Small-time Soho hustler gets caught up in the murder of an ex-girl friend, evades the police and finally helps them to corner the real murderer.Small-time Soho hustler gets caught up in the murder of an ex-girl friend, evades the police and finally helps them to corner the real murderer.Small-time Soho hustler gets caught up in the murder of an ex-girl friend, evades the police and finally helps them to corner the real murderer.
- Director
- Writers
- Stars
Tony Sympson
- Nikki
- (as Tony Simpson)
Harry Purvis
- Darrell
- (as Anaconda)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The Anglo-Amalgamated series of British crime dramas and Films Noirs that featured Hollywood actors tended to find good use for them. STREET OF SHADOWS is no exception. Cesar Romero is just fine as Luigi, a pinball (pin-table) club/bar owner in London. His faint Hispanic accent gives him a certain exotic charm and he can take charge of a scene when its required. Along for the ride are Kay Kendall, Victor Maddern and Edward Underdown, all more than capable of fulfilling their character parts. This is a fairly routine movie, but it can keep a viewer guessing and it makes use of some effective visuals. Luigi's club is realistically crowded with drinkers, gamblers and novelty machines, along with the advertised pinball ones. Most effective are several very darkly filmed sequences in which the viewer is challenged to detect what may be going on. For his role as Limpy, Maddern adopts a convincing defect in his walk and his performance is the most affecting in the film. The only problem--a small one--is the harmonica by Tommy Reilly used prominently in the score. It doesn't really jive well with the urban setting. This won't make you forget BRIGHTON ROCK or THE BIG SLEEP; it's just a very decent addition to the British crime movie lineup.
A slick little British film noir in the French style with the usual atmospheric photography (both in the studio at Merton Park and on location in Soho) by Phil Grindrod, a moody harmonica score by Eric Spear (who later wrote the theme for 'Coronation Street') and a classy female lead in the form of Kay Kendall.
Victor Maddern's pathetic, lovesick sidekick 'Limpy' presumably led to his casting as mad scientist Donald Wolfit's hunchbacked lab assistant five years later in 'Blood of the Vampire'.
Victor Maddern's pathetic, lovesick sidekick 'Limpy' presumably led to his casting as mad scientist Donald Wolfit's hunchbacked lab assistant five years later in 'Blood of the Vampire'.
Quite an atmospheric film from Merton Park.Caesar Romero is the parachuted in American star does a very reasonable job as the owner of a pin ball arcade.Victor Maddern gets quite a large role for a change.The plot has a predictable ending but it is worth the effort to watch.
"Street of Shadows" is the only movie directed by Robert Vernon, rather producer of "Colonel Blimp" or "Kiss The Blood Off My Hand" (what a title for a film noir, Burt's seventh film noir in two years !!!). The bluesy use of harmonica from the beginning reminds of the main theme in a french film noir classic, "Touchez pas au grisbi" directed by Jacques Becker. The friendship between Cesar Romero and his crippled employee Victor Maddern is touching, the atmosphere in Romero's club is moody and sexy, the jukebox has some important apparitions (and like in "Brighton Rock" for a sequence, but we're far from that unique masterpiece). There are a lot of nice surprises in british film noir like this "Street of shadows".
A typical 50s piece in B&W with Romero and Kendal holding it together. The rest of the acting ... Victor Madden limps rather too heavily whilst making sure the rest of his body is as twisted as is compatible with some forward movement. But is he twisted inside too?
Tommy Riley's harmonica lends an extra underworld tone. Obviously everyone smokes since this was cool. The sleeze factor is raised by the lack of spending on the sets.
Romero wastes no time by falling in love ASAP. Kendal, having had two years in a loveless marriage, surrenders (50s surrenders) immediately. It gets only slightly complicated thereafter.
Tommy Riley's harmonica lends an extra underworld tone. Obviously everyone smokes since this was cool. The sleeze factor is raised by the lack of spending on the sets.
Romero wastes no time by falling in love ASAP. Kendal, having had two years in a loveless marriage, surrenders (50s surrenders) immediately. It gets only slightly complicated thereafter.
Did you know
- TriviaThe two lead actresses, Kay Kendall and Simone Silva, would tragically die in London within 6 years of appearing in this film. Silva would die from a stroke in 1957 at age 29; Kendall would die from leukemia in 1959 at age 33.
- GoofsWhen Luigi gets involved in the brawl outside the pub the bowl of the arc lamp is clearly reflected in the pub's plate glass window.
- ConnectionsReferenced in Mondo oscenità (1966)
- How long is The Shadow Man?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Der Vampyr von Soho
- Filming locations
- West End, London, England, UK(Charing X Rd, Piccadilly, Fitzrovia)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 16m(76 min)
- Color
- Aspect ratio
- 1.37 : 1
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