IMDb RATING
5.9/10
1.4K
YOUR RATING
Mobster Vic Spalato's ex-girlfriend Clare is in hiding in Mexico and she's willing to testify for a US Senate investigation committee, if she can make it back to the US alive.Mobster Vic Spalato's ex-girlfriend Clare is in hiding in Mexico and she's willing to testify for a US Senate investigation committee, if she can make it back to the US alive.Mobster Vic Spalato's ex-girlfriend Clare is in hiding in Mexico and she's willing to testify for a US Senate investigation committee, if she can make it back to the US alive.
Luis Álvarez
- A Hotel Clerk
- (uncredited)
5.91.4K
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Featured reviews
Crackling suspenser with a memorably noxious villain
An American crime drama; A story about a successful prizefighter who is at a crossroads in his career and his girlfriend is on the run from a cruel, murderous gangster ex-boyfriend whom she is ready to testify against. This is a straight forward film noir with a simple theme summed up in its title. The cinematography is good, photographed in pastel shades, and in 3-D, with rich and colourful settings, lavish costumes and plush set design, and grand locations at Cuernavaca, Morelos and Taxco, Guerrero in Mexico. The acting by the trio: a rivet-eyed sneering villain Jack Palance, a robust Robert Mitchum, and a sturdy, beautiful Linda Darnell carry the picture well. While the love interest is mechanical and the story is a very routine chase, the finale has some good suspense and well worth the wait.
The Stars Hanging By A Wire Thread
Second Chance finds Robert Mitchum as a boxer picking up fights in Mexico with manager Roy Roberts hoping for a comeback in America. He runs into Linda Darnell who is a Virginia Hill like mob moll who the Senate Racketeering Committee wants to testify. She's fled to Mexico, but the syndicate boss whose girl friend she was doesn't want her testifying. He sends hit man Jack Palance after Darnell to make sure she doesn't testify.
But Palance has his own ideas concerning Linda and his jealousy is aroused when he sees her being drawn to Mitchum. She at first is just looking for protection, but romance soon takes over with them and jealousy just rules Palance.
For Mitchum and Darnell Second Chance was pretty routine stuff, but Palance really dominates in his scenes. When Second Chance was hitting theaters Palance was already well known for the killer role he played in Shane. Although Second Chance gives him quite a bit more dialog, Jack still conveys a chilling meanness that you don't forget.
The film was shot in 3-D and it was one that Howard Hughes personally produced. Even without the 3-D on television the final sequence involving all the principal players in a cable car accident will leave you breathless.
Second Chance is a nicely constructed adventure tale with some good location cinematography in Cuernavaca and Tasco in old Mexico. The film holds up well after almost 60 years and definitely recommended for fans of Mitchum, Darnell, and Palance.
But Palance has his own ideas concerning Linda and his jealousy is aroused when he sees her being drawn to Mitchum. She at first is just looking for protection, but romance soon takes over with them and jealousy just rules Palance.
For Mitchum and Darnell Second Chance was pretty routine stuff, but Palance really dominates in his scenes. When Second Chance was hitting theaters Palance was already well known for the killer role he played in Shane. Although Second Chance gives him quite a bit more dialog, Jack still conveys a chilling meanness that you don't forget.
The film was shot in 3-D and it was one that Howard Hughes personally produced. Even without the 3-D on television the final sequence involving all the principal players in a cable car accident will leave you breathless.
Second Chance is a nicely constructed adventure tale with some good location cinematography in Cuernavaca and Tasco in old Mexico. The film holds up well after almost 60 years and definitely recommended for fans of Mitchum, Darnell, and Palance.
A pretty crummy affair with some exciting action stuff at the very end.
Second Chance (1953)
To really enjoy this movie you have to know its place in the RKO filmmaking world. And you'd probably have to see it in 3D as it was originally intended. You won't get too far with the meandering plot that doesn't create tension, or romance, or even curiosity. We are made to simply watch and wait for something to happen.
Of course, something does happen, and in a big way, near the end, something completely separate from the intended plot. And even in 2D you get the drama and the dizzying depth of it all. And you get to watch three very big stars in expensive Technicolor--producer Howard Hughes really laid it all out for this one. Robert Mitchum looks good as both lonely man wooing the girl and as a boxer (briefly). Linda Darnell is the woman every man wants, apparently (especially Hughes, by the way). And Jack Palance is like a piece of wreckage, wired up and angry and with a face to sink a thousand ships.
The setting is interesting, too, all shot on location in Mexico, except some reshooting of the boxing scene (oddly enough, because it looks so authentic). Mitchum and Palance both got into some local fistfighting, and traded blows once during filming. When the movie came out, even though it has hardly any plot (other than surviving the final disaster scene), it was a success. Good thing, because RKO was financially reeling, and would in two years be bought by a rubber company and by the end the of the decade was the first of the Majors (the big 5 Hollywood studios) to completely go under.
So, don't expect much and you'll find lots of little things to enjoy. And maybe they'll get the Technicolor goosed up properly in a re-release someday, complete with 3D effects.
To really enjoy this movie you have to know its place in the RKO filmmaking world. And you'd probably have to see it in 3D as it was originally intended. You won't get too far with the meandering plot that doesn't create tension, or romance, or even curiosity. We are made to simply watch and wait for something to happen.
Of course, something does happen, and in a big way, near the end, something completely separate from the intended plot. And even in 2D you get the drama and the dizzying depth of it all. And you get to watch three very big stars in expensive Technicolor--producer Howard Hughes really laid it all out for this one. Robert Mitchum looks good as both lonely man wooing the girl and as a boxer (briefly). Linda Darnell is the woman every man wants, apparently (especially Hughes, by the way). And Jack Palance is like a piece of wreckage, wired up and angry and with a face to sink a thousand ships.
The setting is interesting, too, all shot on location in Mexico, except some reshooting of the boxing scene (oddly enough, because it looks so authentic). Mitchum and Palance both got into some local fistfighting, and traded blows once during filming. When the movie came out, even though it has hardly any plot (other than surviving the final disaster scene), it was a success. Good thing, because RKO was financially reeling, and would in two years be bought by a rubber company and by the end the of the decade was the first of the Majors (the big 5 Hollywood studios) to completely go under.
So, don't expect much and you'll find lots of little things to enjoy. And maybe they'll get the Technicolor goosed up properly in a re-release someday, complete with 3D effects.
Dithers until the Climax
The producers could have skipped the first hour, which is just filling time until the tram trip climax. And what a nail-biter that teetering-over-the-abyss is-- very well done in the special effects department. My only regret is the Palance-Mitchum face off, which should have been a bigger doozy than it is, considering it was for the broad-shoulders championship of Hollywood. Then too, both guys remain immaculately dressed the whole 90-minures—not what you'd expect of tough guys south of the border.
The first part, unfortunately, is pretty listless, except when poor Doc Adams, oops!, I mean Milburn Stone gets it in the gut. Looks like the producers knew they were short on substance, so they filled the Technicolor screen with a bunch of local color. Still, there's a lot of rather aimless walking around to and fro. And, oh yes, I almost forgot Mitchum's big boxing match that looks like it was filmed in a bull ring. Good thing he finally decided to use his power-house right, otherwise there might have been no story. And what a topical plot device putting the lovely Darnell across the border to escape a crime commission. Audiences no doubt connected that with the Kefauver Commission, so much in the news at the time.
On the acting front, Mitchum is his usual laid- back self, while, unfortunately, Darnell isn't given much to work with. At the same time, director Mate's non-use of close-ups denies Palance the skull-like menace that would otherwise fill in needed drama. Anyway, don't expect much until a climax that almost makes up for all that earlier dithering around.
The first part, unfortunately, is pretty listless, except when poor Doc Adams, oops!, I mean Milburn Stone gets it in the gut. Looks like the producers knew they were short on substance, so they filled the Technicolor screen with a bunch of local color. Still, there's a lot of rather aimless walking around to and fro. And, oh yes, I almost forgot Mitchum's big boxing match that looks like it was filmed in a bull ring. Good thing he finally decided to use his power-house right, otherwise there might have been no story. And what a topical plot device putting the lovely Darnell across the border to escape a crime commission. Audiences no doubt connected that with the Kefauver Commission, so much in the news at the time.
On the acting front, Mitchum is his usual laid- back self, while, unfortunately, Darnell isn't given much to work with. At the same time, director Mate's non-use of close-ups denies Palance the skull-like menace that would otherwise fill in needed drama. Anyway, don't expect much until a climax that almost makes up for all that earlier dithering around.
Don't get into that cable car!
When characters in a film get into a cable car, you know it's only a matter of time before PING! the cable snaps. Strand by strand, of course, for maximum
tension (ha ha). Mitchum the boxer and Darnell the ex-moll on the run take
the fateful cable car up to a little Mexican hilltop town whose inhabitants have created a totally cardboard experience for tourists. The architecture is
"hacienda style" and lady guests can buy pseudo flamenco costumes in the
"vibrant, bustling" street market. Any Mexican not employed in the hotel,
selling peasant tat, or playing unctuous Mariachi music is out in the plaza
waving a balloon and shouting for joy, or performing a sinuous dance of no
particular origin. It reminds me of the many embarrassing ads on British TV
featuring funny Europeans. Then the main cast members climb aboard that
cable car and it becomes a lifeboat movie and you can write the script
yourself. Two cheers, though, for the feisty British middle-aged couple ("My
wife can help - she was a nurse's aide in London during the Blitz!").
Mitchum is brilliant as usual but Darnell is a little clumsy in the love scenes and speaks as though she was dubbing her lines.
tension (ha ha). Mitchum the boxer and Darnell the ex-moll on the run take
the fateful cable car up to a little Mexican hilltop town whose inhabitants have created a totally cardboard experience for tourists. The architecture is
"hacienda style" and lady guests can buy pseudo flamenco costumes in the
"vibrant, bustling" street market. Any Mexican not employed in the hotel,
selling peasant tat, or playing unctuous Mariachi music is out in the plaza
waving a balloon and shouting for joy, or performing a sinuous dance of no
particular origin. It reminds me of the many embarrassing ads on British TV
featuring funny Europeans. Then the main cast members climb aboard that
cable car and it becomes a lifeboat movie and you can write the script
yourself. Two cheers, though, for the feisty British middle-aged couple ("My
wife can help - she was a nurse's aide in London during the Blitz!").
Mitchum is brilliant as usual but Darnell is a little clumsy in the love scenes and speaks as though she was dubbing her lines.
Did you know
- TriviaRobert Mitchum and Jack Palance were former professional boxers. Also, the real-life Mexican boxer Abel Fernandez (Rivera) made his screen debut in this film.
- GoofsWhen Clare is in the telegraph office, she is shown to have been completing a telegram to a Senate crime commission, in tidy cursive script. In closeup, the misspelled word ''commsion'' is visible, missing two letters.
- ConnectionsFeatured in Robert Mitchum, le mauvais garçon d'Hollywood (2018)
- How long is Second Chance?Powered by Alexa
Details
Box office
- Gross US & Canada
- $2,000,000
- Runtime
- 1h 22m(82 min)
- Aspect ratio
- 1.37 : 1
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