So Big

Remarkable soaper gets bravura lead performance by Jane Wyman. The scenes in New Holland are excellent with young Richard Beymer a standout as a student who has a crush on Wyman. Steve Forrest is excellent as Wyman's son. Martha Hyer is a bit out of her league as the would-be vamp seeking to lead Forrest astray. But, why quibble? The production values are first-rate, the writing is excellent, and the score is magnificent.

Jane Wyman has made every type of film there is. She had been miscast in comedic and romantic roles. She is best as the independent woman, struggling and succeeding on her own. She gives a great performance in this film.

The beginning is awkward, since it starts with a romance with Sterling Hayden. Their scenes are awkward, and not because of the disturbing mental pictures you get because of her 5'2" height to his 6'4" frame. Neither is suited fir romantic scenes,

The middle is all about Jane's character is the best.

The last third of the film just falls apart. The focus switches to the son, who has changed from the sweet boy to an ambitious man.

It is still worth watching.

Selina (Jane Wyman) is a happy student in a pricey girls' boarding school. Her world is turned upside down when her father dies leaving her alone and broke. She is reluctant to accept any help. She becomes a teacher in small rural town. She nurtures student Roelf, and he develops a crush on her. She marries farmer Pervus De Jong (Sterling Hayden) and they have a son, Dirk nickname So Big.

There is a bit of sentimental hokum and melodrama in this film. It's calling back to an olden times and olden ways. It's trying very hard to push the ideals of substance over money. Through it all, Jane Wyman maintains its sincerity. When she leaves the screen, the movie struggles. She is the biggest One of them all. This movie wants to be an old time character epic and I want it for Jane. She pulls it through the finish line. Her reunion with Roelf is ten times more compelling than all of Dirk's drama.

If you like terrific acting, triumphs over adversity, laced with plenty of life's heartbreaks, So Big is what Hollywood does best for you. Contrived? A bit. Overly Theatrical? guilty as charged. Gripping melodrama from beginning to end? You bet. It's all relationship-driven so men who disdain "chick-flicks" should leave this one alone. All others should find it as wonderful as I do.

Despite the above cited drawback, this Edna Ferber story of a mother's love with that stifling title, SO BIG, seems aimed at the tear ducts to give JANE WYMAN another chance to show how well she can age from young woman to maturity to old age with a nice array of expressions and changes of hairdo and make-up.

She's really the best thing about SO BIG. It's story is a simple, even trite saga of a woman who wants all the best things for her son, especially since she has to rear him single-handedly once her husband (farmer STERLING HAYDEN) dies. Hayden gives such a persuasive performance that once he's gone, the picture suffers from his untimely death and the remaining scenes never achieve the same intensity of the earlier ones. Brief performances from dependable players like NANCY OLSON, MARTHA HYER and a very young RICHARD BEYMER help sustain interest in the long-winded plot.

There is an appropriately agreeable score by Max Steiner to emphasize the soap suds and the usual dramatics, but this somehow misses the mark as what should have been a superior vehicle of its kind despite having all the trimmings.

STEVE FORREST, as Wyman's "so big" son, has moments when his resemblance to real-life brother Dana Andrews is remarkable. Unfortunately, his role is poorly written without giving him the chance to show much acting range.