audie Murphy. The movie witll appeal toWestern aficionados and Glenn Ford fans

By chance, June clouds threatening, I sat down and watched this entertaining western on a Saturday afternoon. An earlier commentator ended his praise for this film by noting that it is "an excellent western for a Saturday afternoon." And it was. The ethical dilemma of leaving a field of battle (in this case the Alamo)to try and save the lives of loved ones is a powerful theme. The repercussions to John Stroud, Ford's weary but stalwart character, are scorn, accusations of cowardice and worse. The best part of the film are the sweeping shots of the Texas plains. The movie is well-composed, capturing the majestic plains and hills with a strength of purpose that demands an emotional response. One of the early films of Jeanne Cooper, who is a favorite of mine.

Drawing straws (or in this case beans) Texas patriot Glenn Ford is picked to leave the Alamo in order to evacuate his and his neighbor's families, only to find them all dead at the hands of marauders and himself branded a coward.

Starting with a fairly colorful, low-budget Alamo siege (shot on a sound-stage!), this is pretty compelling all the way, with an excellent, hard-boiled performance from Ford and nice direction from the great Budd Boetticher, one of the best unsung western filmmakers ever.

This is almost as good as Boetticher's later collaborations with Randolph Scott. My only problem is that this wasn't shot in widescreen.

As far as the supporting cast goes, Chill Wills is always fun to watch, while the incredibly beautiful Julie Adams is always fun to look at, and Neville Brand delivers some great, macho, swaggering villainy that easily overshadows the more subdued Victor Jory.

On the other hand, I can't quite understand the Golden Globe win by Hugh O'Brian. He's okay, but slightly bland as Ford's main accuser.

As the war for Texas independence heightens, the Alamo has become a critical point of time buying interest. Fearing their families will perish under the might of the marauding Mexican army, the men of the Alamo draw lots to see which one of them will flee the Alamo battle to steer the respective families out of harms way. John Stroud is the man faced with the task, but upon reaching his destinations he finds he's too late to save anyone. However, this is just the start of his worries as he finds he has been branded a coward for leaving the Alamo, where all have now perished; while his attempts to avenge the murder of his family are beset with problems at every turn.

In truth, no great shakes in the Western genre here, and certainly not even close to being amongst the better work of director Budd Boetticher (The Tall T & Comanche Station) or Glenn Ford (The Big Heat & Blackboard Jungle). It's also not high on production value and doesn't have location vitality to give it an earthy sheen, it still, however, manages to be an entertaining piece putting an interesting offshoot to the Alamo legend. Glenn Ford is a watchable star at the best of times and he manages to keep this picture afloat by putting a bit of cool bravado urgency into the role of John Stroud, with dashes of emotional fortitude, his relationship with the young, recently orphaned Carlos, gives the film its emotional weight, and when that sits alongside the usual array of shoot them up sequences it makes for good honest Western fare.

Of the supporting cast, Chill Wills and Neville Brand put in some fine work, while there has been far far worse female leads in this genre than the radiant Julie Adams. Of Boetticher's direction? It's just about adequate, where working within the confines of the lot and it's lowly budget origins, he manages to pull it thru; but in truth probably himself cringed at some of the final night time sequences in the cut. He of course, a couple of years down the line, would go on to direct some of the best genre pieces on the market, so he owes the genre fan very little all told. So good and bad here folks, with the good far outweighing the technically bad deficiencies on offer. But I mean come on now, if you can't enjoy Ford having a good old punch up on the brink of a waterfall? Well you're probably better off not watching a 50s B movie Western in the first place then. 6.5/10

Glenn Ford plays the title role in The Man From The Alamo which probably should be better titled The Man Who Left The Alamo. Don't worry, Glenn had good and sufficient cause for doing so.

Ford is one of the men who was there at the mission fort at San Antonio De Bexar when word is received of some renegade Texans raiding some of ranches up where Ford and his family have settled. He and three others draw lots to see who goes out of The Alamo to check on their families. Ford gets the short straw and when William B. Travis played by Arthur Space draws his famous line in the sand, Ford is the only one who opts out of the fight.

Of course when Ford arrives he finds his and the other families dead at the hands of renegade Victory Jory and his band who are in league with Santa Anna. After that it's a struggle to clear his good name and alert others to the dangers of Jory's band.

The Man From The Alamo is a short, but action packed western. Budd Boetticher got good performances out of his cast which besides those mentioned include Julie Adams. Hugh O'Brian, Neville Brand, and Chill Wills who as we all know was in John Wayne's blockbuster film on the same subject.

The film is very similar to a lot of the westerns that Boetticher did with Randolph Scott and I wouldn't be surprised if the film wasn't created with Randy in mind originally for the lead. If it was, Glenn Ford was more than adequate in the part.

Western fans and other fans will not be disappointed.