The Neanderthal Man

****SPOILERS**** In the "Neanderthal Man" Robert Shayne, Prof. Clifford Groves, plays a somewhat whacked-out scientist who's obsessed in proving his theory of "Devolution". In that man has actually devolved not evolved from pre-historic times to today where his brain is about a quarter the size of the brain of the Java Cro-Magnon or Neanderthal Man.

At the Naturalist Club Prof. Groves is almost laughed off the platform by his colleagues for saying that and in a fit of anger and indignation he tells them that their nothing but a bunch of ingrates and mental midgets and that a man of his brilliance is too good to have anything to do with them.

Back at his home in the High Sierra Mountains Prof. Groves goes to work in his lab to prove that he's right and make those anthropologists at the Naturalist Club who made a monkey out of him and his theories pay for what they did by showing those fools just how right he was and is. Making a cave women out of his housemaid Celia, Tandra Quinn, with a serum that he developed he next turns his house cat into a large and vicious saber-tooth tiger who breaks out of his lab and causes havoc in the countryside by killing the local farmers livestock.

All this attracts Dr. Harkness, Richard Crane, a L.A paleontologist who with the insistence of local game warden George Oakes, Robert Long, goes up to the High Sierra and hunts down and kills the big cat.

Getting Prof. Groves to go with them to identify the tiger it somehow disappeared. Obviously Prof. Groves found the dead saber-tooth tiger earlier that morning and hid it in order not to have his secret experiments exposed.Prof. Groves is so obsessed with his experiments that he completely ignores his bride-to-be Ruth, Doris Merrick, who came to visit him as he buries himself in his work in the study on the size of the human and pre-human brain.

Later Prof. Groves injects himself with his serum and turns into a Neanderthal Man but instead of getting smarter he gets more wilder and goes out in the range and kills a number of campers and hunters. Prof. Groves doesn't even look like a Neanderthal Man he looks more like an extra from the movie "Planet of the Apes".

Robert Shayne really overdid the mad scientist act and was so off the wall and unstable in many scenes in the movie that it made you wonder why nobody in the film noticed just how insane he was and didn't call the police or park rangers to have him taken away and locked up in a hospital room before he hurt himself or anyone else.

Later Dr. Harkness enters Prof. Groves lab and sees a number of cats in cages and vials of serum and injects one of the cats with it that it later turns also into a saber-tooth tiger. Prof. Groves is hunted down and shot by a sheriff's posse in the hills but escapes only to be attacked by the tiger who ends up killing him. After Prof. Groves dies he turns back into a modern day civilized human being from the pre-historic brute that he was.

It's a shame that Prof. Groves had to learn the hard way about his theory of brain size that bigger doesn't always mean smarter.

Wheeler (Frank Gerstle), a tourist-hunter in the California High Sierras, is not believed by the patrons of Webb's Cafe when he claims to have run across a live tiger with tusks. Among the scoffers is game-warden George Oakes -- until he is driving home later that night and the critter hops on the hood of his car.

The general idea of this film is pretty standard -- you have a mad scientist who wants to turn people into Neanderthals and cats into saber-toothed tigers. There are plenty of scientific arguments that can be made against this being possible, but let us just ignore that...

He gets especially upset when his theories are presented to the local natural history society and they scoff at him. Interestingly, he includes Piltdown Man as part of the evolutionary chain of man -- a fossil that was determined to be a hoax in November 1953, around the same time as this film came out...

What could be considered really sad about this film is that it comes from director E. A. Dupont, who used to be somebody. Once upon a time, he was a big name in the world of German silent cinema, writing and directing "Variete" starring Emil Jannings and with Karl Freund operating the camera. A classic film. And now, at this point, he is directing cheesy science fiction with cheesy makeup and no real directorial flair. This is your average science fiction film of the 1950s, with almost no notable names (besides Dupont). He could have done better...

The one possibly notable name is Beverly Garland, who played the waitress. Although not A-list, she did go on to appear in multiple Roger Corman films and continued acting up through the 2000s on shows such as "7th Heaven". Some could say Robert Shayne was notable, but aside from bit parts in "North By Northwest" and "Invaders From Mars" he hardly left his mark.

Although perhaps talking this movie down, I am not saying you should avoid this film, but just be prepared for the average 1950s flick, probably not something you will tell your friends about. For those who really must see it, Scream Factory has released a nice blu-ray of the film, with a fairly decent transfer (though no special features).

Ewald André Dupont, an absolutely unknown name in the film business. However, Dupont was a very prolific filmmaker, working in Germany, United Kingdom, Hollywood. As a director, Ewald André Dupont worked also with big names like Charles Laughton, Ronald Reagan, etc. Here are some unknown but very good, very convincing actors. The story is ridiculous, but the quality of the direction and the actors make the movie worthy of being seen. Beverly Garland and Richard Crane they worked together in a much better Horror, Sci-Fi, "The Alligator People" (1959).

A most interesting and weakly executed Sci-Fi diversion, where we have a somewhat unbalanced scientist proposing a theory that brain size is indicative of intelligence. A theory laughed at by fellow scientists in this film, but now recognized as accurate.

Of course, in the film, the scientist promotes as fact that brain size of the neanderthal is perhaps even larger than modern man, when it was not. That's the flaw here, but still we get to see him revert himself back to a neanderthal with violent tendencies, probably also pretty far-fetched. I'd expect a neanderthal in today's world to be more bewildered and frightened than overtly violent for no reason.

Also of notable fun is the "reversion" of house cats to sabre-tooth tigers. Pretty unlikely as they're not really evolutionarily that closely related in any line. But still fun and in one case, ironically deadly.

This is mild low-budget 1950s science fiction, short enough to not be tedious, although the excessively prose dialog is annoying. It's almost like writing in a period stage-drama style of the 1900s, and applying it to a 50s B-movie.

While merely okay, this film could have been so much better in the hands of Jack Arnold and the sci-fi effects wizards at 1950s Universal-International. Oh, wait, I just remembered they did it as Monster on the Campus.

An ultra-cheesy '50s monster flick in which we get to see Robert Shayne (Inspector Henderson from TV's ''Adventures of Superman'') shamelessly recite hilarious dialogue and feverishly overact, as a dedicated mad scientist who's found a way to reverse the evolutionary process! It's the treat of the film to watch him rant and rave about his idiotic theories without applying the brakes. First he turns a common house cat into a fierce saber-toothed tiger, accomplished by the effects team utilizing close-ups of a fake model; later, he jabs himself with a serum that transforms him into the title character. You've got to get a load of this ape-man's face; it's one of the most ridiculous-looking of all film monsters, obviously an over-the-head mask you'd buy in any Halloween shop, and completely expressionless with a rubber muzzle and painted set eyes that don't move. For his creature, the filmmaker should have chosen to stay with the crude third or fourth stage appliances during the chintzy transformation sequence.

A real hoot, and a good deal of fun if you go for these types of silly yet entertaining creature features. We also get to see a young Beverly Garland in the cast, although a double for her is blatantly used in a sequence where she dons a bathing suit and models for a photographer. **1/2 out of ****