In a remote region of post-independence India, the love of a blind British woman pricks the conscience of an arms dealer.In a remote region of post-independence India, the love of a blind British woman pricks the conscience of an arms dealer.In a remote region of post-independence India, the love of a blind British woman pricks the conscience of an arms dealer.
Marc Cavell
- Moti Lal
- (as Mark Cavell)
Charles Lung
- Maharajah
- (as Charlie Lung)
Frank Baker
- Englishman
- (uncredited)
Mohinder Bedi
- Palace Servant
- (uncredited)
Orlando Beltran
- Bus Driver
- (uncredited)
Bobker Ben Ali
- Azam Habibbudin
- (uncredited)
Benita Booth
- Englishwoman
- (uncredited)
Margaret Brewster
- Mrs. Corbett
- (uncredited)
Featured reviews
Based on a novel by Alan Moorhead set just after partition in the fictitious Indian state of Ghandahar. Despite the low ratings this film has received - and the fact that Paramount shelved it for nearly three years before they finally got round to releasing it - it's actually not too bad.
As usual Alan Ladd is obliged to play a two-fisted adventurer when he did introspection better, and the early appearance of Charles Boyer in blackface doesn't bode well. But it's nicely moody and downbeat and Deborah Kerr is as usual radiant. (Without giving too much away, the scene where she slaps a man's face and promptly walks straight into a door is probably the film's most memorable moment.)
As usual Alan Ladd is obliged to play a two-fisted adventurer when he did introspection better, and the early appearance of Charles Boyer in blackface doesn't bode well. But it's nicely moody and downbeat and Deborah Kerr is as usual radiant. (Without giving too much away, the scene where she slaps a man's face and promptly walks straight into a door is probably the film's most memorable moment.)
Thunder in the East is set in 1947 India ,immediately after being granted independence by Britain ,and in particular events are centred on the state of Ghandahar which is being menaced by brigands,well armed and with a political agenda. The Maharajah of the state is a dilettante playboy ,and his main adviser,played by a blacked up Charles Boyer,is a pacifist who will not countenance using force to resist the incursions of the brigands. Thus when arms entrepreneur Alan Ladd seeks to sell him guns and munitions to resist the enemies of the state he refuses and impounds the cargo.Ladd's existence is further complicated by his falling in love with Deborah Kerr,a blind British woman .who is caught up in the fate of the British community which is particularly under threat from the rebels. Things build to a final siege of the main hotel where the British dig in to resist Performances are okay although white actors blacked up now seems embarrassing ,and there is a touch of Casablanca about the storyline -cynical hero falling in love with an idealistic woman;contending political forces and a smarmy villain.Its nowhere near as good since script and cast are inferior .
Not bad but too stolid to be exceptional.
Not bad but too stolid to be exceptional.
This film would have been more believable had it been set in Arizona or a similar location, where the "Foreign Leigion" is the US Cavalry, with Anthony Quinn the sergeant , the naughty natives were the Apaches ... and somehow a contrived "Lost City" was stumbled upon somewhere west of Tuscon !!
But "clean" , dry-skinned French cavalry stumbling over a "lost" city in Algeria (with Indian dances and a Maharaja !) and scantily-clad , beautifully-groomed liberal ladies must have raised a few eyebrows even in 1953 !
Still , I hope someone (s) made a small living out of this wasted effort in time and money.
But "clean" , dry-skinned French cavalry stumbling over a "lost" city in Algeria (with Indian dances and a Maharaja !) and scantily-clad , beautifully-groomed liberal ladies must have raised a few eyebrows even in 1953 !
Still , I hope someone (s) made a small living out of this wasted effort in time and money.
This film, despite its heavy-handed Hollywood attempt at making heroes out of villains, is a perfect example of how Hollywood handled misinformation in the 1940s and 1950s. American Indians were bad and every Westerner from the Mayflower to California was good. Then, as we got older, we realized just the opposite was true. England was good and anyone who opposed them was bad. And as we got older, we learned that was all lies as well. Occasionally, both the US and England were on the right side of morality, as in WW1 and WW 2, but more often than not, there were merely colonialists and imperialists; especially after WW 2. This film is a perfect example of that. US arms dealer and fuddy-duddy UK colonialists along with a spineless Indian leader. No wonder the Pakistinians took whatever they wanted in the north and broke away from India. Absolutely no relationship to reality.
Simply a daft film... a very silly film. Ludicrous casting and script though the historical setting and subject matter has real possibilities. The ending was so ridiculously predictable. Alan Ladd playing a sort of B movie gun runner, Charles Boyer playing an Indian... the interest in this film being just how amusingly silly it was.
Did you know
- TriviaFilm debut of Jill St. John.
- ConnectionsReferenced in O Espectador que o Cinema Esqueceu (1991)
- How long is Thunder in the East?Powered by Alexa
Details
Box office
- Gross US & Canada
- $2,000,000
- Runtime
- 1h 37m(97 min)
- Color
- Aspect ratio
- 1.37 : 1
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