Tumbleweed

An Audie Murphy Western from 1953. Murphy is an escort shuttling a family to a town when their party is besieged by a band of Yaqui Indians. Fending off the first wave of attack, Murphy fears a larger force is on the horizon so he decides to intercede hoping him having saved the chief's son (seen in the film's opening) will spare his party further harm. Not believing him, the chief leaves Murphy pegged to the ground only to be saved by the chief's wife but when he finally arrives at his destination, the survivors of the massacre accuse him of abandonment which prompts the sheriff (played by western stalwart Chill Wills) to jail him for his own safety. Soon enough Murphy is sprung from the hoosegow by the chief's son who tells him the initial attack was set up by someone which spurs Murphy to find the person who wronged him before the ensuing posse catches up to him. A little busier than Murphy's usual fare but his steadfastness & determination makes you root for him even when the odds aren't so good. Russell Johnson & Lee Van Cleef also appear in supporting roles.

I'm pretty sure this is the movie I saw when I was six years old,with my three sisters that caused my baby heart to go pittypat for Audie Murphy. For years the four of us argued about who would grow up first and marry him. I recall an interesting bondage scene where he has been tied up by the Indians; an old woman takes pity on him and releases him. Why I didn't get warped for life by my keen interest in this, I don't know. All of us eventually grew taller than Murphy and outgrew the crushes too. Murphy's movies are surprisingly suitable for children. He was a fine natural actor and I notice he generally takes a high moral tone. Notice how often there is a message of racial tolerance, with Indians being portrayed as rounded characters with genuine grievances, oppressed by an uncaring or racist white government.

Celebrated War Hero Audie Murphy followed His WWII Exploits with an Underrated Movie Career (mostly Westerns) with usually Above Average Films.

For some Reason Murph's Movies were Ignored, Dismissed and Not Regarded much by Critics, but Not so with the Public.

The 1950s Unleashed an Enormous amount of Westerns on the Big and Little Screen.

He Soldiered through these Stories Never giving a Bad Performance. He once said..."Acting was a battle I didn't win".

But Modesty aside, He was and Still is a Screen Star and His Professionalism and Boyish Appeal is Resonant, even Today.

This one has Plenty of Action and Charm. He shares the Star Power with the Titular Horse who Captivates and Sides the Action with Abilities Far Beyond the Normal.

Other Humans who Impress are Chill Wills who gives an Atypical No-Comedy-Relief Role a Certain Down-Home Rendition of the Sheriff. Lee Van Cleef in Yet another Edgy Good-Bad Guy Character also makes His Presence Known.

Lori Nelson is a Beauty who Looks Great in Technicolor but Doesn't have Much to do Except be Beautiful and Stand By Her Man.

Overall an Above Average Western with Wide Open Spaces, a Goodly Amount of Gun-Play and the Indians are Given a Fair Shake.

It's Stunningly Attractive in all the Glory that is the Hollywood Hey-Day of the Western, and Audie Murphy and All Involved can be Proud.

In Tumbleweed Audie Murphy plays a young scout of a wagon train which is massacred leaving only Audie and two women, K.T. Stevens and Lori Nelson as survivors. The women hid in a cave, but Audie had gone out to parley with the Yaquis and they held him instead.

When Murphy gets back to the white settlement he's a most unpopular man. His only chance at regaining popularity and keeping his right to walk and breathe permanently is to find which white man gave the location of the train to the Yaquis for his own venal purposes.

Tumbleweed is also the name of a horse that Audie gets from sympathetic rancher Roy Roberts for his flight. The horse kind of marches to his own beat, but his brand of horse sense proves invaluable to Murphy.

There's a nice climax of an Indian fight with the Yaquis before the dying chief Ralph Moody reveals all. All in all a good western with Audie Murphy giving a good characterization of a wrongly accused man.

Audie Murphy is a scout on his way to meet a party he's guiding when he stops to help a wounded Yaqui. Later, when the party is attacked by Yaquis, he makes sure the women are safe, then goes to talk to them. They don't believe his story. After he escapes, he makes his way back to town. The women got away, but saw their men butchered. They think he's a turncoat. There'd be a necktie party, but sheriff Chill Wills sticks Murphy in protective custody. Things are getting ugly, when the Yaqui Murphy saved shows up and frees him from jail (getting killed in the process). Murphy heads off, but his horse is done for. Roy Roberts lets him have a horse, and he's on the run, hoping to get to the Yaquis to corroborate his story, with Wills and the posse trailing him.

Audie Murphy has a great co-star in this movie, the white horse he's on in the second half of the movie. Murphy thinks he a crazy horse, but he turns out to be smarter than Murphy, taking him over a pass that no one else can make, finding water when there is none. Amidst the conventional story and a great role for Wills, that horse makes this a fine picture -- that and the final slugfest between Murphy and the real villain, with Murphy doing some of his own stunts.