The Neanderthal Man

A most interesting and weakly executed Sci-Fi diversion, where we have a somewhat unbalanced scientist proposing a theory that brain size is indicative of intelligence. A theory laughed at by fellow scientists in this film, but now recognized as accurate.

Of course, in the film, the scientist promotes as fact that brain size of the neanderthal is perhaps even larger than modern man, when it was not. That's the flaw here, but still we get to see him revert himself back to a neanderthal with violent tendencies, probably also pretty far-fetched. I'd expect a neanderthal in today's world to be more bewildered and frightened than overtly violent for no reason.

Also of notable fun is the "reversion" of house cats to sabre-tooth tigers. Pretty unlikely as they're not really evolutionarily that closely related in any line. But still fun and in one case, ironically deadly.

This is mild low-budget 1950s science fiction, short enough to not be tedious, although the excessively prose dialog is annoying. It's almost like writing in a period stage-drama style of the 1900s, and applying it to a 50s B-movie.

While merely okay, this film could have been so much better in the hands of Jack Arnold and the sci-fi effects wizards at 1950s Universal-International. Oh, wait, I just remembered they did it as Monster on the Campus.

Cranky scientist experimenting on transforming animals and people into their prehistoric selves (sorta), tries it out on himself and becomes a Mr. Hyde-type Neanderthal. Robert Shayne (Inspector Henderson from The Adventures of Superman) plays the would-be Jekyll and he's great fun. His character gets upset with everyone and insults them at the slightest provocation. He's a real bitch and I love it! The rest of the cast is solid, with some interesting character actors like Robert Long and Dick Rich helping to keep things moving. The script doesn't give them a lot to work with but they bring their lines to life with conviction. Richard Crane is a bit annoying as the stiff protagonist and just about every woman in the movie is insufferable, save for the great Beverly Garland in a minor role. Working with an obviously limited budget, director E.A. Dupont and cinematographer Stanley Cortez craft a pretty polished-looking B picture. Of course only so much can be done special effects-wise on a small budget but there is some nice camera-work and a decent level of atmosphere in some of the night scenes. Better than some of the other reviewers are giving it credit for but nowhere near a classic. Worth a look for fans of '50s B horror and sci-fi.

Professor Groves theories about the brain capacity of Neanderthal man is viewed as heresy by his fellow scientists. To prove his theories, professor Groves experiments with a de-evolution serum. His early experiments on cats results in one turning into a sabre tooth tiger. He then tries the serum on himself where he is transformed into a Neanderthal man and goes on a killing rampage.

THE NEANDERTHAL MAN is a rather blah horror film with indifferent performances, grainy black and white photography, and scant thrills. The film was directed by E.A. Dupont, the same man who directed VARIETY, one of the greatest films of the silent period. Apparently, by the time THE NEANDERTHAL MAN was made, E.A. Dupont had slipped down to just another hack director, as which this film is evidence of. Even some much less experienced directors working under flimsy circumstances like this showed more inventiveness than Dupont shows here. The best scenes in the film are those with the sabre tooth cat and the one where the hero finds the photographs of an early experiment Groves had conducted on his deaf mute house maid. Overall, THE NEANDERTHAL MAN looks and plays more like a poverty row horror film from 1943 than a low budget horror/sci fi film from 1953.

Of interest to fifties horror/science fiction movie fans is the presence of a very young Beverly Garland as Nola. Unlike her later films where she played a tough fiesty heroine, she plays the standard frightened female who screams and faints.

A haughty Professor becomes intent on proving that mankind's gradual evolution did not necessarily affect his quotient of intelligence. Despite the distinguished directorial credit, this is a thoroughly routine horror programmer of the 'mad scientist' variety, with more than its fair share of unintended hilarity amid the general tackiness. In fact, I would go so far as to say that, as played by Robert Shayne, the doctor here is the rudest in film history and watching him let rip with insults at his staid, disapproving colleagues was a hoot! Typically for this sort of fare, the all-important serum is first tested on animals or 'lesser' humans – in this case, a perennially terrified domestic cat is turned into a saber-toothed tiger and a mute servant girl into a bushy-eyebrowed ape woman (albeit, apparently, just long enough for her to sit for some photographic evidence of the veracity of his claims) – before applying it to himself. The proverbial redneck hostility to a marauding tiger preying on their livestock and later a simian kidnapper of women is present and accounted for; what is more surprising is that the middle-aged professor has a good-looking and much younger fiancée who still relishes hopes of dragging him from his laboratory off to a church altar and, naturally, once the young urban expert hero comes along, he falls for the charms of the professor's clueless daughter. The TNT-culled print I watched left an awful lot to desire so, in spite of my reservations, I acquired a superior copy of the film the minute it was over!

Wheeler (Frank Gerstle), a tourist-hunter in the California High Sierras, is not believed by the patrons of Webb's Cafe when he claims to have run across a live tiger with tusks. Among the scoffers is game-warden George Oakes -- until he is driving home later that night and the critter hops on the hood of his car.

The general idea of this film is pretty standard -- you have a mad scientist who wants to turn people into Neanderthals and cats into saber-toothed tigers. There are plenty of scientific arguments that can be made against this being possible, but let us just ignore that...

He gets especially upset when his theories are presented to the local natural history society and they scoff at him. Interestingly, he includes Piltdown Man as part of the evolutionary chain of man -- a fossil that was determined to be a hoax in November 1953, around the same time as this film came out...

What could be considered really sad about this film is that it comes from director E. A. Dupont, who used to be somebody. Once upon a time, he was a big name in the world of German silent cinema, writing and directing "Variete" starring Emil Jannings and with Karl Freund operating the camera. A classic film. And now, at this point, he is directing cheesy science fiction with cheesy makeup and no real directorial flair. This is your average science fiction film of the 1950s, with almost no notable names (besides Dupont). He could have done better...

The one possibly notable name is Beverly Garland, who played the waitress. Although not A-list, she did go on to appear in multiple Roger Corman films and continued acting up through the 2000s on shows such as "7th Heaven". Some could say Robert Shayne was notable, but aside from bit parts in "North By Northwest" and "Invaders From Mars" he hardly left his mark.

Although perhaps talking this movie down, I am not saying you should avoid this film, but just be prepared for the average 1950s flick, probably not something you will tell your friends about. For those who really must see it, Scream Factory has released a nice blu-ray of the film, with a fairly decent transfer (though no special features).